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  1.  26
    Poetics of Relation.Eric Prieto, Edouard Glissant & Betsy Wing - 1998 - Substance 27 (1):144.
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  2.  39
    Islands and Exiles: The Creole Identities of Post/Colonial Literature.Eric Prieto & Chris Bongie - 2000 - Substance 29 (1):153.
  3.  38
    Discours Sur le Metissage, Identites Metisses: En Quete d'Ariel.Eric Prieto & Sylvie Kande - 2000 - Substance 29 (3):138.
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  4.  1
    Literature, Geography, and the Postmodern Poetics of Place.Eric Prieto - 2013 - Palgrave-Macmillan.
    Eric Prieto is a professor of French and Comparative Literature at the University of California, Santa Barbara. He is the author of Listening In: Music, Mind, and the Modernist Narrative, and numerous essays on music-and-literature, literary spatiality, Caribbean literature, and literary theory.
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  5. Swung Subjectivity in Jacques Réda.Eric Prieto - 2010 - Paragraph 33 (2):230-245.
    This article uses Jacques Réda's theory of poetic swing to show how the traditional metrical analysis of poetic rhythm might be updated to better reflect the rhythmic intricacies of contemporary French literary language. It begins by situating Jacques Réda's rhythmic practices with respect to the deconstructive theories of rhythm and subjectivity espoused by Philippe Lacoue-Labarthe and Henri Meschonnic. Using the concept of swing, Réda seeks to show why certain rhythmic patterns feel ‘right’ to him, and how they enable him to (...)
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  6.  21
    A Musical Model of Mind: Listening In: Music, Mind, and the Modernist Narrative.Armine Kotin Mortimer & Eric Prieto - 2004 - Substance 33 (3):180.
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  7.  22
    Paris a L'Improviste: Jacques Reda, Jazz, and Sub-Urban Beauty.Eric Prieto - 2009 - Substance 38 (2):89-112.
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  8.  20
    Mimesis & Theory. Essays on Literature and Criticism, 1953–2005 (Review).Eric Prieto - 2011 - Substance 40 (3):141-145.