8 found
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  1.  84
    Aboriginal painting: Identity and authenticity.Elizabeth Burns Coleman - 2001 - Journal of Aesthetics and Art Criticism 59 (4):385–402.
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  2.  47
    Appreciating "Traditional" Aboriginal Painting Aesthetically.Elizabeth Burns Coleman - 2004 - Journal of Aesthetics and Art Criticism 62 (3):235-247.
  3. Cultural Property and Collective Identity.Elizabeth Burns Coleman - 2006 - In Stefan Herbrechter (ed.), Returning (to) Communities: Theory, Culture and Political Practice of the Communal. Brill.
  4.  44
    A Broken Record: Subjecting ‘Music’ to Cultural Rights.Elizabeth Burns Coleman, Rosemary J. Coombe & Fiona MacArailt - 2009 - In James O. Young & Conrad G. Brunk (eds.), The Ethics of Cultural Appropriation. Wiley-Blackwell. pp. 173–210.
    This chapter contains sections titled: Introduction Tradition and Modernity: Culture, Works and Others Record Collection and Salvage Paradigms Preserving Indigenous ‘Music’: Rights and Responsibilities The Harms of Appropriation Information Society Rights‐Based Arguments for Restitution and Limited Properties Repatriation and Recollection Conclusion Acknowledgments References.
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  5.  16
    Art and Ethical Criticism.Elizabeth Burns Coleman - 2010 - Australasian Journal of Philosophy 88 (2):375-376.
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  6.  8
    Aboriginal Art, Identity and Appropriation.Elizabeth Burns Coleman - 2005 - Routledge.
    The belief held by Aboriginal people that their art is ultimately related to their identity, and to the continued existence of their culture, has made the protection of indigenous peoples' art a pressing matter in many postcolonial countries. The issue has prompted calls for stronger copyright legislation to protect Aboriginal art. Although this claim is not particular to Australian Aboriginal people, the Australian experience clearly illustrates this debate. In this work, Elizabeth Burns Coleman analyses art from an Australian Aboriginal community (...)
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  7.  16
    Privacy and the public interest.Elizabeth Burns Coleman & Caron Eastgate Dann - 2016 - Empedocles: European Journal for the Philosophy of Communication 7 (1):57-70.
    Privacy laws are fundamental to protecting individual freedom and autonomy against the tyranny of the majority, and the social orthodoxy imposed through gossip. While it is widely recognized within academic debate that there are limits to freedom of expression, there is little debate about the limits to the right of privacy. We argue that the public interest is a limit to the right of privacy, mediating between the rights of expression and freedom and the flow of information. In doing so, (...)
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  8.  34
    The Offenses of Blasphemy: Messages in and through Art. [REVIEW]Elizabeth Burns Coleman - 2011 - Journal of Value Inquiry 45 (1):67-84.