Durkheim écrit ce livre avec un but double : d'abord il voulait expliquer ce qui crée une société, ce qui la tient ensemble ; ensuite il voulait éclaircir l'influence qu'a la société sur la pensée logique. Pour Durkheim, la religion est la clé utilisée pour déverrouiller ces deux problématiques.Dans ce livre, Durkheim argumente que les représentations religieuses sont en fait des représentations collectives : l'essence du religieux ne peut être que le sacré. Il est une caractéristique qui se trouve universellement (...) dans toutes les religions. Le sacré, être collectif et impersonnel, représente ainsi la société elle-même. Ensuite il argumente que la société a un impact majeur dans la genèse de la pensée logique. C'est la société qui fournit à l'individu les catégories (le temps, l'espace, le nombre etc.) et les concepts nécessaires pour la pensée logique. (shrink)

When we perceive an object, we perceive the object from a perspective. As a consequence of the perspectival nature of perception, when we perceive, say, a circular coin from different angles, there is a respect in which the coin looks circular throughout, but also a respect in which the coin's appearance changes. More generally, perception of shape and size properties has both a constant aspect—an aspect that remains stable across changes in perspective—and a perspectival aspect—an aspect that changes depending on (...) one's perspective on the object. How should we account for the perspectival aspect of spatial perception? We present a framework within which to discuss the perspectival aspect of perception and put forward three desiderata that any account of the perspectival aspect of perception should satisfy. We discuss views on which the perspectival aspect of perception is analyzed in terms of constitutively mind-dependent appearance properties as well as views on which the perspectival aspect of perception is analyzed in terms of representations of mind-independent perspectival properties. (shrink)

With special emphasis on Foucault's many recently published lecture series this book provides an updated, comprehensive presentation of his most important diagnoses, his many ground-breaking analytical concepts as well as a systematic account of his unique conception of philosophy.

We argue that the trend toward providing users with feasible and actionable explanations of AI decisions—known as recourse explanations—comes with ethical downsides. Specifically, we argue that recourse explanations face several conceptual pitfalls and can lead to problematic explanation hacking, which undermines their ethical status. As an alternative, we advocate that explanations of AI decisions should aim at understanding.

The Anthropocene is heralded as a new epoch distinguishing itself from all foregoing eons in the history of the Earth. It is characterized by the overarching importance of the human species in a number of respects, but also by the recognition of human dependence and precariousness. A critical human turn affecting the human condition is still in the process of arriving in the wake of an initial Copernican Revolution and Kant's ensuing second Copernican Counter-revolution. Within this landscape, issues concerning the (...) human - its finitude, responsiveness, responsibility, maturity, auto-affection and relationship to itself - appear rephrased and re-accentuated as decisive probing questions. In this book Sverre Raffnsøe explores how the change has ramifications for the kinds of knowledge that can be acquired concerning human beings and for the human sciences as a study of human existential beings in the world. (shrink)

Neste livro Gombrich discute as idéias e as posturas específicas que tiveram influência decisiva na prática da arte renascentista. Todos os estudos aqui reunidos tratam de algo a que se pode chamar clima renascentista de opiniões sobre a arte, além da influência desse clima sobre a prática e a crítica da arte.

Etienne Gilson Reason and Revelation in the Middle Ages, first delivered as the Richard Lectures in 1937, was published in 1938 and became an immediate success. Not only does it contribute to a major question of debate in Christian, Jewish, and Islamic philosophy and religion in the medieval period but it also insists on the validity of truth obtainable through reason as well as revelation, on rational argument alongside religious faith. This message is as important in the twenty-first century as (...) it was in the fourth century of the young Augustine, the thirteenth of St Thomas Aquinas, and the twentieth of the mature Gilson. (shrink)

What makes us human is our special motivation to share with others how we feel, what we believe, and what we want to happen in the future. We want to share with others what is real about the world. Shared reality is crucial to what we believe--sharing is believing. It is central to our sense of self, what we strive for and how we strive. It is basic to how we get along with others. It brings us together in fellowship (...) and companionship, but it also tears us apart by creating in-group "bubbles" that conflict with one another. Our shared realities are the best of us, and the worst of us. (shrink)

Criticism on Bhagavadgītā, Hindu sacred work.

Jeffrey E. Brower presents and explains the hylomorphic conception of the material world developed by Thomas Aquinas, according to which material objects are composed of both matter and form. In addition to presenting and explaining Aquinas's views, Brower seeks wherever possible to bring them into dialogue with the best recent literature on related topics. Along the way, he highlights the contribution that Aquinas's views make to a host of contemporary metaphysical debates, including the nature of change, composition, material constitution, the (...) ontology of stuff vs. things, the proper analysis of ordinary objects, the truthmakers for essential vs. accidental predication, and the metaphysics of property possession. (shrink)

A collection of Essays over the last 20 years, exploring different dimensions of the philosophical debate on "subjecthood" and "subjectivity" in Modernity, as it was framed by the "Controversy on the subject" from the 1960's, and showing how it is now continued in a "controversy on the Universal.".

"Nous sommes en guerre", déclare au soir du 13 novembre 2015 le président de la République. Mais quelle est cette guerre au juste? La contre-histoire du capitalisme que nous proposons ici vise à recouvrer la réalité des guerres qui nous sont infligées et déniées : non pas la guerre idéale des philosophes, mais les guerres de classe, de race, de sexe ou de genre, les guerres de civilisation et environnementales, les guerres de subjectivité qui font rage au sein des populations (...) et constituent le moteur secret de la gouvern731933ementalité libérale. En nommant l'ennemi (le réfugié, le migrant, le musulman), les nouveaux fascismes établissent leur hégémonie sur les processus de subjectivation politique réduits à des mots d'ordre racistes, sexistes, xénophobes qui attisent la guerre entre les pauvres et entretiennent la philosophie de guerre totale du néolibéralisme. Parce que la guerre et le fascisme sont le refoulé de la pensée post-68, nous n'avons pas seulement lu l'histoire du capital à travers la guerre, mais également cette dernière à travers l'étrange révolution de 68 qui seule rend possible le passage de la guerre aux lierres - et de celles-ci à la construction de nouvelles machines de guerre contre la financiarisation contemporaine. Il s'agit donc de pousser la "pensée 68" au-delà de ses propres limites et de la réorienter vers une nouvelle pragmatique des luttes, en prise sur la guerre continuée du Capital. C'est dire qu'il s'agit surtout de nous préparer à ces batailles que nous devons mener si nous ne voulons pas être toujours vaincus."--Page 4 of cover. (shrink)

L'art, loin des habitudes qui figent tout réel élan créateur, est la jeunesse du monde. Il a tout à créer. Tout à construire, tout à proposer. Les temps de l'art mimétique comme ceux de l'art visionnaire sont révolus, pour laisser place à ceux de l'intuition. Cet ouvrage revendique ainsi la liberté de s'imposer des règles, de nouvelles règles et préconise un art de l'intuition, un art de la sensibilité, qui puisse s'exprimer avec spontanéité, une spontanéité qu'il n'est possible d'obtenir qu'après (...) un long travail. L'art ne doit plus être pensé comme une intention. Suivant ce principe, le scénario dans le récit doit être abandonné. Du point de vue de la forme, la poésie doit pouvoir mélanger dans le même poème vers libres. vers en prose, versets et alexandrins, selon le souhait du poète. De même, il faut oser une autre forme de peinture, qui ne soit ni figurative, ni abstraite, mais intuitive, née du flou ou de l'éblouissement, de la fulgurance intuitive! Franchir les frontières, à commencer par celles de l'intolérance, en faisant dialoguer et se croiser différentes disciplines artistiques, pour aller vers un espace pluriartistique, ouvre ainsi de nouvelles perspectives de création."--Page 4 of cover. (shrink)

According to the distinguished philosopher Richard Wollheim, an emotion is an extended mental episode that originates when events in the world frustrate or satisfy a pre-existing desire (Wollheim, 1999). This leads the subject to form an attitude to the world which colours their future experience, leading them to attend to one aspect of things rather than another, and to view the things they attend to in one light rather than another. The idea that emotions arise from the satisfaction or frustration (...) of desires—the ‘match-mismatch’ view of emotion aetiology—has had several earlier incarnations in the psychology of emotion. Early versions of this proposal were associated with the attempt to replace the typology of emotion found in ordinary language with a simpler theory of drives and to define new emotion types in terms of general properties such as the frustration of a drive. The match-mismatch view survived the demise of that revisionist project and is found today in theories that accept a folk-psychological-style taxonomy of emotion types based on the meaning ascribed by the subject to the stimulus situation. For example, the match-mismatch view forms part of the subtle and complex model of emotion episodes developed over many years by Nico Frijda (Frijda, 1986). According to Frijda, information about the ‘situational antecedents’ of an emotion—the stimulus in its context, including the ongoing goals of the organism—is evaluated for its relevance to the multiple concerns of the organism. Evaluation of match-mismatch—the degree of compatibility between the situation and the subject's goals—forms part of this process. (shrink)