In April 1996, two men working at a convalescent center wrote a letter to the journal Nature proposing that a new word be adopted to designate a person who is the last in the lineage: endling. This had come up because of patients who were dying and thought of themselves as the last of their family line. The word was not picked up in medical circles. But, in 2001, when the National Museum of Australia (NMA) opened its doors, it featured (...) a gallery called Tangled Destinies and endling reappeared. On the wall facing a case with a thylacine specimen was written: Endling (n.) The last surviving individual of a species of animal or plant. Since that appearance, the word endling has slowly seeped into popular culture, appearing in symphonic music, performance art, science fiction stories, comics, and other art works. This paper examines the cultural power of the concept of endling as the last of a species and the history of its mobilization in a world facing extinction around every corner. (shrink)

Abstract:Energy landscapes are entangled with technological infrastructures. Interrogating these infrastructures is a critical move for the environmental humanities, as these infrastructures carry ideas as well as power across the landscape. One of the main ways in which infrastructures can be interrogated is through aesthetics, particularly the visual perception of the infrastructure but also the lived experience of the place. Technologies in landscapes direct the gaze of observers and promote a particular mindset and a way of inquiring. The modern landscape of (...) energy embodies a tension between what is perceived as natural (often linked to the wild and primitive) and what is perceived as technological (often associated with modern and progressive). This article introduces a collection of articles that together are a joint journey through the energy landscape beyond oil, which is often singled out as the “bad” energy source, to reveal the complex assessments and contradictions in energy landscapes of many different types. (shrink)

In April 1996, two men working at a convalescent center wrote a letter to the journal Nature proposing that a new word be adopted to designate a person who is the last in the lineage: endling. This had come up because of patients who were dying and thought of themselves as the last of their family line. The word was not picked up in medical circles. But, in 2001, when the National Museum of Australia (NMA) opened its doors, it featured (...) a gallery called Tangled Destinies and endling reappeared. On the wall facing a case with a thylacine specimen was written: Endling (n.) The last surviving individual of a species of animal or plant. Since that appearance, the word endling has slowly seeped into popular culture, appearing in symphonic music, performance art, science fiction stories, comics, and other art works. This paper examines the cultural power of the concept of endling as the last of a species and the history of its mobilization in a world facing extinction around every corner. (shrink)