This chapter examines two premises of cognitive-behavioral therapy (CBT) - that emotions are caused by beliefs and that those beliefs are represented in the mind as words or images. Being a philosophical examination, the chapter also seeks to demonstrate that these two premises essentially are philosophical premises. The chapter begins with a brief methodological suggestion of how to properly evaluate the theory of CBT. From there it works it way from examining the therapeutic practice of capturing the mental representations (...) that supposedly elicit emotional reactions to examining the assumption that emotions are caused by beliefs. The chapter ends by briefly pointing to some consequences of what has been said to the practice of CBT. (shrink)

The aim of this chapter is to discuss the relevance that emotions can play in our epistemic life considering the state of the art of the philosophical debate on emotions. The strategy is the one of focusing on the three main models on emotions as evaluative judgements, bodily feelings, and perceptions, following the fil rouge of emotion intentionality for rising questions about their epistemic functions. From this examination, a major challenge to mainstream epistemology arises, the one that (...) asks to provide prominence to the epistemic agent and to her affects. This chapter discusses these implications, also providing an overview of the many alternatives available nowadays in epistemology, arguing for an open, comprehensive, and interdisciplinary approach to emotions in knowledge. (shrink)

Are emotions bodily feelings or evaluative cognitions? What is happiness, pain, or “being moved”? Are there basic emotions? In this chapter, I review extant empirical work concerning these and related questions in the philosophy of emotion. This will include both (1) studies investigating people’s emotional experiences and (2) studies investigating people’s use of emotion concepts in hypothetical cases. Overall, this review will show the potential of using empirical research methods to inform philosophical questions regarding emotion.

In the article the specificity of philosophy is considered as a path to spiritual-practical mastering of the world. The spiritual-practical structure of philosophy includes philosophic practice and philosophic consciousness. The latter actualizes in the forms of philosophic thinking and sensory-emotional reflection of reality. Philosophical sensuality has a wide range of manifestations, but its specificity is defined by the emotion of wonder. Wonder is a primal, basic emotion. Fear, curiosity, joy and a number of other emotions also belong (...) to the category of basic emotions. In religious studies the ’theory of fear’ attributes the origin of religion to experience of fear. In psychology of emotion the curiosity is considered as a source of cognitive interest and scientific cognition. Appropriately, it may be possible to propose the ’theory of curiosity’ and the ’theory of wonder’ to explain the origin of science and philosophy. In the context of the theories the science and the religion differ in their emotional sources from the philosophy. The status of wonder as a basic emotion defines the emotional sovereignty of philosophy, its independence from other ways of spiritual-practical mastering of the world. Author demonstrates the incapacity of interpretations of doubt and suffering as emotional origins of philosophy. Doubt as uncertainty is a derivative of faith and lacks the status of basic emotion. The suffering is an emotional tone of every sensation, a pair of the emotional tone of pleasure. It is impossible to consider the suffering as an origin of philosophy due to both the effect of twoness of pleasure and suffering and their status of emotional tones. In addition, suffering is an affect, the repetition and accumulation of which conduces to the emotional discharge, an affective explosion. Therefore, they cannot be the sources of cognitive motion. The cognitive potential of wonder is defined by its character as positive emotion allowing for accumulation of ’wonder points’. The wonder discovers cognitive dissonance and stimulates the cognition by means of expanding the subject field of philosophy and stating new questions. (shrink)

Over recent decades pain has received increasing attention as philosophers, psychologists and neuroscientists try to answer deep and difficult questions about it. What is pain? What makes pain unpleasant? How is pain related to the emotions? This volume provides a rich and wide-ranging exploration of these questions and important new insights into the philosophy of pain. Divided into three clear sections - pain and motivation; pain and emotion; and deviant pain - the collection covers fundamental topics in the (...) philosophy and psychology of pain. These include pain and sensory affect, the neuroscience of pain, pain and rationality, placebos, and pain and consciousness. Philosophy of Pain: Unpleasantness, Emotion, and Devianceis essential reading for students and researchers in philosophy of mind, philosophy of psychology, cognitive and behavioral psychology as well as those in health and medicine researching conceptual issues in pain. (shrink)

This Handbook presents thirty-one state-of-the-art contributions from the most notable writers on philosophy of emotion today. Anyone working on the nature of emotion, its history, or its relation to reason, self, value, or art, whether at the level of research or advanced study, will find the book an unrivalled resource and a fascinating read.

In lieu of an abstract, here is a brief excerpt of the content:The Philosophy of Emotion in Buddhist Philosophy (and a Close Look at Remorse and Regret)Maria HeimIt is an honor to guest-edit a special issue for the Journal of Buddhist Philosophy for its inaugural issue, and even more to be invited to write a somewhat longer article than is typically the privilege of the guest editor. It was thought that something of a broader statement of the (...) state of the field in this emerging subfield of philosophy might itself be useful in situating current work and aspirations for future endeavors.That the study of emotions in Buddhist philosophy is still in its infancy is somewhat surprising given that Buddhist texts offer 2,500 years of exceedingly fine-grained analyses and reflections on experience.1 It could be that scholars have been thrown off by the word "emotion" itself, given that the English term does not map easily onto Buddhist categories. No single term in any Buddhist language does exactly what "emotion" does. Of course, "emotion" does not map precisely onto premodern Western categories of experience (affections, passions, sentiments, and so on) either, and has a notably shallow history even in European contexts, dating in something like its current usage only to the early nineteenth century (see Dixon 2003 for this history). And if "emotion" fits only awkwardly with Buddhist categories, it should occasion no surprise that many of the debates and dichotomies preoccupying Western philosophy on emotions—is emotion affective or cognitive? Physical or mental? Socially constructed or universal? Are emotions feelings? Evaluations? Motivations?—ill fit the debates and discussions that Buddhist texts offer about experience. The modern [End Page 2] Western categories and terms of the discussion may well inhibit Buddhist philosophical participation in these debates.I have found that this predicament is best met by calling into question the putative universalism of the English term and the assumption that "emotion" names a natural or ontological category. Increasingly, philosophers and neuroscientists are casting doubt on the notion that emotion is a natural kind (Rorty 2004; Griffiths 2004; Barrett 2006, 2017). That emotion is not easy to distinguish from feelings, motives, moods, and propositional attitudes, and that lists of emotions, when elaborated, seem hardly to fall into a generic family of phenomena, suggesting that its boundaries and borders are not carved in nature. This has implications for how "emotions" are to be studied in the lab, as Lisa Feldman Barrett suggests; the natural-kind view "underlies the major questions, the experimental designs, and the interpretation of empirical findings that characterize emotion research as a domain of scientific inquiry," even while the empirical evidence increasingly suggests that this view is the "result of an error of arbitrary aggregation" (Barrett 2006). For reasons piling up in the empirical literature, it is coming to look less and less likely that the English term emotion carves nature at the joints.2This situation can help us shake free of "emotion" early on, even if we may not be able to part entirely with it. A special issue on "the philosophy of emotion" gestures toward the kinds of phenomena these papers take up, even if they vary in the extent to which they find "emotion" to be analytically useful when interpreting Buddhist texts. Indeed, stepping away from assumptions of English-language universalism clears the deck for looking at very different, but no less meticulous and reflective, ways of carving up experiences of the very sort we do get in Buddhist texts. The way forward, in my view, is to permit English words like emotion, affect, and feeling to open the door to the kinds of phenomena we might want to investigate. We can at the same time resist tightly defining what these English terms mean, defending the borders around them, or closely tethering Buddhist conceptions to them. Working with Buddhist categories and meta-categories suggests ways to treat experiences that are, from the ground up, different than the modern West. These in turn can interrupt its supposed universalism and offer fresh questions and interventions.For example, Emily McRae's paper in this issue on kleśas—dysfunctional mental states—offers a Buddhist intervention for how philosophers might reconfigure and aggregate experience differently... (shrink)

Cognitivism in the philosophy of emotion is the view that judgments are essential to any adequate understanding of the emotions. Non-cognitivists attempt to explain emotions independently of judgment. Against non-cognitivism, I deploy Peter Strawson's distinction between the "participant" and "objective" attitudes to show that the stark distinction non-cognitivists draw between emotions and triggering judgments cannot be maintained. I also counter efforts by non-cognitivists to dismiss cognitivism as mere "folk psychology" or methodologically suspect "conceptual analysis.".

What are emotions? What role do they play in our lives? Are emotions irrational responses or essential to theoretical and practical reasoning? Do they help us achieve goals? How do emotions feel? Because emotions occupy such a central place in our lives they have increasingly come under philosophical scrutiny. Today a complex body of thought exists on emotion, offering competing accounts of the interrelation between emotion, cognition, and feeling. The Philosophy of Emotion opens with a (...) clear overview of theories of emotion from Darwin and Freud to contemporary analysis in philosophy of mind and moral psychology. The book goes on to examine why emotions matter to us, exploring the connections with thought, judgment, sensation, moral value, aesthetic value, action, and the question of our responsibility for our emotions. The Philosophy of Emotion presents a comprehensive introduction to philosophical approaches to the emotions and the search to explain how and why emotions are valuable. (shrink)

Emotions punctuate almost all significant events in our lives, but their nature, causes, and consequences are among the least well understood aspects of human experience. It is easier to express emotions than to describe them and even harder to analyse and explain them. Despite their apparent familiarity, emotions are an extremely subtle and complex topic. Unfortunately, the topic was neglected by philosophers and scientists in the past. In recent decades, however, interest in the emotions has grown (...) considerably among scholars and students from many disciplines, as well as among the public at large. If there is to be any progress in this theoretically and practically important field, not only is a broad philosophical examination of basic concepts and issues essential, but also an interdisciplinary approach that combines philosophical analysis with other types of scientific research. The clarification of basic emotional concepts as well as the unification of linguistic usages across disciplines and natural languages are necessary for integrating the growing body of interdisciplinary emotional research. The contemporary philosophy of emotions is equipped for this integrative task. It can provide us with a better and more comprehensive picture of the nature of emotions. (shrink)

Although generally philosophers have put a high valuation on reason, increasingly the role of emotions in motivating action is being recognized. The essays in this volume explore the emotions from a variety of perspectives, ranging from Aristotelian views of the passions to the new findings of cognitive science, and from such diverse starting points as medieval literature and psychological studies.

Volume 32, Issue 6, August 2019, Page 992-999.

Experimental philosophy of consciousness aims to investigate and explain our thinking about phenomenally conscious states. Based on empirical studies, researchers have argued (a) that we lack a folk concept of consciousness, (b) that we do not think entities like Microsoft feel regret, (c) that unfelt pains are widely accepted, and (d) that people do not attribute phenomenally conscious states to duplicated hamsters. In this article, I review these and other intriguing claims about people’s understanding of phenomenal consciousness. In doing (...) so, I also show why experimental philosophy of consciousness is challenging, although perhaps not quite as daunting as studying phenomenal consciousness itself. (shrink)

This project aims to examine whether music has an emotional nature. I use the ancient Chinese text Music Has No Grief or Joy to construct three arguments for the illusion view, according to which music has no emotional nature and the emotional appearances of music are illusory. These arguments highlight representational inconstancy, expressive incapability, and evocative underdetermination as three ways to problematize the idea that music has an emotional nature. I draw on the Confucian tradition to formulate three responses to (...) the illusion view from representational reliability, expressive sincerity, and evocative appropriateness. These responses are shown to be inadequate. To examine the illusion view in detail, I adopt a comparative approach to structure a dialogue between ancient Eastern philosophy and contemporary Western philosophy. Nine arguments are constructed from three prominent approaches in contemporary Western musical aesthetics on the evocation, expression, and representation of emotion. I argue that each of these arguments reads emotion into music. Nevertheless, three insights emerge from the comparative discussion. The autonomy of emotional enjoyment, the possibility of emotional communication, and the function of emotional language in musical experiences call for explanations. I argue that the illusion view are amenable to these insights. The illusion view allows us to claim full ownership of emotional responses, have emotional communication by recognizing intended emotional meanings in music, and appreciate the practical value of emotional language in music industry and education. I formulate a possible objection on the basis of Charles Swann’s musical experience in Marcel Proust’s novel, according to which music has emotional agency in the formation of an emotion. This objection can be met and Swann’s musical experience can be integrated into the illusion view. The illusion view turns out to be experientially richer than it might appear at first. This project liberates musical listening and philosophical thinking from beliefs entrenched in the emotional illusion of music. (shrink)

One of the most important students of Franz Brentano was Anton Marty, who made it his task to develop a philosophy of language on the basis of Brentano’s analysis of mind. It is most unfortunate that Marty does not receive the attention he deserves, primarily due to his detailed and distracting polemics. In the analysis presented here his philosophy of language and other aspects of his thought, such as his ontology , are examined first and foremost in their (...) positive rather than critical character. The analysis is moreover supplemented by translations of four important works by Marty, including his entire work On the Origin of Language. These are in fact the first English translations of any substantial writings by him. The resulting picture that emerges from the analysis and translations is that Marty has much to say that proves to be of enduring interest for the philosophy of language on a range of topics, especially the meanings of statements, of emotive expressions, and of names as regards both their communicative and their ontological aspects. The volume will be of interest not only to philosophers and historians of philosophy, but also to historians of linguistics and psychology. (shrink)

This chapter contains sections titled: The Scientific Legitimacy of Mentalism? Cognitive Architecture and Massive Modularity Embodied, Situated, and Extended Cognition Concepts Mindreading Conclusion and Future Directions References.

This chapter contains sections titled: A Brave New (Sexual) World The Original Study “Let's get this party started”: How Friends with Benefits Relationships Were Established “Is this a good idea?” Motivations and Barriers to Friends with Benefits Relationships “How does it feel?” Emotions Associated with Friends with Benefits Relationships “Can we make this work?” Rules for Maintaining Friends with Benefits Relationships “Was it good for you?” Outcomes of Friends with Benefits Relationships “So, what do you think?” Friends' Reactions to (...) Friends with Benefits Relationships Friends with Benefits Relationships: The Good, the Bad, and the Ugly. (shrink)

Jesse Prinz argues that recent work in philosophy, neuroscience, and anthropology supports two radical hypotheses about the nature of morality: moral values are based on emotional responses, and these emotional responses are inculcated by culture, not hard-wired through natural selection. In the first half of the book, Jesse Prinz defends the hypothesis that morality has an emotional foundation. Evidence from brain imaging, social psychology, and psychopathology suggest that, when we judge something to be right or wrong, we are merely (...) expressing our emotions. Prinz argues that these emotions do not track objective features of reality; rather, the rightness and wrongness of an act consists in the fact that people are disposed to have certain emotions towards it. In the second half of the book, he turns to a defense of moral relativism. Moral facts depend on emotional responses, and emotional responses vary from culture to culture. Prinz surveys the anthropological record to establish moral variation, and he draws on cultural history to show how attitudes toward practices such as cannibalism and marriage change over time. He also criticizes evidence from animal behavior and child development that has been taken to support the claim that moral attitudes are hard-wired by natural selection. Prinz concludes that there is no single true morality, but he also argues that some moral values are better than others; moral progress is possible. Throughout the book, Prinz relates his views to contemporary and historical work in philosophical ethics. His views echo themes in the writings of David Hume and Friedrich Nietzsche, but Prinz supports, extends, and revises these classic theories using the resources of cutting-edge cognitive science. The Emotional Construction of Morals will stimulate and challenge anyone who is curious about the nature and origin of moral values. (shrink)

In his seminal work, Emotional Intelligence, Daniel Goleman suggests that the common view of human intelligence is far too narrow and that emotions play a much greater role in thought, decision-making and individual success than is commonly acknowledged. The importance of emotion to human experience cannot be denied, yet the relationship between law and emotion is one that has largely been ignored until recent years. However, the last two decades have seen a rapidly expanding interest among scholars of all (...) disciplines into the way in which law and the emotions interact, including the law's response to emotion and the extent to which emotions pervade the practice of the law. In The Emotional Dynamics of Law and Legal Discourse a group of leading scholars from both sides of the Atlantic explore these issues across key areas of private law, public law, criminal justice and dispute resolution, illustrating how emotion infuses all areas of legal thought. The collection argues for a more positive view of the role of emotion in the context of legal discourse and demonstrates ways in which the law could, in the words of Goleman, become more emotionally intelligent. (shrink)

Philosophers who discuss the emotions have usually treated amusement as a non-emotional mental state. Two prominent philosophers making this claim are Henri Bergson and John Morreall, who maintain that amusement is too abstract and intellectual to qualify as an emotion. Here, the merit of this claim is assessed. Through recent work in neuroanatomy there is reason to doubt the legitimacy of dichotomies that separate emotion and the intellect. Findings suggest that the neuroanatomical structure of amusement is similar to other (...) commonly recognized emotion states. On the basis of these it is argued that amusement should be considered an emotion. (shrink)

The first part of the text poses the question whether for Heidegger?s aesthetically relevant thought it is better to use older terms, such as?Heidegger?s Doctrine of Art? or?Heidegger?s Philosophy of Art?, or a more recent term?Heidegger aesthetics?? Does the term?Heidegger?s aesthetics? represent an?oxymoron? contrary to the intentions of Heidegger?s own philosophy, or does it signify a relevant aesthetic conception that has its own place in contemporary philosophical aesthetics? In order to answer these questions, the text considers Heidegger?s understanding (...) of aesthetics as a philosophical discipline and also the problems arising in connection with this designation. It argues that Heidegger?s concept of?overcoming aesthetics? represents the interpretation of his own philosophy of art developed in the essay The Origin of the Work of Art. The second part of the text follows the thesis that the Heidegger?s aesthetics contains the definitions of art and work of art, based on Heidegger?s analyses of freedom, basic moods, and emotions. This part of text follows a broader thesis, in which Heidegger?s philosophy as a whole can be understood as the phenomenology of freedom. Also, it discusses a special thesis that the concept of strife of Earth and world in The Origin of the Work of Art should be understood only on the background of the primordial struggle between concealment and unconcealment in the truth as the unconcealedness of beings. Further, the concept of strife is linked on a deeper level with the determination of finite human freedom and basic human moods. In light of that, Heidegger?s aesthetics is not only the heteronomous aesthetics of the work of art, but also the autonomous aesthetics of aesthetic experience articulated with respect to finite human freedom. The conclusion is that Heidegger?s aesthetics of truth understood as the philosophy of freedom, basic moods, and emotions, according to their inner intentions, is closer to the tradition of the aesthetics of sublime than the aesthetics of the beautiful. (shrink)

This booklet consists of a letter I wrote to Dr. Robert Solomon, a world-renowned philosopher of emotions. I used the evolutionary scheme of Ken Wilber as a context for critiquing much of Dr. Solomon's work on emotions...

현대 감정철학에서 데카르트의 감정이론은 윌리엄 제임스(William James)의 감정이론과 함께 감정은 신체적 변화의 결과로서 발생할 뿐인, 어떤 인지적 요소도 갖지 않는 비인지주의(non-cognitivism)로 분류된다. 실제로 데카르트와 제임스는 감정이 신체적 변화에 대한 반응 혹은 신체적 변화에 대한 지각이라는 주장을 한다. 즉 신체의 변화가 먼저 있고 그 다음에 감정이 발생한다고 주장하는 신체가 우선하는(body first) 이론이다. 하지만 이 논문에서는 데카르트와 제임스의 감정이론이 가진 공통점에도 불구하고 두 사람의 감정이론은 근본적으로 다르다는 것을 보여줄 것이다. 제임스의 감정이론에서 상황에 대한 ‘평가(appraisal)’는 감정의 요소가 아니지만, 반면 데카르트의 감정은 정신과 육체의 (...) 연합체의 안녕(well-being)에 도움이 되는 것과 해가 되는 것을 ‘지각(perceive)’ 혹은 ‘표상(represent)’하고 ‘평가’한다. 또한 데카르트의 감정은 우리 의지에 영향을 준다는 측면에서 ‘동기적인(motivational) 힘’도 가지고 있다. 이러한 주장을 통해서 데카르트는 현대 감정철학자들이 주장하듯이 비인지주의자가 아니며, 데카르트의 감정은 인지주의적인 요소를 가지고 있다는 것을 보여줄 것이다. 다만 이러한 인지주의적인 요소는 인지주의자들이 말하는 평가적 판단(evaluative judgment)이 아니며, 오히려 프린츠(J. Prinz)가 주장하는 ‘체화된 평가 이론(embodied appraisal theory)’에 가깝다는 점을 보여줄 것이다. (shrink)

The idea that humans are by nature social and political animals can be traced back to Aristotle. More recently, it has also generated great interest and controversy in related disciplines such as anthropology, biology, psychology, neuroscience and even economics. What is it about humans that enabled them to construct a social reality of unrivalled complexity? Is there something distinctive about the human mind that explains how social lives are organised around conventions, norms, and institutions? The Routledge Handbook of Philosophy (...) of the Social Mind is an outstanding reference source to the key topics and debates in this exciting subject and is the first collection of its kind. An international team of contributors present perspectives from diverse areas of research in philosophy, drawing on comparative and developmental psychology, evolutionary anthropology, cognitive neuroscience, and behavioural economics. The thirty-two original chapters are divided into five parts: _The Evolution of Social Mind_: including the social intelligence hypothesis, co- evolution of culture and cognition, ethnic cognition, cooperation; _Developmental and Comparative Perspectives_: including primate and infant understanding of mind, shared intentionality, and moral cognition; _Mechanisms of the Moral Mind:_ including norm compliance, social emotion, and implicit attitudes; _Naturalistic Approaches to Shared and Collective Intentionality_: including joint action, team reasoning and group thinking, and social kinds; _Social Forms of Selfhood and Mindedness_: including moral identity, empathy and shared emotion, normativity and intentionality. Essential reading for students and researchers in philosophy of mind and psychology, _The Routledge Handbook of Philosophy of the Social Mind _is also suitable for those in related disciplines such as social psychology, cognitive neuroscience, economics and sociology. (shrink)

Experimental methods and conceptual confusion : philosophy, science, and what emotions really are -- To 'make our voices resonate' or 'to be silent'? : shame as fundamental ontology -- Emotion, cognition, and world -- Shame and world.

Empirical work on and common observation of the emotions tells us that our emotions sometimes key us to the presence of real and important reason-giving considerations without necessarily presenting that information to us in a way susceptible of conscious articulation and, sometimes, even despite our consciously held and internally justified judgment that the situation contains no such reasons. In this paper, I want to explore the implications of the fact that emotions show varying degrees of integration with (...) our conscious agency—from none at all to quite substantial—for our understanding of our rationality, and in particular for the traditional assumption that weakness of the will is necessarily irrational. (shrink)

In The Emotional Sphere of Politics, Justin MacCarthy explores the premise that there are four sets of conflicting emotions (Security versus Freedom, Property versus Communality, Equality versus Status and Order versus Nature) which are an integral part of the human condition. Having these four pairs of contradictory needs makes it extremely difficult for party politicians to meet our expectations, as each party has a particular focus on just one single need. These party politicians promise us that increased adherence to (...) their particular dogma will lead us to Nirvana, but in fact it usually leads to excess and hubris. The most notorious example of excess is fascism, which is an ultra form of nationalism. But there are two sides to every coin, and all of the ideological excesses can be matched by political virtues. For example, the capitalist vice of greed can be offset by the virtue of philanthropy. MacCarthy sets out to show how these political forces neatly fit together into what is quite literally The Emotional Sphere of Politics, in three-dimensional form. The interrelationship of eight major political movements of the 20th century with our basic human emotions are each examined individually, from how 'Authoritarianism promises us Security', to how 'The Communists claim to be the Organisers of our resources for the benefit of all'. Similar to The Righteous Mind by Jonathan Haidt, it examines why people feel so differently about political issues, making this book is a fascinating read for anyone interested in politics. (shrink)

Philosophical discussions on beauty have a long history. The discussions manifest the ambiguity of the concept; meanings of beauty and its role as an explanatory power of diverse tangible and intangible phenomena vary between disciplines and theoretical points of view. What is the essence of beauty? The notions of beauty comprises opposing qualities by being simultaneously a timeless idea penetrating all cultures and a profoundly historical concept, whose focuses, definitions, and contents change in the process of time and vary between (...) different cultural contexts. The significance of beauty for man is undeniable: it is a driving force in cultural production and creative thinking and a source of diverse emotions ranging from exhilaration to religious devoutness. Philosophies of Beauty on the Move investigates the essence of beauty by exploring its ontological and epistemological terms of existence in order to understand the paradoxes of beauty. (shrink)

Examining the significance of the General’s enlightenment in the Platform Sutra, this article clarifies the fundamental role that emotions play in the development of one’s spiritual understanding. In order to do so, this article emphasizes that the way to enlightenment implicit in the story of the General and the Master involves first granting negative emotions a means for productive expression. By acting as a preparatory measure for calming the mind and surrendering control over it, human passions become a (...) necessary, antecedent condition to wisdom—a conclusion that this article argues is a major, and sometimes underappreciated, lesson embedded in the teachings of the Sixth Patriarch. (shrink)

It is widely taken for granted that fictions, including both literature and film,influence our attitudes toward real people, events, and situations. Philosopherswho defend claims about the cognitive value of fiction view this influence in apositive light, while others worry about the potential moral danger of fiction.Marketers hope that visual and aural references to their products in movies willhave an effect on people’s buying patterns. Psychologists study the persuasiveimpact of media. Educational books and films are created in the hopes of guidingchildren’s (...) and adult’s preferences toward socially acceptable norms.The influencesdiscussed by marketers, psychologists, educators, and philosophers tend to be bothcognitive and affective. It seems that we can be “emotionally persuaded”: ourpreferences can be changed, our feelings about particular people or events can beinfluenced, and so forth. (shrink)

(No abstract is available for this citation).

This edition of The Forefront of Research interviews Cecilea Mun about the recently created Journal of the Philosophy of Emotion. Cecilea Mun is the founding Director of the Society for the Philosophy of Emotion. She specializes in mind and emotion, epistemology, philosophy of science, feminist philosophy, and moral psychology.

In contemporary psychology and philosophy, influential theories approach the emotions via their relations to values and evaluations. My aim is to contribute to our understanding of how these evaluative theories in psychology and philosophy relate to one another. I first explain why this presupposes that we make up our minds about the relations between “molecular” and “molar” properties. The rest of my discussion explores some ways of understanding the relation between the molar and the molecular: as a (...) relation of epistemological support, of identity or of the determinable-determinates type. (shrink)