Animal Suffering: Philosophy and Culture explores the multifaceted moral meanings allocated to non-human suffering in contemporary Western culture.

Most moral theorists agree that it is one thing to believe that someone has slighted you and another to resent her for the insult; one thing to believe that someone did you a favor and another to feel gratitude toward her for her kindness. While all of these ways of responding to another's conduct are forms of moral appraisal, the reactive attitudes are said to 'go beyond' beliefs in some way. We think this claim is adequately explained only when we (...) take seriously the fact that reactive attitudes are emotions. In this paper, we appeal to insights of the emotions literature to highlight one key way in which reactive attitudes go beyond beliefs: beliefs about a person and her morally significant conduct merely ascribe to the person the property of having performed a morally significant action, while reactive attitudes are ways of experiencing that person as having performed a morally significant action. We then suggest that appreciating this is a crucial first step toward understanding why reactive emotions play roles in our practices around responsibility that beliefs do not. (shrink)

Before 1800 nothing was irrelevant. So argues Elisa Tamarkin's sweeping cultural history of a key shift in consciousness: the arrival, around 1800, of "relevance" as the means to grasp how something previously disregarded becomes important and interesting. At a time when so much makes claims to attention every day, how does one decide what is most valuable right now? This is not only a contemporary problem. For Ralph Waldo Emerson, the question for the nineteenth century was how, in the (...) immensity and "succession" of objects, anything becomes a proper object of experience. How that question was finally defined as one of relevance is the story of Apropos of Nothing. Relevance, Tamarkin shows, was primarily an Anglo-American concept. It engaged major intellectual figures, centrally the pragmatists-William James, Alain Locke, and John Dewey-and before them thinkers including Emerson and Alfred North Whitehead. Most of all, relevance was a problem for the worlds of art, literature, education, and criticism. These were fascinated by how old, boring, distant, or unfamiliar things get taken in; how they are admitted as meaningful; how they come home to us like the ludicrous raven comes to Edgar Allan Poe's student in the middle of the night in some obscure connection with himself. Many nineteenth-century American artists saw their paintings as pragmatic works that make relevance-that suggest versions of events that feel apropos of our world the moment we see them. (Tamarkin's book is richly illustrated, in color, with works by Winslow Homer, Abbott Handerson Thayer, Edgar Degas, and others.) Relevance remains a conundrum, especially for the humanities. It obliges us to say why we admit Poe's poem-or, say, a line of Emerson's-is interesting enough to study it, to dedicate ourselves to understanding it, to affirming that this effort is, in Emerson's words, "relevant to me and mine, to nature, and the hour that now passes.". (shrink)

The Kleinian psychoanalyst Hanna Segal argues for the reparative nature of art, and especially of the genre of classical tragedy. According to Kleinian theory, healthy psychological development requires that early infantile aggressive and destructive emotions are worked through; such “working through” is necessary for the development of conscience, for feelings of empathy, as well as for cognitive development. It is also a necessary condition for creative activity. Segal examines the roots of the impulse to create by looking specifically at the (...) genre of classical tragedy; she argues that the pleasure we derive from tragedy is non-contingently related to the distressing elements of the drama. Thus not only are the formal and aesthetic elements important for the containment of powerfully distressing emotions, but the distressing emotions themselves are a necessary ingredient of the aesthetic pleasure This paper will examine Segal’s discussion of tragedy in the light of her commitments to Kleinian theory, and it will attempt to explore more fully the contributions of difficult or painful emotions towards aesthetic pleasure. (shrink)

This study focuses on the devices implemented in classical Indian texts on ritual and language in order to develop a structure of rules in an economic and systematic way. These devices presuppose a spatial approach to ritual and language, one which deals for instance with absences as substitutions within a pre-existing grid, and not as temporal disappearances. In this way, the study reveals a key feature of some among the most influential schools of Indian thought. The sources are Kalpasūtra, Vyākaraṇa (...) and Mīmāṃsā, three textual traditions which developed alongside each other, sharing - as the volume shows - common presuppositions and methodologies. The book will be of interest for Sanskritists, scholars of ritual exegesis and of the history of linguistics. - Cover. (shrink)

In this paper, we look at installation art through the lens provided by the notion of “affective artifact” (Piredda 2019). We argue that affective character is central to some works of installation art and that some of those works can expand our knowledge of our affective lives, while others can contribute to the construction of our identities. Sections (2), (3), and (4) set the stage for our discussion of affective installation artworks by, respectively, situating it within the debate on affective (...) artifacts, looking at some general issues concerning the affective character of artworks, and sketching out a view of the ontology of installation art. In section (5), we discuss the affective character of six works of installation art. In section (6), we show how those artworks can reveal aspects of who we are. Section (7) concludes. (shrink)

Shared intention normally leads to joint action. It does this, it is commonly said, only because it is a characteristically stable phenomenon, a phenomenon that tends to persist from the time it is formed until the time it is fulfilled. However, the issue of what the stability of shared intention comes down to remains largely undertheorized. My aim in this paper is to remedy this shortcoming. I argue that shared intention is a source of moral and epistemic reasons, that responsiveness (...) to such reasons on the part of each individual reinforces her own relevant attitudes, and that this enhances the stability of the shared intention as a whole. We thus discover an important self-reinforcing and stability-enhancing mechanism at the heart of shared intention and action. It follows from this proposal that the psychological commitment that an individual exhibits in joint action is normally a function not only of her own participatory intention, as often maintained, but also of her endorsement of the reasons created by her group’s shared intention to so act. (shrink)

Este nuevo volumen de "Estudios Interdisciplinares" reúne diversas reflexiones que abordan el problema de lo natural y de lo artificial en el marco de la cultura humana. Lo natural y lo artificial son siempre parte de la naturaleza real. Pero la acción humana debe ser creadora de cultura y, por ello, tanto su vinculación a la naturaleza como su acción creadora de un mundo de artefactos posibles deben estar siempre al servicio de la especie humana, es decir, al servicio de (...) la calidad existencial y de la dignidad del hombre. (shrink)

La circulation du savoir philosophique à travers les traductions du grec au syriaque, du grec à l'arabe, du syriaque à l'arabe, de l'arabe au latin forme, depuis un siècle et plus de recherches savantes, un domaine scientifique à part entière. Ce volume réunit des spécialistes des disciplines du domaine voulant rendre hommage à un collègue dont l'activité a ouvert une voie, Henri Hugonnard-Roche. Spécialiste de la transmission du grec au syriaque de la logique aristotélicienne, Henri Hugonnard-Roche a montré par ses (...) recherches la continuité entre la philosophie de l'Antiquité tardive et la pensée des chrétiens de langue syriaque d'un côté, des savants musulmans écrivant en arabe, de l'autre. Réunis souvent par ce que Werner Jaeger avait autrefois désigné comme 'la portée œcuménique de l'Antiquité classique', des musulmans et des chrétiens faisant partie d'un cercle philosophique se penchaient, dans la ville de Bagdad au Xe siècle, sur le texte d'Aristote. Leur 'Aristote' était souvent celui de l'Antiquité tardive : l'Aristote de l'école néoplatonicienne d'Alexandrie que les intellectuels de la Syrie chrétienne avaient déjà rencontré quelque quatre siècles auparavant et qu'ils avaient traduit, en même temps que Galien, et parfois commenté. Des noms presque inconnus comme celui de Sergius de Resh'ayna (mort en 536) commencent dans nos manuels à en côtoyer d'autres bien plus connus, comme celui de Boèce, grâce aux recherches de Henri Hugonnard-Roche. (shrink)

Este texto é a primeira parte do terceiro capítulo de minha tese de doutoramento - MÁRIO DE ANDRADE, PLURAL . Aí, tenta-se a produção de um biografema à maneira de Roland Barthes, de quem é a epígrafe do capítulo. O biografema é uma livre-produção textual na medida em que não deriva de significado , mas, enfatizando imagens, cenas, gestos, fragmentos textuais, pulsões, opera significancias. O biografema não dispensa a biografia - usa-a, desmembra-a, desgasta-a. Disseminação, o biografema não hesita em lançar (...) mão de todos os operadores de linguagem à disposição. Se a biografia opera com dados, instituindo a verossimilhança no biografado, o biografema retém o arbitrário na produção do ser-de-tinta que imprime no papel.Ce texte est une partie du troisième chapitre de mon Doctorat de 3 ème Cycle - Mário de Andrade: Pluriel . Il s'agit d'un essai de production d'un biographème, à la façon de Roland Barthes. Le biographème c'est de la production textuelle à la dérive des signifiants. Ne s'inquiétant point de la vérité, le biographème joue à la vraisemblance tout en la déjouant. Dissémination, un biographème n'hesite pas à mètre en oeuvre tous les opérateurs de langage a sa portée. Agissant de la sorte, il fait usage de la biographie, Técartelle en la rendant autre à l'écart Si la biographie travaille avec des faits en vue de l'établissement du vraisemblable du biographe, le biographème retient l'arbitraire de la production de cet "être-en-encre" qu'il imprime sur le papier. Son enjeu c'est donc le jeu des images, des scènes, des gestes, des fragments textuels, des pulsions, c'est-à-dire, des signifiances. (shrink)

Neste e-book, apresentamos parte deste desenvolvimento, organizado conforme as três áreas de investigação do Programa de Pós-Graduação em Estudos Linguísticos (PosLin), da Faculdade de Letras (FALE), na Universidade Federal de Minas Gerais (UFMG). Os 23 textos que compõem este volume são resultado de pesquisas de mestrado e de doutorado desenvolvidas no PosLin e são apresentados por textos breves de professores-pesquisadores convidados e/ou que atuaram como debatedores no XII SETED.

We commonly recognize vague predicates when we do not find boundaries to their extension. Would an omniscient being find it equally impossible to establish such boundaries? I will argue that if a semantic theory of vagueness like supervaluationism is correct, we cannot answer the question. The reason is that, under this assumption, cooperative behaviour is not possible for an omniscient being.

How do modal expressions determine which possibilities they range over? According to the Modal Anchor Hypothesis (Kratzer in _The language-cognition interface: Actes du 19_ _e_ _congrès international des linguistes_, Libraire Droz, Genève, 179–199, 2013 ), modal expressions determine their domain of quantification from particulars (events, situations, or individuals). This paper presents novel evidence for this hypothesis, focusing on a class of Spanish relative clauses that host verbs inflected in the subjunctive. Subjunctive in Romance is standardly taken to be licensed only (...) in a subset of intensional contexts. However, in our relative clauses, subjunctive is exceptionally licensed in extensional contexts. At the same time, the interpretation of these relative clauses still involves modality, a type of modality that targets the goals of the agent of the main event. We argue that the pattern displayed by these relative clauses follows straightforwardly if subjunctive is associated with a modal operator that, like modal indefinites (Alonso-Ovalle and Menéndez-Benito in _Journal of Semantics_ 35(1):1–41, 2017 ), can project its domain from a volitional event. Overall, our proposal supports the event-based analysis of mood (Kratzer in Evidential mood in attitude and speech reports. Talk delivered at the 1st Syncart Workshop, Siena, July 13, 2016 ; Portner and Rubinstein in _Natural Language Semantics_ 28:343–393, 2020 ) and extends its application beyond attitudinal and modal complements. (shrink)

In this paper, I put forward a philosophical analysis of some works by Martin Creed. I suggest that all the works under consideration are works of conceptual art as well as of installation art, and that they display significant expressive properties. The paper is structured as follows: in the first section, I claim that the works are ontologically similar and that they all appear problematic, because it is not very clear how they should be appreciated as artworks; in the second (...) section, I argue that the works belong to the genre conceptual art, that they are presented for intellectual appreciation, and that this is compatible with the fact that they also have expressive properties; in the third section, I submit that the works also belong to the category installation art and I explain what expressive properties they display. In the conclusion, I remark briefly on the interaction between the intellectual and aesthetic appreciation of Creed’s works. (shrink)

The authors make an attempt to comparatively analyse some stances of the Old Indian philosophy of language, exemplified by the Medieval Indian author Jayanta, along with the Western tradition of the analytical philosophy of language, and to highlight the differences as well as the similarities. The main focus is on Jayanta's discussion of the meaning vs. reference problem.

In this paper, I hope to show how a recent theory in the philosophy of mind concerning how we ‘read’ the minds of others – namely, Heal’s version of simulation theory – is consistent with the view that the kind of understanding we bring to bear on the irrational is different in kind from the way we understand one another in the course of everyday life. I shall attempt to show that Heal’s version of simulation theory (co-cognition) is to be (...) favoured over its rival ‘theory theories’ in the light of its accommodation of deeply irrational mental states. I claim that simulation theory preserves an asymmetry of psychological explanation which is not similarly preserved by a theory theory account, and I argue that this preservation of asymmetry is an advantage of Heal’s account. (shrink)

Phenomenology is one of the leading movements in twentieth-century philosophy and continues to exert a strong influence on many contemporary philosophical traditions and investigations. In recent years, phenomenological insights have been increasingly developed in relation to philosophy of illness, disability, race, gender, sexuality, and politics, leading to the emergence of critical phenomenology as a new, prominent field for interdisciplinary research. Magrì and McQueen's Critical Phenomenology: An Introduction is the first book of its kind, addressing the critical questions at the core (...) of both classical and contemporary phenomenology. This book provides a concise, accessible introduction to key areas of phenomenological research, such as intersubjectivity, bodily experience, race, gender, social experience, and political action. In doing so, it demonstrates both the rich history of phenomenology and its continuing philosophical and ethical importance. (shrink)

Olympe de Gouges (Montauban 1748 – Parigi 1793) è generalmente nota come autrice della Dichiarazione dei diritti della donna e della cittadina. Il documento, scritto nel 1791 in risposta alla Dichiarazione dei diritti dell’uomo e del cittadino, mette in luce la parzialità di quest’ultima, che, nonostante le rivendicazioni formalmente universalistiche, fu proclamata esclusivamente “da” e “per” esseri umani di sesso maschile. Nella sua dichiarazione, de Gouges rivendica il riconoscimento dei diritti civili e politici delle donne e anticipa così alcune delle (...) istanze centrali del femminismo. L’approccio di de Gouges, inoltre, pur aderendo al paradigma teorico del giusnaturalismo, si distingue all’interno di quest’ultimo per modernità e coerenza. L’impegno politico e intellettuale di de Gouges non rimase confinato alla rivendicazione dei diritti delle donne. Ella si espresse infatti su molti dei temi centrali del dibattito pubblico francese negli anni della Rivoluzione, tra cui la sanità pubblica e le politiche sociali, la questione del voto per testa o per ordine, l’esecuzione di Luigi Capeto, il divorzio, la schiavitù e la tratta degli schiavi. De Gouges denunciò inoltre le ingiustizie che caratterizzavano la situazione delle donne, degli schiavi, dei meno abbienti, dei malati, delle partorienti, dei figli illegittimi, mostrando le cause strutturali e sociali della loro vulnerabilità. Alcune delle sue proposte furono fatte proprie e realizzate dal governo rivoluzionario, come quella riguardante l’introduzione di una tassa volontaria per risanare le casse statali. La produzione intellettuale di de Gouges include romanzi e racconti, opere teatrali, saggi filosofici, pamphlet, lettere aperte e altri scritti brevi, e consta di circa 150 opere. Il suo impegno politico, che in lei si saldò sempre strettamente al lavoro intellettuale, le costò infine la vita. Nell’estate del 1793 fu arrestata mentre cercava di affiggere un manifesto dal titolo Le Tre Urne, in cui suggeriva di far decidere al popolo francese quale fosse la forma migliore di governo per la Francia. Dopo alcuni mesi di prigionia e un processo sommario, fu condannata a morte. La sentenza fu eseguita il 3 novembre del 1793. (shrink)

This article deals with various responses to the phenomenon of Orientalism. Since the publication of Edward Said s book _Orientalism_, there has been an ongoing discussion about the influence of Orientalism on contemporary social sciences in the East. In the West, Orientalism was an original theory, but in the East its acceptance was tantamount to an assimilation of foreign point of view on social reality. I argue that it is a symptom of provincialism among scientists from the East. Even though (...) most of them tried to overcome Orientalism, they used the same categories and methodology. In this sense they repeated its mistakes and misunderstandings. This article analyzes different attempts of overcoming Orientalism and shows why they are provincial. (shrink)