This paper will explore the aesthetic experience that can occur with music, and the potentially transformative existential education that can unfold from that experience. First and foremost, the paper explores the ways W.E.B Du Bois engages with music in _The Souls of Black Folk_. Drawing on the African-American tradition of the spirituals, but also European symphonic music, Du Bois shows the different ways music can captivate a listener. But Du Bois also complicates what is meant by “listening” to music. This (...) can happen when music is used as a literary device, symbolically as a way of setting the mood for the reader, but also when it is “heard” as arriving from the future. Secondly, this paper turns to Jean-Luc Nancy, whose writing on listening, music and philosophy has captured the attention of musicologists, literary theorists, educators, and, of course, philosophers. For Nancy, listening includes both the embodied experience of hearing and processing sound, as well as the hermeneutics of listening to the sound of ideas. Thinking is musical, music is philosophical, and the distinction between the two is not always entirely clear. Together, Du Bois and Nancy help us to gain a deeper appreciation and understanding for the diverse ways that “music” and “listening” can be experienced. (shrink)

This essay is a review of Peter McLaren's most recent work, Capitalists and Conquerors: A Critical Pedagogy Against Empire. The essay situates McLaren's work in the philosophical tradition of Marxist Humanism, with reference specifically to Raya Dunayevskaya and Paulo Freire. Despite invoking the work of Dunayevskaya as a foundation for his own project, McLaren does not offer a robust explication of this important thinker, nor of the Hegelian‐Marxist discourse she embraced. Here, as in much of McLaren's work, the reader is (...) not offered rigorous analysis of his philosophical assumptions. The dearth of such analysis, this essay argues, compromises the critical thrust of McLaren's work. In turn, the essay sketches a framework for unpacking the Marxist Humanist paradigm, and, thereby, rethinking the philosophical foundations of contemporary critical pedagogy. (shrink)

This paper contributes to those analyses that have discussed Hegel'sinfluence on Freire, and Freire's rethinking of Hegel. Yet, my narrative of the dialectic of conscientizacion, which I presenthere, is a novel attempt to read both thinkers simultaneously.Thus, in this paper I am exploring, and not didactically proving Gadotti's (1994) important, yet unqualified,claim that Hegel's dialectic ``can be considered the principaltheoretical framework of (Freire's) Pedagogy of the Oppressed.It could be said that the whole of his theory of conscientization has its roots (...) in Hegel'' (p. 74). And in thisexploration, I am not demonstrating Freire's ``expansion'' ofHegel's dialectic (Schutte, 1990), nor taking a positionon whether or not the dialectic of Freire's Pedagogy of theOppressed supersedes the Hegelian dialectic (Torres, 1976). Nor am I offering a ``comparison'' of the two dialectics(Torres, 1994). (Of course, having made these claims,I am, as it were, taunting the reader to deconstruct mypiece.) My aim here is to immerse, or insert, myself intothe Freirean/Hegelian dialectic itself. I attempt to situatemyself within that peculiar position of the dialecticianwho ``braids'' ideas through synthetic textual analysis.I use a third person descriptive perspective thatincorporates the ``voices'' of Freire and Hegel, and, thereby, weave a ``new'' synthesized account of theemergence of critical consciousness within the formaleducational setting. (shrink)

Educational Theory, Volume 72, Issue 1, Page 109-117, February 2022.