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  1. Negativität: Kunst - Recht - Politik.Thomas Khurana, Dirk Quadflieg, Juliane Rebentisch, Dirk Setton & Francesca Raimondi (eds.) - 2018 - Berlin: Suhrkamp.
    Gegen die verbreitete Vorstellung, dass Negativität im Interesse von mehr Selbstverwirklichung, Produktivität und Positivität überwunden oder be-grenzt werden muss, eröffnet dieser Band eine andere Perspektive. Er geht den verschiedenen Formen des Negativen in Kunst, Recht und Politik nach, um zu zeigen, dass es nicht allein eine Negativität gibt, die dem Gelingen im Weg steht oder zu dessen sicher beherrschtem Mittel wird. Die Beiträge des Bandes erweisen Negativität vielmehr als eine Kraft der Befreiung, die ein Gelingen anderer Art ermöglicht.
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  2.  75
    Absolute Spontaneity of Choice.Dirk Setton - 2013 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 17 (1):75-99.
    Kant’s concept of autonomy promises to solve the problem of the actuality of freedom. The latter has actuality as a practical capacity insofar as the will is objectively determined through the form of law. In later writings, however, Kant situates the actuality of freedom in the “absolute spontaneity” of choice, and connects the reality of autonomy itself to the condition of a “radical” act of free choice. The reason for this resides in the fact that his first solution is marked (...)
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  3.  42
    Schwerpunkt: Willensschwäche - epistemologie und politik irrationalen handelns.Juliane Rebentisch & Dirk Setton - 2009 - Deutsche Zeitschrift für Philosophie 57 (1):13-14.
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  4.  33
    Das Medea-Prinzip. Vom Problem der Akrasia zu einer Theorie des Un-Vermögens.Dirk Setton - 2009 - Deutsche Zeitschrift für Philosophie 57 (1):97-117.
    The topic of this essay is akrasia in its most paradoxical kind, as it appears to us in the emblem of Medea. The argument starts with the claim that the problem with akrasia is especially a problem of rational potentiality: to understand it philosophically, we are forced to embrace the idea that its possibility is immanent to the rational capacity of action. By discussing elements of Plato's, Aristotle's, and Davidson's explanations of practical irrationality, the argument proceeds to demonstrate that the (...)
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  5.  11
    I Think, I Am Mad. Derrida, Gaslight and the Irony of the Cogito.Dirk Setton - 2014 - Oxford Literary Review 36 (1):81-93.
    At the climax of George Cukor's Gaslight, a film melodrama from 1944, the female protagonist utters the phrase ‘I am mad’ which Stanley Cavell takes to reveal her Cogito. As such, the formula seems to be a perfect exemplification of Derrida's central point in Cogito and the History of Madness, namely that there is ‘a value and a meaning of the Cogito’, detectable in Descartes's Mediations, which welcomes madness as its genuine and necessary possibility. But how can we conceive of (...)
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    Das Medea-Prinzip.Dirk Setton - 2009 - Deutsche Zeitschrift für Philosophie 57 (1).
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