Using a sample of 124 managers and 248 subordinates, this study examines the mediating effect of subordinates’ job satisfaction in the relationship between ethical leadership and subordinate organizational citizenship and counter-productive work behaviour in the Colombian context. We additionally analyse the effect of ethical leadership on subordinates’ perception of leaders’ performance. Factor analyses of the ethical leadership scale revealed two factors, ethical person and ethical guidance, which were differentially associated to the outcomes. We offer an explanation from three cultural dimensions (...) by which Colombian employees seem to be more willing to follow leaders’ ethical example as a way to strengthen their membership to the leader's group, than leaders ethical disciplining by which norms are imposed. These findings have a number of implications for organizations and managers who aim to improve their employees’ behaviour. Our advice to them is that leaders’ deeds have a greater impact than their ethical words. (shrink)

This essay argues that a black radical Kantianism proposes a Kantian theory of justice in the circumstances of injustice. First, I describe BRK’s method of political critique and explain how it builds on Kant’s republicanism. Second, I argue that Kant’s original account of public right is incomplete because it neglects that a situated citizenry’s adoption of an ideal contributes to its refinement. Lastly, with the aid of W.E.B. Du Bois’s analysis of American Reconstruction and his proposal of an “abolition democracy,” (...) I offer my refined universalizable standard for political critique. Du Bois reconceptualizes the requirements of justice to protect the political liberties and productive powers of black freedmen and the working poor. While originating with the political demands of black freedmen during the Reconstruction era, the universal protection of political liberties and productive powers offers a novel public standard for political judgment that should still anchor deliberation today. (shrink)

La noción de interpretación desarrollada en el racionalismo crítico de Karl R. Popper muestra atributos específicos que la distinguen de modo sustancial de la interpretación constitutiva de la experiencia que tanto N. R. Hanson como Th. Kuhn defienden en sus respectivas propuestas. Se muestra que la interpretación del modelo popperia-no queda atrapada en una epistemología de corte empirista que la separa de modo radical de toda hermenéutica filosófica.

El ensayo explora los principios básicos y los supuestos teóricos del socialismo raizal propuesto por el sociólogo colombiano Orlando Fals Borda. Este socialismo es presentado como una propuesta enraizada en la Investigación Acción Participativa, haciendo énfasis en su origen en las experiencias históricas revolucionarias de los pueblos originarios y diversos sectores populares de América Latina. Igualmente, se resalta su contenido popular, humanista, democrático y epistémico. El ensayo también explora sus acercamientos y sus diferencias con el pensamiento de Marx.

In this essay, I challenge Charles Mills’s use of the category of moral personhood for advancing a robust anti-racist political critique in nonideal circumstances. I argue that the idea of the moral equality of persons is necessary but insufficient for reparative justice. I enrich the normative basis of political critique to include: (1) a clarification of what the public recognition of moral personhood can legitimately entail as a requirement of justice enforceable by the state, especially with respect to economic reforms (...) that advance equal opportunity and (2) a conception of non-alienated labor that assails identity-based occupational segregation in the labor market. These additional components do not exhaust the plausible bases for political critique, but enrich it in a way that the idea of moral equality alone cannot. (shrink)

En la obra de Nicol existe una concepción original de biopolítica que difiere de las teorías más conocidas. Parte de una concepción de la humanidad caracterizada por la tensión entre «comunidad histórica» y «especie natural»; y plantea una diferencia sustancial entre el mundo de la cultura-técnica-libertad vs. naturaleza biológica y necesidad. Nicol sostiene que en nuestra era la libertad humana decae, ya que la humanidad se está reduciendo a comportarse como una especie natural en lucha por su supervivencia ante la (...) posibilidad de un colapso civilizatorio. Por ello, formula una concepción de biopolítica que no solo consiste en un mecanismo para imponer control biológico sobre poblaciones humanas, pues descubre una nueva dimensión biopolítica surgida del predominio de la «razón de fuerza mayor», razón sistemática de extrema necesidad, que surge como consecuencia del posible colapso civilizatorio que se extiende globalmente, y que ha sido desencadenada por la expansión del poder tecnológico y la destrucción ecológica. El desenlace de este colapso sería un impensable retroceso de la humanidad al nivel de una especie biológica en lucha por su supervivencia colectiva, con la consecuente pérdida de fines históricos y decisiones libremente elegidas. Se analizan estas tesis críticamente y se evalúa su validez y sus consecuencias teóricas. (shrink)

This essay develops Kant’s theory of reform to theorize racial justice reform. I assess the function of Kant’s philosophy of race as part of his nonideal theory of justice, which offers a racist pragmatic anthropology that uses the concept of race to determine the practical effectiveness of legislative reason. His philosophy of race defends a teleological account of the natural history of the human species to fulfill the requirements of justice and assumes that certain racial groups have failed to develop (...) their innate capacity for legislative reason. I show that we need an alternative Kantian nonideal theory of justice that demonstrates how legislative reason actualizes practical freedom. Rather than appeal to anthropology, I expand Kant’s model of public reason to advance racial justice reform under the conditions of partial compliance to the requirements of justice in a profoundly nonideal republic such as the U.S. I then showcase the promise—and limits—of the a priori ideals of citizenship and publicity for racial justice reform and introduce the ideal of interracial civic fellowship to guide the public use of reason in nonideal circumstances. (shrink)

This chapter introduces W.E.B. Du Bois’s original political thought and his strategies for political advocacy. It is limited to explaining the pressure he puts on the liberal social contract tradition, which prioritizes the public values of freedom and equality for establishing fair and inclusive terms of political membership. However, unlike most liberal theorists, Du Bois’s political thought concentrates on the politics of race, colonialism, gender, and labor, among other themes, in order to redefine how political theorists and activists should build (...) a democratic polity that is truly free and equal for all. Additionally, this chapter defines some key concepts Du Bois developed to scrutinize a white-controlled world that does not welcome black and brown persons as moral equals. These trailblazing concepts include: the doctrine of racialism, double consciousness, and Pan-Africanism. Finally, this chapter defends Du Bois’s contributions to black feminist thought and American labor politics, which inspired major social justice movements in the twentieth century, in which he played a notable role. (shrink)

The article presents an analysis of the two-century development of the Russian intelligentsia, traces the transformation of views and ideas due to historical and socio-cultural foundations. The Russian intelligentsia is regarded as a very special phenomenon in the world, whose historical significance and basic idea are determined by the relationship with the state. It is proved that the main driving force of the development of the Russian intelligentsia changed depending on the political and ideological regime. Much attention is paid in (...) the article to the understanding of the phenomenon of the Russian intelligentsia in the present reality, traditional and acquired features in this historical period are considered. Its role in the formation of value orientations of modern society is analyzed. The author suggests that in the post-reform Russia of the XXI century there is no conceptual unity in the awareness of the "Russian intelligentsia". The intelligentsia itself to a greater extent today does not see itself as a recognized and clearly defined social group, its self-consciousness is fragmented and contradictory. The conclusion is made that the ideological form of the Russian intelligentsia was and remains its alienation from the state and hostility to it, brought up on abstract enlightenment schemes supplemented by cosmopolitanism and globalization, the modern intellectual continues to suffer from the lack of a healthy national identity. Today, when time dictates the need to move to a fundamentally new type of civilizational development, where the key question of the values that set the guidelines for this transition arises again, it is the intelligentsia, as a generator of the thought field, as two centuries ago, can play a major role. (shrink)

The article deals with the problem of the disciplinary identification of thephilosophy of music education. It explores alternative approaches to thephilosophy of music education and its relation to musical pedagogy. On thebasis of this analysis an account of the philosophy of music education as aphilosophical discipline is suggested and its specific function identified.

In lieu of an abstract, here is a brief excerpt of the content:Philosophy of Music Education Review 13.1 (2005) 37-75 [Access article in PDF] The Nature of Paradigms and Paradigm Shifts in Music Education Elvira Panaiotidi North Ossetian State Pedagogical Institute, Russia The advent of the praxial philosophy of music education in the mid-1990s and its systematic development in David Elliott's Music Matters: A New Philosophy of Music Education1 created an unprecedented situation in music education in North America. Having (...) brought to an end the monopoly of one theoretical approach, that of music education as aesthetic education (MEAE), it challenged the music education community with a choice. While Elliott tried to convince music educators of the falsity of MEAE and of the advantages of his own conception, Bennett Reimer and his proponents defended their position. The polemic between "aestheticians" and "praxialists," represented by the exchange between Reimer and Elliott in the Bulletin of the Council for Research in Music Education, 2 brought to light a methodological deficiency in music education theory, namely, its inability to provide tenacious theoretical footing which could help settle the dispute. How do changes in the theory and practice [End Page 37] of music education occur? What are the rational standards by which to judge theories? What is the nature and logic of a dynamic development in music education theory and practice? These and similar questions have remained largely unapproached by music educators.The present paper is an attempt to initiate a discussion on these issues by exposing one possible metatheoretical strategy. As the title suggests, the strategy I am going to employ is based on the concept of paradigm. This Greek term which was once used to describe Platonic ideas, nowadays broadly circulates in descriptions of transformative processes in nearly every domain of life: we hear about paradigm shifts in musicology, the job market and tax policy, genetics, and so on. It is usually used as a kind of unproblematic category with a precisely defined and commonly accepted meaning, so that no indication of the origin of its usage in a given context is provided. In most cases, however, it turns out that "paradigm shift" is equivalent to and stands for "change" of whatever type, scope, or depth and is preferred because it is a mode or perhaps because it sounds more pretentious. In contrast to this tendency, both "paradigm" and "paradigm shift" are taken here most seriously and their usage is intimately related to the tradition in philosophy of science established by Thomas S. Kuhn's The Structure of Scientific Revolutions.3 This may appear dubious after we have been recently told that the impact of this book and the very concept of paradigm have "been largely, but not entirely, for the worse," namely, "to dull the critical sensibility of the academy" and "to kill the historicist impulse."4 "Kuhnification," it has been argued, is responsible for the suppression of free inquiry and bringing about "paradigmitis," a syndrome characterized by "a collective sense of historical amnesia and political inertia."5 Nonetheless, it is my contention that the paradigm approach per se is not dismissed by the criticism of Kuhn's conception and can be modified in such a way as to be made fruitful for structuring music education discourse and the explication of theory development in music education. To show how this is possible is the task before me.Underlying this project is the idea that theory development in music education can be adequately grasped and appraised in terms of more general units than specific theories which I shall call paradigms. That I am giving preference to this term and not choosing another from the group of providers of the conceptual framework that have been suggested throughout the history—"research tradition" (Laudan), "research programme"(Lakatos), "comprehensive cosmological point of view" (Feyerabend)—is that I find it more pertinent: it is neutral enough and allows for modifications which are necessary in view of the specific nature of music education discourse.In what follows, I will begin with an examination of Peter Abbs' account of paradigms and paradigm shifts in arts education. I... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy of Music Education Review 13.1 (2005) 37-75 [Access article in PDF] The Nature of Paradigms and Paradigm Shifts in Music Education Elvira Panaiotidi North Ossetian State Pedagogical Institute, Russia The advent of the praxial philosophy of music education in the mid-1990s and its systematic development in David Elliott's Music Matters: A New Philosophy of Music Education1 created an unprecedented situation in music education in North America. Having (...) brought to an end the monopoly of one theoretical approach, that of music education as aesthetic education (MEAE), it challenged the music education community with a choice. While Elliott tried to convince music educators of the falsity of MEAE and of the advantages of his own conception, Bennett Reimer and his proponents defended their position. The polemic between "aestheticians" and "praxialists," represented by the exchange between Reimer and Elliott in the Bulletin of the Council for Research in Music Education, 2 brought to light a methodological deficiency in music education theory, namely, its inability to provide tenacious theoretical footing which could help settle the dispute. How do changes in the theory and practice [End Page 37] of music education occur? What are the rational standards by which to judge theories? What is the nature and logic of a dynamic development in music education theory and practice? These and similar questions have remained largely unapproached by music educators.The present paper is an attempt to initiate a discussion on these issues by exposing one possible metatheoretical strategy. As the title suggests, the strategy I am going to employ is based on the concept of paradigm. This Greek term which was once used to describe Platonic ideas, nowadays broadly circulates in descriptions of transformative processes in nearly every domain of life: we hear about paradigm shifts in musicology, the job market and tax policy, genetics, and so on. It is usually used as a kind of unproblematic category with a precisely defined and commonly accepted meaning, so that no indication of the origin of its usage in a given context is provided. In most cases, however, it turns out that "paradigm shift" is equivalent to and stands for "change" of whatever type, scope, or depth and is preferred because it is a mode or perhaps because it sounds more pretentious. In contrast to this tendency, both "paradigm" and "paradigm shift" are taken here most seriously and their usage is intimately related to the tradition in philosophy of science established by Thomas S. Kuhn's The Structure of Scientific Revolutions.3 This may appear dubious after we have been recently told that the impact of this book and the very concept of paradigm have "been largely, but not entirely, for the worse," namely, "to dull the critical sensibility of the academy" and "to kill the historicist impulse."4 "Kuhnification," it has been argued, is responsible for the suppression of free inquiry and bringing about "paradigmitis," a syndrome characterized by "a collective sense of historical amnesia and political inertia."5 Nonetheless, it is my contention that the paradigm approach per se is not dismissed by the criticism of Kuhn's conception and can be modified in such a way as to be made fruitful for structuring music education discourse and the explication of theory development in music education. To show how this is possible is the task before me.Underlying this project is the idea that theory development in music education can be adequately grasped and appraised in terms of more general units than specific theories which I shall call paradigms. That I am giving preference to this term and not choosing another from the group of providers of the conceptual framework that have been suggested throughout the history—"research tradition" (Laudan), "research programme"(Lakatos), "comprehensive cosmological point of view" (Feyerabend)—is that I find it more pertinent: it is neutral enough and allows for modifications which are necessary in view of the specific nature of music education discourse.In what follows, I will begin with an examination of Peter Abbs' account of paradigms and paradigm shifts in arts education. I... (shrink)

This article presents the stance taken by José Ortega y Gasset in the debate that took place in early-twentieth-century Spain regarding the convenience of reading Don Quixote in schools. To this end, we start by describing, albeit briefly, the state of Ortega y Gasset’s thought in 1920, when he writes Biología y pedagogía, the essay with which we shall concern ourselves. According to Ortega y Gasset, Don Quixote must not be read in the classroom because it does not contribute to (...) the development of the students’ spontaneous life, or natura naturans. In order to foster this development, Ortega y Gasset suggests leaving Don Quixote aside and resort to myths such as Odysseus or Heracles because their exploits would excite the students’ vital pulse. However, we suggest several reasons why the aim stated by Ortega y Gasset —and several other highly valuable educational benefits— could be reached resorting to the reading of selected passages of Don Quixote instead of the feats of Odysseus and Heracles. (shrink)

This article applies Charles W. Mills’ notion of the domination contract to develop a Kantian theory of justice. The concept of domination underlying the domination contract is best understood as structural domination, which unjustifiably authorizes institutions and labour practices to weaken vulnerable groups’ public standing as free, equal and independent citizens. Though Kant’s theory of justice captures why structural domination of any kind contradicts the requirements of justice, it neglects to condemn exploitive gender- and race-based labour relations. Because the ideal (...) of civic equality must position all persons as co-legislators of the terms of political rule, the state must dismantle exploitive race- and gender-based labour relations for all persons to command political power as civic equals. (shrink)

RESUMENAl analizar si Ludwig Wittgenstein mantiene una posición fundamentalista en Sobre la certeza, suele discutirse si la citada obra se adapta al modelo de fundamentalismo propuesto por Avrum Stroll. Tras exponer las líneas básicas de dicho modelo, en esta nota se mantiene que Sobre la certeza no se adapta al modelo de Stroll debido al importante papel que Wittgenstein concede al contextualismo. Además, se añade que Wittgenstein no puede ser calificado de fundamentalista porque no reconoce ninguna propiedad que, sin tener (...) en cuenta la diversidad de casos particulares, permita justificar de forma conjunta todas nuestras creencias básicas.PALABRAS CLAVEWITTGENSTEIN, FUNDAMENTALISMO, CONTEXTUALISMO, CERTEZAABSTRACTDid Wittgenstein hold a foundationalist position in On Certainty? When this question is tackled, it is often discussed, whether On Certainty fits in the foundationalist model devised by Avrum Stroll. After expounding the main lines of this model, I hold that On Certainty does not fit in Stroll’s model, because of the important role Wittgenstein attaches to contextualism. Furthermore, I add that Wittgenstein cannot be seen as a foundationalist –or a coherentist–, because he does not admit any feature in virtue of which the whole of our basic beliefs are justified without considering circumstances at all.KEYWORDSWITTGENSTEIN, CERTAINTY, FOUNDATIONALISM, CONTEXTUALISM. (shrink)

El interés de los críticos e investigadores en la obra de Felisberto Hernández se ha incrementado desde su inserción en el campo cultural a través de las valoraciones de Italo Calvino y de Julio Cortázar. No obstante, la intersección entre la literatura y la música en la obra de Felisberto Hernández no ha sido suficientemente atendido a pesar de la evidente amalgama entre ambos campos. Esta investigación intenta saldar ese adeudo mediante un análisis interdisciplinario que permita decodificar la presencia de (...) la música en la obra de Felisberto Hernández y su contribución a la narrativa de este autor. El conocimiento musical y la experiencia como intérprete de Felisberto Hernández se traducen en su obra no solo a través del empleo de un imaginario musical, sino también a partir de la presencia de estructuras propias del discurso musical entre las cuales sobresale la organización del relato a partir de macroformas y de microformas, del uso de la dinámica – tanto por planos sonoros como por reguladores –, de la agógica y de los silencios como ejes del discurso narrativo. (shrink)

Elvira Mayordomo and Wolfgang Merkle The Bulletin of Symbolic Logic, Volume 19, Issue 1, Page 135-136, March 2013.

This article analyses the concept of “the loss of time” in the essays of Mircea Eliade. This concept is shown to be an instrument of knowledge and a form of freedom that saves the human being from falling into historicity, and opens a point of access towards authenticity. The article critically discusses the temporal alternatives of the modern human being: capitalized time, free time, and personal time. The loss of time is subsequently shown to be both a technique for obtaining (...) salvation, and a domination technique de- scribed in scientific works. Finally, the invitation of losing time is seen as a re-activation of an a priori structure that makes possible the “humanitarian engagement” of Eliade in order to re-actualize the sacred at the conscious level of the modern human being, as well as an attempt at revalorization of parusia for the religious Christian. (shrink)

he article analyzes The Letters for a Provincial, addressed by Mircea Eliade to a hypothetical provincial in order to prepare access to the capital city. The letters are written so as to dislocate the provincial from a cultural model built on fake values and prejudices. From a mere pretext, the letters are turned into a symbolic act through which the historian of religions assumes, on the one hand, the destiny of a messenger of a new humanism, and, on the other (...) hand, transforms the modern areligious man into a destination point for whom the provincial is the archetype. Thus, in all of Eliade’s works one can trace the same pattern of dislocation of the partial man, disconnected from archetypes and milestones, in order to re-install him on the road towards the Center, through anthropology structured on cosmic reintegration, alchemy or androgyny in the books of the Romanian period, recovery of the eternal recursion in the Western treatises, and also through the theory of the irecognoscibility of the miracle, in his last essays. The end of the article proposes an answer from the present provincial, who for Eliade was still in the future, an answer showing that the messages of the historian of religions are not reaching him, because he has lost the road towards the Center; moreover, he is situated in an ill-fated extraterritoriality, that is made possible through the great integrations at a horizontal level, and his chance would be the return to the story. (shrink)

La humanidad evolucionó durante milenios para desarrollar unas características biológicas, culturales, cognitivas y simbólicas comunes, que han posibilitado la expansión de nuestra especie por toda la Tierra y el desarrollo cultural y tecnológico de nuestra era. En este artículo exploramos someramente las ideas del ser humano, proyecciones simbólicas de lo que hemos aspirado a ser, y nos concentramos en la idea moderna autopoiética o de autotransformación, que en nuestro tiempo está postulando la necesidad y posibilidad de una transmutación radical de (...) nuestra especie mediante las bio y neuro tecnologías, generando lo que se denomina «antropotecnologías». El transhumanismo o movimiento de automutación radical de la especie humana nos conducirá, probablemente, a un objetivo que alterará la historia de la humanidad y que, por tanto, debe ser revisado y evaluado desde una perspectiva filosófica y ética por sus profundas consecuencias. (shrink)

RESUMENLas nanotecnologías constituyen actualmente elsector másinnovador y desafiante en el desarrollo tecnocientífico-industrial. Dado que nuestrastecnociencias no son capaces de crearsistemas que sean tanto o más consistentes, más estables y autosustentables que los sistemas naturales, son necesarias e indispensables la supervisión y la regulación prudencial y precautoria de sus efectos y consecuencias, esperadas e inesperadas, mediante un debate público con amplia participación democrática. La nanoética es una forma de poner en acción una racionalidad colectiva prudencial que, en vistas del alcance omniabarcador (...) de las nanotecnologías, tiene que ser construida a partir de principios éticos de alcance global y debe tener un carácter prospectivo.PALABRAS CLAVENANOTECNOLOGÍA, REGULACIÓN, RIESGO TECNOLÓGICO, NANOÉTICAABSTRACTNowadays nanotechnologies constitute the most innovative and challenging sector in technoscientific-industrial development. Our technosciences aren’t capable of generating equally or more consistent stable and self-sufficient systems than natural systems. Therefore, supervision together with reasonable and precautionary regulation of their effects and consequences -being these expected or unexpected-, in the form of public debate with ample democratic participation proves to be necessary. Nanoethics is a way of starting a reasonable collective rationality movement which, in view of the all-containing span of nanotechnologies, must be constructed from ethic principles that have a global reach and must as well have a prospective character.KEYWORDSNANOTECHNOLOGY, REGULATION, TECHNOLOGICAL RISK, NANOETHICS. (shrink)

The article carries out a critical analysis of Arthur Kiefer's methodology (described in the “Ecclesiastes and the meaning of life in the ancient world”, Cambridge University Press, 2022), namely his concept of “meaning of life” applied to the analysis of the book of Ecclesiastes. The core argument made here is that the “threefold conceptual scheme” of the meaning of life, borrowed from the field of empirical psychological research (coherence – purpose – significance), cannot be effective in the analysis of theological (...) or philosophical texts, which involve a high level of generalization. On the other hand, since the concept of “meaning of life” is absent from the language of Ecclesiastes and other ancient texts, and its own meaning is extremely vague, it is unable to play the role of a useful analytical tool. (shrink)

This article attempts to present the human face of Antonio Millán-Puelles, as well as his philosophical contributions. Rafael Alvira, one of his closest disciples explains here Millán-Puelles philosophical thinking from within. It describes the philosophical path followed by Millán-Puelles for the sake of liberty, objectivity and philosophical realism.

Vor dem Hintergrund von Heinrich Wölfflins Kunstgeschichtlichen Grundbegriffen (1915) untersucht der Beitrag anhand kennerschaftlicher und formalistischer Forschungsansätze des 20. Jahrhunderts die Verwendung von Metaphern für die Beschreibung von graphischen Kunstwerken. Mittels musikalischer und anthropomorpher Begriffe wird gezeigt, wie sich insbesondere Metaphern mehr als andere sprachliche Mittel oder Begrifflichkeiten je nach methodischer Ausrichtung für Argumentationen vereinnahmen ließen und Konnotationen entsprechend wechseln konnten. Zugleich eignet ihnen ein besonderes rezeptionsästhetisches Potenzial, mit dem Kunstwerke scheinbar ›intuitiver‹ erfasst werden können.