This paper examines the idea that straight talk can actually pose certain dangers for democracy by asking two interrelated questions. First, does our belief in the importance of sincerity necessarily improve political deliberation? Second, does our belief cause us to under-appreciate other important communicative resources? We will see that much hinges on our answers to these questions because they deal directly with whose voices are to be considered legitimate and authoritative in our public sphere. This paper begins from a deliberative (...) democratic standpoint: democracy is a logocentric enterprise—that is, language is at the center of democratic political projects. So it is critical that we pay attention to how we evaluate political words. Otherwise, not only can we not really understand what is going on in the public sphere, but we are also more likely to make poor judgments about what sort of speech and speakers make our democracy more robust. -/- To explore these questions, this paper examines the discourse ethics that underwrite much of deliberative democratic theory (section I). It then goes on to discuss some of the dangers that the particular ethic of sincerity poses for democratic communication. The paper argues that the emphasis on sincerity: -/- 1) too easily collapses the relation between claims to truthfulness and truth claims and contributes to an undemocratic epistemology; 2) oversimplifies human psychology, ignoring the possibility of multiple and complexly related intentions; 3) denigrates “rhetorical” forms of speech; and 4) privileges a seemingly non-rhetorical mode of communication: hyper-sincerity. (shrink)

A growing frustration with “spin doctors,” doublespeak, and outright lying by public officials has resulted in a deep public cynicism regarding politics today. It has also led many voters to seek out politicians who engage in “straight talk,” out of a hope that sincerity signifies a dedication to the truth. While this is an understandable reaction to the degradation of public discourse inflicted by political hype, Elizabeth Markovits argues that the search for sincerity in the public arena actually constitutes a (...) dangerous distraction from more important concerns, including factual truth and the ethical import of political statements. Her argument takes her back to an examination of the Greek notion of _parrhesia_, and she draws from her study of the Platonic dialogues a nuanced understanding of this ancient analogue of “straight talk.” She shows Plato to have an appreciation for rhetoric rather than a desire to purge it from public life, providing insights into the ways it can contribute to a fruitful form of deliberative democracy today. (shrink)

A growing frustration with “spin doctors,” doublespeak, and outright lying by public officials has resulted in a deep public cynicism regarding politics today. It has also led many voters to seek out politicians who engage in “straight talk,” out of a hope that sincerity signifies a dedication to the truth. While this is an understandable reaction to the degradation of public discourse inflicted by political hype, Elizabeth Markovits argues that the search for sincerity in the public arena actually constitutes a (...) dangerous distraction from more important concerns, including factual truth and the ethical import of political statements. Her argument takes her back to an examination of the Greek notion of _parrhesia_, and she draws from her study of the Platonic dialogues a nuanced understanding of this ancient analogue of “straight talk.” She shows Plato to have an appreciation for rhetoric rather than a desire to purge it from public life, providing insights into the ways it can contribute to a fruitful form of deliberative democracy today. (shrink)

In Knights, Aristophanes represents the dangers of parrhēsia run amuck with the near-destruction of an elderly man’s Athenian household by Paphlagon. In this setting, Paphlagon’s invocations of his own parrhēsia and goodwill become a destructive form of flattery, causing chaos in the household and threatening its viability. This article begins with a discussion of the problem of parrhēsia in democratic Athens and the ways in which Cleon exemplified those problems. Moving to an examination of Aristophanes’ Knights, the author tracks the (...) playwright’s exploration and response. Aristophanes uses the figure of the elderly Demos as a metaphor for the decline of the city, allowing him to both critique the demos and to align himself with it. Moreover, even as he must win the audience over in order to achieve the theatrical success he craves, Aristophanes removes himself from the perverse logic of dēmophilia-turned-pandering by claiming to be motivated not by goodwill for the audience, but by his hatred of Cleon, an enemy shared by both the playwright and the city. (shrink)

In Knights, Aristophanes represents the dangers of parrhēsia run amuck with the near-destruction of an elderly man’s Athenian household by Paphlagon. In this setting, Paphlagon’s invocations of his own parrhēsia and goodwill become a destructive form of flattery, causing chaos in the household and threatening its viability. This article begins with a discussion of the problem of parrhēsia in democratic Athens and the ways in which Cleon exemplified those problems. Moving to an examination of Aristophanes’ Knights, the author tracks the (...) playwright’s exploration and response. Aristophanes uses the figure of the elderly Demos as a metaphor for the decline of the city, allowing him to both critique the demos and to align himself with it. Moreover, even as he must win the audience over in order to achieve the theatrical success he craves, Aristophanes removes himself from the perverse logic of dēmophilia-turned-pandering by claiming to be motivated not by goodwill for the audience, but by his hatred of Cleon, an enemy shared by both the playwright and the city. (shrink)

Intergenerational justice and democratic theory -- A narrative turn -- Archê, finitude, and community in Aristophanes -- Mothers, powerlessness, and intergenerational agency in Euripides -- Freedom, responsibility, and transgenerational orientation in Aeschylus -- Art, space, and possibilities for intergenerational justice in our time.