Religious faith and medicine combine harmoniously in Buddhist views, each in its own way helping Buddhists enjoy a more fruitful existence. Health care providers need to understand the spiritual needs of patients in order to provide better care, especially for the terminally ill. Using a recently reported case to guide the reader, this paper examines the issue of medical futility from a Buddhist perspective. Important concepts discussed include compassion, suffering, and the significance of the mind. Compassion from a health professional (...) is essential, and if medical treatment can decrease suffering without altering the clarity of the mind, then a treatment should not be considered futile. Suffering from illness and death, moreover, is considered by Buddhists a normal part of life and is ever-changing. Sickness, old age, birth, and death are integral parts of human life. Suffering is experienced due to the lack of a harmonious state of body, speech, and mind. Buddhists do not believe that the mind is located in the brain, and, for Buddhists, there are ways suffering can be overcome through the control of one’s mind. (shrink)

Represented as the face of Venice, the houses of the Grand Canal were used during the Renaissance to support the portrayal of the Venetian Republic's unique structure of governance. Paolo Paruta's dialogue, Della perfettione della vita politica, a work of political theory on the Venetian Republic, is one such text used here to examine how in a changing context of modernization, architecture has been presented as a representation of state. Paruta's use of architecture as a representation of state was conceptually (...) different from those earlier writers such as Gasparo Contarini who presented the uniqueness of Venice's social qualities through its orderly governance and law. Fundamental to Paruta's incorporation of architecture to the conceptualization of Venice was Daniele Barbaro's interpretation of Vitruvius’ representation of the body-of-state, being reflected in the architectural makeup of the city. However, Vitruvius’ text, De architectura, described the monarch's body reflected in the architecture and urban strategies of the late Roman Republic. Paruta's use of the text and of Daniele Barbaro aimed to transfer these values to the Venetian Republic and its social formations. Subtly forging links between the radicalism of Doge Andrea Gritti's renovatio programmes and the power struggles of the young patricians, Paruta's aim for architecture was to support the preservation of Venetian values as distinct from those of Rome. Indications are that Paruta's message was understood. To examine the comprehensibility of Paruta's political propositions, his terms and arguments are analysed in the context of three different architectural composition types used in Venetian houses of the mid-sixteenth century. (shrink)