Interactional expertise is said to be a form of knowledge achieved in a linguistic community and, therefore, obtained entirely outside practice. Supposedly, it is not or only minimally sustained by the so-called embodied knowledge. Here, drawing upon studies in contemporary neuroscience and cognitive psychology, I propose that ‘derived’ embodiment is deeply involved in competent language use and, therefore, also in interactional expertise. My argument consists of two parts. First, I argue for a strong relationship among language acquisition, language (...) use and the real world (i.e. the world accessible to the senses). Biological constraints in very early childhood anchor language to the body. These constraints are by-products of our evolutionary peculiarity that we gain because of our physical and psychological immaturity at birth. Thus, infancy is predominantly concerned with the bodily needs and experiences of the concrete while language acquisition takes place. Particular interest in the concrete furnishes our linguistic world and installs ‘concrete’ language as the principal constituent of competent language use. Second, I argue that well-established concrete language implicitly and explicitly elicits mental representations, namely partial reactivations of sensorimotor states that occur during experience. These are stepping stones by which we subsequently make sense of expressions in new linguistic areas. Like any competent language user, the interactional expert, therefore, prompts multimodal imagination and re-enacts concrete experiences when acquiring linguistic knowledge pertaining to a specialist field. Finally, I outline the characteristics of those imaginative powers to identify mechanisms that improve interactional expertise and discuss the obvious relation between interactional expertise and ordinary knowledge acquisition after the concrete language stage. (shrink)

In derived embodiment, intangible phenomena become as-if tangible as a result of their almost promiscuous borrowing of corporeality from experiences of real objects.

In this paper, I consider a challenge that naturalism poses for embodied cognition and enactivism, as well as for work on phenomenology of the body that has an argumentative or explanatory dimension. It concerns the connection between embodiment and emergence. In the commitment to explanatory holism, and the irreducibility of embodiment to any mechanistic and/or neurocentric construal of the interactions of the component parts, I argue there is (often, if not always) an unavowed dependence on an epistemic and (...) metaphysical role for emergence, especially concerning certain embodied capacities (motor-intentionality, know-how, skilful habits, affordances, etc.). While the problem of emergence is standardly dismissed as a problem for phenomenology, which brackets away the kind of materialist (and scientific) picture from which reflection on emergence derives, I argue that once a phenomenologist takes a fully-fledged embodied turn, they also have a genuine dilemma of emergence to confront, and I evaluate the relevant options. (shrink)

In this paper, I claim that extant empirical data do not support a radically embodied understanding of the mind but, instead, suggest (along with a variety of other results) a massively representational view. According to this massively representational view, the brain is rife with representations that possess overlapping and redundant content, and many of these represent other mental representations or derive their content from them. Moreover, many behavioral phenomena associated with attention and consciousness are best explained by the coordinated activity (...) of units with redundant content. I finish by arguing that this massively representational picture challenges the reliability of a priori theorizing about consciousness. (shrink)

This paper offers an introduction to the philosophy and science of embodied learning, conceived as both the stabilizing and expansionary process that sustains order and novelty within learners’ worlds enacted through observing and describing. Embodied learning acknowledges stability and change as the purposeful conjoined characteristics that sustain learners. It is, in many respects, a composite theory that represents work from various disciplines. This ‘naturalized epistemology’ conceives a world of fact inevitably imbued with the values that our own structural histories guarantee (...) us observers, whether acknowledged or not within our reflective awareness. These values, however, are not simple sets of preferences, for they are constituted in our individual learning histories that, for good or bad, influence the course of future learning. This conservational element of our condition is only half the story, however. The more radical aspect resides in the expansionary capacity of embodied observers to change, to enact worlds that are not pre‐given but, rather, brought forth by learners as observers and describers. Furthermore, embodied learning seeks a grounding for understanding in the often‐unexplored epistemological terrain between positivist absolutism or its mirrored polar opposite, postmodern nihilism. Its epistemological stance derives from its ontology, which is grounded in the profound obviousness that ‘everything said is said by someone’. (shrink)

According to Greimas, the semiotic square is far more than a heuristic for semantic and literary analysis. It represents the generative “deep structure” of human culture and cognition which “define the fundamental mode of existence of an individual or of a society, and subsequently the conditions of existence of semiotic objects” (Greimas & Rastier 1968: 48). The potential truth of this hypothesis, much less the conditions and implications of taking it seriously (as a truth claim), have received little attention in (...) the literature. In response, this paper traces the history and development of the logical square of opposition from Aristotle to Greimas and beyond, to propose that the relations modelled in these diagrams are embodied relations rooted in gestalt memories of kinesthesia and proprioception from which we derive basic structural awareness of opposition and contrast such as verticality, bilaterality, transversality, markedness and analogy. To make this argument, the paper draws on findings in the phenomenology of movement (Sheets-Johnstone 2011a, 2011b, 2012, Pelkey 2014), recent developments in the analysis of logical opposition (Beziau & Payette 2008), recent scholarship in (post)Greimasian semiotics (Corso 2014, Broden 2000) and prescient insights from Greimas himself (esp. 1968, 1984). The argument of the paper is further supported through a visual and textual content analysis of a popular music video, both to highlight relationships between the semiotic square and mundane cultural ideologies and to show how these relationships might be traced to the marked symmetries of bodily movement. In addition to illustrating the enduring relevance of Greimasean thought, the paper further illustrates the neglected relevance that embodied chiasmus holds for developments in anthropology, linguistics and the other cognitive sciences. (shrink)

This pilot explores embodiment and gender representation through the lens of choreographic practice and sociology. The perspective derives from a comparative lack of status held by female (vs male) choreographers in the UK. The pilot study specifically addresses how choreography itself embodies and perpetuates sociocultural values. This work is part of a larger, on-going ethnographic study into the social world(s) of choreography and choreographers. The method is a process of dance making called Sonnet that would expose habitual expectations of (...) dance performances. The process was designed to heighten awareness, nudge and challenge dancers and audience members to reflect on what they normally take for granted. Using Pierre Bourdieu’s critique and notion of habitus (embodiment), the study indicates perpetuating social hierarchy in dance training and practice. This is explored and framed from Bourdieu’s social and cultural perspective. (shrink)

The traditional approach in cognitive sciences holds that cognition is a matter of manipulating abstract symbols followingcertain rules. According to this view, the body is merely an input/output device, which allows the computationalsystem—the brain—to acquire new input data by means of the senses and to act in the environment following its com-mands. In opposition to this classical view, defenders of embodied cognition (EC) stress the relevance of the body inwhich the cognitive agent is embedded in their explanation of cognitive processes. (...) From a representationalist frameworkregarding our conscious experience, in this article, I will offer a novel argument in favor of EC and show that cognitionconstitutively—and no merely causally—depends upon body activity beyond that in the brain. In particular, I will arguethat in order to solve the problem derived from the empirical evidence in favor of the possibility of shifted spectrum,representationalist should endorse the view that experiences concern its subject: the content of experience isde se.Ishow that this claim perfectly matches the phenomenological observation and helps explaining the subjective characterof the experience. Furthermore, I argue that entertaining this kind of representation constitutively depends on bodilyactivity. Consequently, insofar as cognition depends on consciousness, it is embodied. (shrink)

This paper offers an introduction to the philosophy and science of embodied learning, conceived as both the stabilizing and expansionary process that sustains order and novelty within learners’ worlds enacted through observing and describing. Embodied learning acknowledges stability and change as the purposeful conjoined characteristics that sustain learners. It is, in many respects, a composite theory that represents work from various disciplines. This ‘naturalized epistemology’ ( ) conceives a world of fact inevitably imbued with the values that our own structural (...) histories guarantee us observers, whether acknowledged or not within our reflective awareness. These values, however, are not simple sets of preferences, for they are constituted in our individual learning histories that, for good or bad, influence the course of future learning. This conservational element of our condition is only half the story, however. The more radical aspect resides in the expansionary capacity of embodied observers to change, to enact worlds that are not pre‐given ( ) but, rather, brought forth by learners as observers and describers. Furthermore, embodied learning seeks a grounding for understanding in the often‐unexplored epistemological terrain between positivist absolutism or its mirrored polar opposite, postmodern nihilism. Its epistemological stance derives from its ontology, which is grounded in the profound obviousness that ‘everything said is said by someone’ (, p. 27). (shrink)

The term embodiment identifies a theory that meaning and semantics cannot be captured by abstract, logical systems, but are dependent on an agent’s experience derived from being situated in an environment. This theory has recently received a great deal of support in the cognitive science literature and is having significant impact in artificial intelligence. Memetics refers to the theory that knowledge and ideas can evolve more or less independently of their human-agent substrates. While humans provide the medium for (...) this evolution, memetics holds that ideas can be developed without human comprehension or deliberate interference. Both theories have profound implications for the study of language—its potential use by machines, its acquisition by children and of particular relevance to this special issue, its evolution. This article links the theory of memetics to the established literature on semantic space, then examines the extent to which these memetic mechanisms might account for language independently of embodiment. It then seeks to explain the evolution of language through uniquely human cognitive capacities which facilitate memetic evolution. (shrink)

The paper is a study of how graphic narratives (graphic novels and the comics) represent time in external visual space as well as in inner (mental) representations. Peirce’s semiotics is the main tool of research. After a survey of various approaches to the study of time in narratives in general and in graphic narratives in particular, an outline of the various aspects of the embodiment of time in space in general is given before the forms of the embodiment (...) of time in the space of graphic narratives is examined in detail. Signs of time are signs that represent time as their object and create mental representations of time as their interpretant. On this semiotic premise, the paper proposes a reinterpretation of Genette’s theory of time in narratives. A comparison with narratives in prose reveals that narrative time in graphic narratives evinces marked discontinuities in their spatial representation. The paper distinguishes between time as continuity, time as age, and points in time. It concludes that time as continuity is typically embodied in the form of spatial diagrams whereas time as age and points in time are mainly of the nature of indexical signs. The insights into the forms of embodiment of time in space derived from these premises are applied to examples from recent graphic novels and some traditional comics. (shrink)

Originally published in 1965. For hundreds of years the thinking of philosophers, psychologists, and theologians on the problem of the mind’s relation to the body was dominated by the Cartesian notion that mind and matter are distinct substances. That Descartes also held that there is a union of mind and matter, in a person, has largely been ignored. This may be because, as he admitted in his private correspondence, it is impossible to think of mind and matter both as being (...) distinct substances and also as being, in some sense, united. The fact of mind being united with matter in a person – our experience of ourselves as embodied minds – cannot be accounted for on Cartesian principles. This book rejects the panaceas of the Double Aspect Theory and the Identity Theory and investigates the possibility of accommodating this experience within a conceptual framework derived from Kant, the basis of which is the concept of mind, not as immaterial substance, but as a subject related, in experience, to its objects. (shrink)

The critical commentary on Judith Butler’s Excitable Speech: A Politics of the Performative focuses primarily on her use of speech-act theory for political purposes. Admitting the limitations of Austin’s work, she introduces an extended supplement to her linguistically based performative theory in Excitable Speech: a discussion of embodied subjectivity presented in ways never before instanced in her work. That is, in this text, she continues to use speech-act theory articulated with Derridean iterability (her usual practice) to ground performativity, while presenting (...) a version of embodiment newly derived from psychoanalysis to establish the political efficacy of the subject. Although this shift has gone unremarked in the literature, Butler herself treats this psychoanalytic dimension as animating the entire argument. This article reviews her logic and the place that psychoanalysis holds in her theory to establish the viability of the embodied political performative and its utility for historicism. (shrink)

This article challenges and builds upon the language-centred model of understanding found in Gadamer‟s hermeneutics. The alternative that is developed employs a concept of embodied understanding, derived from the work of Heidegger and Merleau-Ponty, which is better able to comprehend that which lies on the borders of language such as animality, infant development and aesthetic experience.

In the Timaeus , plants are granted soul, and specifically the sort of soul capable of perception and desire. Also in the Timaeus , perception requires the involvement of to phronimon . It seems it must follow that plants are intelligent. I argue that we can neither avoid granting plants sensation in just this sense, nor can we suppose that ` to phronimon ' is something devoid of intelligence. Indeed, plants must be related to intelligence, if they are to be (...) both orderly and good. Plants must have individual souls if they are to be distinguished from each other, each with an orderly life; but the intelligence their perceptions require is not similarly individuated, for their ultimate good is only derivative: it is only as completing the body of the cosmos that plants are good things. Plants have their own perceptions and desires in virtue of the intelligence ordering the cosmos as a whole. (shrink)

In the Timaeus, plants are granted soul, and specifically the sort of soul capable of perception and desire. Also in the Timaeus, perception requires the involvement of to phronimon. It seems it must follow that plants are intelligent. I argue that we can neither avoid granting plants sensation in just this sense, nor can we suppose that `to phronimon' is something devoid of intelligence. Indeed, plants must be related to intelligence, if they are to be both orderly and good. Plants (...) must have individual souls if they are to be distinguished from each other, each with an orderly life; but the intelligence their perceptions require is not similarly individuated, for their ultimate good is only derivative: it is only as completing the body of the cosmos that plants are good things. Plants have their own perceptions and desires in virtue of the intelligence ordering the cosmos as a whole. (shrink)

There is considerable evidence that language comprehenders derive lexical‐semantic meaning by mentally simulating perceptual and motor attributes of described events. However, the nature of these simulations—including the level of detail that is incorporated and contexts under which simulations occur—is not well understood. Here, we examine the effects of first‐ versus third‐person perspective on mental simulations during sentence comprehension. First‐person sentences describing physical transfer towards or away from the body (e.g., “You threw the microphone,” “You caught the microphone”) modulated response latencies (...) when responses were made along a front‐back axis, consistent with the action‐sentence compatibility effect (ACE). This effect was not observed for third‐person sentences (“He threw the microphone,” “He caught the microphone”). The ACE was observed when making responses along a left‐right axis for third‐person, but not first‐person sentences. Abstract sentences (e.g., “He heard the message”) did not show an ACE along either axis. These results show that perspective is a detail that is simulated during action sentence comprehension, and that motoric activations are flexible and affected by the pronominal perspective used in the sentence. (shrink)

There is considerable evidence that language comprehenders derive lexical-semantic meaning by mentally simulating perceptual and motor attributes of described events. However, the nature of these simulations—including the level of detail that is incorporated and contexts under which simulations occur—is not well understood. Here, we examine the effects of first- versus third-person perspective on mental simulations during sentence comprehension. First-person sentences describing physical transfer towards or away from the body modulated response latencies when responses were made along a front-back axis, consistent (...) with the action-sentence compatibility effect. This effect was not observed for third-person sentences. The ACE was observed when making responses along a left-right axis for third-person, but not first-person sentences.sentences did not show an ACE along either axis. These results show that perspective is a detail that is simulated during action sentence comprehension, and that motoric activations are flexible and affected by the pronominal perspective used in the sentence. (shrink)

Communicology is the science of human communication. This definition derives from the use of semiotic phenomenology as a logic based method to determine how human beings come to endow themselves and found their world with meaning. Such an analysis inevitably leads to a description of certain metaphysical and epistemological absolutes: Edmund Husserl’s absolute that “subjectivity is intersubjectivity”, Maurice Merleau-Ponty’s subsequent absolute that “the body is our general medium for having a world”, and the combinatory absolute suggested by Merleau-Ponty that “It (...) is by communicating with the world that we communicate beyond all doubt with ourselves. We hold time in its entirety, and we are present to ourselves because we are present to the world.” These three eidetic absolutes can be demonstrated empirically by describing the communicological extinction of the pain in a human “phantom limb” as explicated by neuroscientists V. S. Ramachandran and Oliver Sacks. The conjunction of discourse expression and perception in cognition is explored using the pure logics of Edmund Husserl and Charles S. Peirce ; and, the rhetorical logics of Roman Jakobson, Maurice Merleau-Ponty, and Michel Foucault. (shrink)

In the Timaeus, plants are granted soul, and specifically the sort of soul capable of perception and desire. But perception, according to the Timaeus, requires the involvement of to phronimon. It seems to follow that plants must be intelligent. I argue that we can neither avoid granting plants sensation in just this sense, nor can we suppose that the phronimon is something devoid of intelligence. Indeed, plants must be related to intelligence, if they are to be both orderly and good (...) – for intelligence is the cause of normativity and teleology. And yet, plants are not intelligent creatures. While plants must have individual souls if they are to be distinct from each other, each having its own orderly life, the intelligence they require for their individual sensations is not similarly individuated, but is rather that of the cosmos itself. Plants’ peculiar partial individuation arises from the fact that their ultimate good is only derivative: unlike animals, it is only by completing the body of the cosmos that a plant’s good a Good Thing. (shrink)

Depuis la disparition du bloc soviétique émergent, dans les pays d'Europe centrale et orientale, des partis aux programmes attrape-tout et à la rhétorique démagogique. Même s'ils sont loin d'avoir raflé la mise lors des élections européennes de juin 2004, leurs leaders charismatiques pourraient bien à terme faire école, à la faveur du désarroi de populations précarisées par une libéralisation tous azimuts. Raison de plus pour être attentif au phénomène populiste que ces formations politiques et hommes incarnent, d'autant qu'il est présent (...) dans la plupart des vingt-cinq États de l'Union.Since the disappearance of the Soviet block political parties with simplifying programmes and demagogical rhetoric have been emerging in the countries of Central and Eastern Europe. Even if these were far from getting the upper hand at the last European elections in June 2004, their charismatic leaders might eventually set a model thanks to an outrageously liberal policy that has left the population helpless and confused and has jeopardized their situation. This one more reason to beware of the populist phenomenon embodied in those political groups and men, especially as this phenomenon is to be seen in most of the twenty-five states of the Union. (shrink)

This article examines the role of culture in the metaphorical/metonymic conceptualizations of fear, a primary emotion, in two languages—Akan (a West African, Kwa language) and English. The article adopts the general framework of conceptual metaphor theory (CMT) to compare and contrast the differences and/or similarities in the conceptualizations as well as the language-specific construals or elaborations of shared conceptual metaphors of fear in the two languages. The analysis of the language-specific realizations of the shared metaphorical/metonymic conceptualizations of the emotion concept (...) reveals both similarities and differences in the two languages, showing support for the cultural embodied cognition thesis, namely, the similarities in the conceptualization of emotions across cultures may be explained in terms of universal embodied cognition from which general metaphorical principles derive. However, the differences in language-specific elaborations may be explained in terms of cultural filtering of the general universal conceptualizations to reflect human experiences that are more salient to a particular sociocultural group. This analysis also shows a metaphor–metonymy interaction in the conceptualization of emotions across cultures. (shrink)

Language comprehension requires a simulation that uses neural systems involved in perception, action, and emotion. A review of recent literature as well as new experiments support five predictions derived from this framework. 1. Being in an emotional state congruent with sentence content facilitates sentence comprehension. 2. Because women are more reactive to sad events and men are more reactive to angry events, women understand sentences about sad events with greater facility than men, and men understand sentences about angry events (...) with greater facility than women. 3. Because it takes time to shift from one emotion to another, reading a sad sentence slows the reading of a happy sentence more for women than men, whereas reading an angry sentence slows the reading of a happy sentence more for men than for women. 4. Because sad states motivate affiliative actions and angry states motivate aggressive action, gender and emotional content of sentences interact with the response mode. 5. Because emotion simulation requires particular action systems, adapting those action systems will affect comprehension of sentences with emotional content congruent with the adapted action system. These results have implications for the study of language, emotion, and gender differences. (shrink)

This article examines feminist agency in the light of Merleau-Ponty’s phenomenological account of the body subject. Stressing the importance of embodiment to feminist agency (without reifying an essential female body), I argue that bodies inhabit specific social, historical and discursive contexts which shape our corporeal experience and our opportunities for political contestation. Beginning with the assertion that we cannot think of agency without the body, I examine a historical instance of feminist agency in which women’s bodies were central to (...) the articulation of political dissent, namely the British suffragette movement. In particular, I focus on the suffragette career of Mary Leigh and argue that it represents a feminist agency derived from corporeal performance. Through daring acts of protest which drew attention to the comportment and capacities of their bodies, suffragettes like Leigh contested the constitution of the political domain and the nature of citizenship. (shrink)

As part of the ongoing attempt to fully naturalize the concept of human being--and, more specifically, to re-center it around the notion of agency--this essay discusses an approach to defining the content of representations in terms ultimately derived from their central, evolved function of providing guidance for action. This 'guidance theory' of representation is discussed in the context of, and evaluated with respect to, two other biologically inspired theories of representation: Dan Lloyd's dialectical theory of representation and Ruth Millikan's (...) biosemantics. (shrink)

Traditionally, “the body of Christ” has been read through an organism metaphor that emphasizes unity of the community in Christ. The weakness of this reading is that there is no clear articulation of how members of the community are united with Christ. The body language in Paul’s letters can be best understood when read through a metaphor for a way of living that emphasizes Christ’s embodiment of God’s gospel. The body of Christ in Paul’s letters is, first of all, (...) his physical body that represents his life and death. Then, derivatively, it is also associated with Christian living—for example, “You are Christ-like body” (1 Cor 12:27). (shrink)

Here I distinguish three fundamental ways in which the naturalistically oriented science of pain has critically engaged phenomenology. The science of pain has either denied any role phenomenology could play in scientific pain research, or it has aimed to correlate phenomenological findings with neurological processes, or it has pursued a genuine dialogue with phenomenology, yet only insofar as phenomenology is conceived in line with the principles of static methodology. I argue that genetic phenomenology of embodied personhood offers a fourth and (...) most promising way to pursue a dialogue between phenomenology and the science of pain. By drawing a distinction between the naturalistic and the personalistic attitudes, genetic phenomenology invites one to reinterpret the neurological conceptions of pain as modifications derived from a more basic understanding of pain experience. (shrink)

This research investigates flow experiences and explores meaning construction for artistic practices that differ in haptic nature. In addition to the phenomenological analysis of interviews, videos of artistic practice and practice-based research were employed to obtain both retrospective and real-time records of the physicality of artistic practice. Drawing on authors who emphasise the automatisation of actions in flow and heightened body awareness flow is reconceptualised in non-representational terms as optimal precognitive engagement with the world. In this light meaning in flow (...) results not from bringing order to the mind as Csikszentmihalyi proposed, but through its embodied construction in activity. Analyses revealed that the sources of enjoyment and meaning, the relationship between artist, tools and artwork, and the nature and extent of self-differentiation differ between artists who work in two and three dimensions, and whose physical actions differ in the production of their artwork. 2D artists derive enjoyment from their creative process and meaning from capturing an atmosphere or place, and attribute artistic control to their artwork. 3D artists derive more enjoyment from the product of their artistic activity and meaning from the recreation of the self in material form, and do not attribute artistic control to the artwork. Consequently, embodied physicality of activity appears fundamental to similarities in flow experiences and meaning-making: accounts of flow and the meanings generated in activity differ between activities that differ in their haptic or performative nature but are similar among haptically similar activities. (shrink)

This superbly written and finery argued philosophical essay has potentially revolutionary importance for understanding "human consciousness, " and its author has accordingly been celebrated by the likes of Oliver Sachs and Karl Pribram. Showing the relevance of neuropathology for understanding the unifying processes behind perception, memory, and language, Jason Brown offers an exciting new approach to the mind/brain problem, freely crossing the boundaries of neurophysiology, psychology, and philosophy of mind. Hard science and the study of the nature of mind (including (...) Buddhist perspectives) come together in new ways, and without advocating the reductionist "computational model" for the mind/brain relation which dominates cognitive science today. Brown finds that every event in conscious life passes through highly determinate stages in a fraction of a second. These repeat both the stages of individual growth and of the evolution of the species: Not only does ontogeny recapitulate phylogeny, but the emergence of every moment of awareness recapitulates them both. This process begins deep in the brain stem with the mere awareness of duration, proceeds through concept-formation and image selection, and terminates with the apprehension of an object in the external world. The external object acts as a realistic constraint on consciousness. But in conditions such as brain damage, dream, meditation, as well as creativity, the preconscious stages enter into direct awareness, giving us explicit glimpses of developmental and evolutionary process and presenting a startling reversal of common ideas about the development of mind. Concept and image do not derive from perception and sensation, theycome first. And the principle of consciousness, rather than being a latecomer on the evolutionary and developmental scene, is a potentiality throughout. This lucidly written book will not disappoint the many readers concerned with the great frontier of scientific exploration -- the nature of consciousness. (shrink)

The influence of leader humor on employee innovative behavior has been attracting increasingly more attention from various scholars and enterprises. Based on previous relevant literatures in the fields of humor, leadership, and innovation, this study proposes and verifies a model to examine the internal mechanism and boundary condition of the relationship between leader humor, work engagement, supervisor’s organizational embodiment, and employee innovative behavior. Specifically, this study introduces work engagement as a mediator in the relationship between leader humor and employee (...) innovative behavior, and supervisor’s organizational embodiment as a moderator in the relationship between leader humor and work engagement. Then, this study conducts two separate questionnaire surveys on Chinese employees and their direct supervisors at two different times to collect the sample data. In total, 383 supervisor–subordinate dyads were collected. The results suggest that leader humor can promote employee innovative behavior. Work engagement can partly mediate the influence of leader humor on employee innovative behavior. Supervisor’s organizational embodiment of employee can positively moderate the influence of leader humor on work engagement, which in turn ultimately should account for positive increases of employee innovative behavior. The conclusions from the analyses above not only further verify and develop some previous points on leader humor and employee innovation but also derive certain management implications for promoting employee innovative behavior from the perspective of leader humor. (shrink)

Taking up John of Salisbury’s dictum that we read ancient texts to improve our eyesight, this article returns to an “old” book for “new” insight into the perennial philosophical problem of visual perception. A careful reading of Berkeley’s essay on vision improves our eyesight in at least four ways: First, it reminds us that the most interesting aspects of visual perception are not “primary” but “derivative.” Second, it reminds us that our relationship with the world is an interactive process of (...) making connections and proposes some ways in which those connections and the process of making them might be brought to consciousness and subjected to critical examination. Third, it reminds us of the extent to which making connections is a linguistic process: we live in language as surely as we live in the world, and the processes by which we take our places in the world are forms of language. Fourth, it introduces a concept of “levels” and movement between them that is particularly important to computational models that may result in nonhuman analogues of human vision. (shrink)

Taking up John of Salisbury’s dictum that we read ancient texts to improve our eyesight, this article returns to an “old” book for “new” insight into the perennial philosophical problem of visual perception. A careful reading of Berkeley’s essay on vision improves our eyesight in at least four ways: First, it reminds us that the most interesting aspects of visual perception are not “primary” but “derivative.” Second, it reminds us that our relationship with the world is an interactive process of (...) making connections and proposes some ways in which those connections and the process of making them might be brought to consciousness and subjected to critical examination. Third, it reminds us of the extent to which making connections is a linguistic process: we live in language as surely as we live in the world, and the processes by which we take our places in the world are forms of language. Fourth, it introduces a concept of “levels” and movement between them that is particularly important to computational models that may result in nonhuman analogues of human vision. (shrink)

Despite considerable growth in understanding of various aspects of sporting and exercise embodiment over the last decade, in-depth investigations of embodied affectual experiences in running remain limited. Furthermore, within the corpus of literature investigating pleasure and the hedonic dimension in running, much of this research has focused on experiences of pleasure in relation to performance and achievement, or on specific affective states, such as enjoyment, derived after completing a run. We directly address this gap in the qualitative literature (...) on sporting and exercise embodiment by contributing novel insights on the mind-body pleasures of running via focusing analytic attention towards the pleasures recalled by runners as experienced during positive, rewarding running experiences. Applying conceptual insights drawn from sociological phenomenology, we analyse data from an in-depth, event-focused interview study with distance runners who reported positive, rewarding experiences in recent recreational runs. Through reflexive thematic analysis, we present findings in relation to three themes: (1) ‘running feels like it should’; (2) sensory engagements; and (3) time out. The study contributes fresh perspectives, both conceptually and in relation to data-collection approach, to a small literature on the lived experience of pleasure in sport, exercise and physical cultures. (shrink)

Theater rehearsals are (usually) confronted with the problem of having to transform a written text into an audio-visual, situated and temporal performance. Our contribution focuses on the emergence and stabilization of a gestural form as a solution for embodying a certain aesthetic concept which is derived from the script. This process involves instructions and negotiations, making the process of stabilization publicly and thus intersubjectively accessible. As scenes are repeatedly rehearsed, rehearsals are perspicuous settings for tracking interactional histories. Based on (...) videotaped professional theatre interactions in Germany, we focus on consecutive instances of rehearsing the same scene and trace the interactional history of a particular gesture. This gesture is used by the director to instruct the actors to play a particular aspect of a scene adopting a certain aesthetic concept. Stabilization requires the emergence of shared knowledge. We will show the practices by which shared knowledge is established over time during the rehearsal process and, in turn, how the accumulation of knowledge contributes to a change in the interactional practices themselves. Specifically, we show how a gesture emerges in the process of developing and embodying an aesthetic concept, and how this gesture eventually becomes a sign that refers to and evokes accumulated knowledge. At the same time, we show how this accumulated knowledge changes the instructional activities in the rehearsal process. Our study contributes to the overall understanding of knowledge accumulation in interaction in general and in theater rehearsals in particular. At the same time, it is devoted to the central importance of gestures in theater, which are both a means and a product of theatrical staging. (shrink)

Late-ancient theologies of the priesthood frame its tasks, virtues and metaphorical relationships around its chief task: encouraging a common life of theosis as embodied virtue. Metaphorical relationships are used to evoke the manner in which, and the virtue with which, priestly tasks are to be practiced. In the priest, we hope to see an icon of the deified humanity to which all are called. This theological structuring allows the participation of women in the sacramental priesthood. Modern Orthodox arguments, in their (...) efforts to defend an exclusively male priesthood, subvert this structure. The language of relationship and virtue is used to define the priesthood according to specifically gendered tasks. This theology results in, and derives from, a reduced view of the full personhood of women and the breadth of the priestly task, undermining the priest’s role of embodying and encouraging all the virtues of the deified life. (shrink)

The arts provide openings for symbolic expression by engaging the sensory experience in the body they become a source of insight through embodied cognition and emotion, enabling meaning-making, and acting as a catalyst for change. This synthesis of sensation and enactive, embodied expression through movement and the arts is capitalized on in The BodyMind Approach®. It is integral to this biopsychosocial, innovative, unique intervention for people suffering medically unexplained symptoms applied in primary healthcare. The relevance of embodiment and arts (...) practices in TBMA are discussed in relation to the views of participants in the pursuit of self-management. If widely employed TBMA could have an enormous impact, reach, and significance for patients and global health services. This original pre-clinical trial of qualitative research reports on the perceptions of participant patients with generic MUS, a world-wide issue usually treated by either psychological therapy or physiotherapy. TBMA is not a therapy but a health education program founded upon the concept of an integration of psychological elements with physiological, bodily, and sensory experiences. Thematic analysis of qualitative data sets from open-ended questions in semi-structured interviews and a written questionnaire post intervention is presented. Five aspects which appear to be key to learning self-management were derived from analyzing the data: body with mind connections; importance of facilitation; potential benefits; preparedness for change; self-acceptance/compassion. This article advances the discourse on the nature of self-management for MUS through changing the mind-set and the relationship participants have with their bodily symptom/s through employing embodied methods and arts practices, challenging current, and solely verbal, psychological conceptual frameworks. Rigor lies in the method of data analysis using cross verification of credibility between reported findings and scrutiny by stakeholders. We conclude that facilitated TBMA groups employing embodied methods and arts practices can act as a method for developing the self-management of MUS and improving wellbeing. (shrink)

This essay deals with Habermas’ concept of truth in his late theoretical philosophy. Assuming his suggestive yet highly inspiring inauguration of a cognitive turn in Critical Theory, it probes his use of the notion of limit concept against the background of the tradition of thought from which it originally derives with the intention of identifying the notion’s potential for taking this promising departure further. It brings to the fore a number of issues in his late writings that reveal the presence (...) of what may be considered the problem of limit concepts in his thought. For present purposes, these issues are located in two areas: Habermas’ revision of his long-held concept of truth and the related criticism of Peirce; and his account of the role of limit concepts like truth and warranted assertibility or rational acceptability in processes of discursive justification. The analysis finds that there is a structural deficit in his presentation that could be filled by cognitively conceived cultural structures that not only correspond to the major types of limit concepts, but also answer to his undeveloped vision of the ‘cultural embodiment of reason’. (shrink)

[First paragraphs]: Einav Katan-Schmid’s thought-provoking new book, Embodied Philosophy of Dance, is composed of two related but at least partially separable components. Though the first (which dominates Part I of the book) contains original insights, most of it aligns with existing work in the reemerging philosophy of dance (including my own). This first component is, in essence, a hybrid dance theory derived from Katan-Schmid’s interpretations of central figures in the philosophical schools of phenomenology, hermeneutics and pragmatism (including Merleau-Ponty, Gadamer, (...) and Dewey). The second component, by contrast, is more original and provocative, and consists of Katan-Schmid’s analyses of choreographer Ohad Naharin’s Gaga method of movement research. It is thus to this second component that I will thus devote most of the present review. I will then conclude with a brief look at the recent biographical documentary on Naharin, entitled Mr. Gaga: A True Story of Love and Dance, focusing on elements that resonate with Embodied Philosophy of Dance. (shrink)

This article suggests that Facebook embodies a new logic of capitalist governance, what has been termed the ‘social logic of the derivative’. The logic of the derivative is rooted in the now dominant financial level of the capitalist economy, and is mediated by social media and the algorithmic processing of large digital data sets. This article makes three precise claims: First, that the modus operandi of Facebook mirrors the operations of derivative financial instruments. Second, that the algorithms that Facebook uses (...) share a genealogy with those of derivative financial instruments – both are outcomes of the influence of the ‘cyber sciences’ on managerial practice in the post-war years. Third, that the future potential of Facebook lies in its ability to apply the logic of derivatives to the financial valuation of ordinary social relations, thus further extending the process of financialization of everyday life. (shrink)

A model of gestural sequencing in speech is proposed that aspires to producing biologically plausible fluent and efficient movement in generating an utterance. We have previously proposed a modification of the well-known task dynamic implementation of articulatory phonology such that any given articulatory movement can be associated with a quantification of effort (Simko & Cummins, 2010). To this we add a quantitative cost that decreases as speech gestures become more precise, and hence intelligible, and a third cost component that places (...) a premium on the duration of an utterance. Together, these three cost elements allow us to derive algorithmically optimal sequences of gestures and dynamical parameters for generating articulator movement. We show that the optimized movement displays many timing characteristics that are representative of real speech movement, capturing subtle details of relative timing between gestures. Optimal movement sequences also display invariances in timing that suggest syllable-level coordination for CV sequences. We explore the behavior of the model as prosodic context is manipulated in two dimensions: clarity of articulation and speech rate. Smooth, fluid, and efficient movements result. (shrink)

My article is a rejoinder to Gert Biesta’s, ‘“This is My Truth, Tell Me Yours”. Deconstructive pragmatism as a philosophy of education.’ Biesta attempts to place Jacques Derrida’s deconstruction in ‘the very heart’ of John Dewey’s pragmatism. My article strives to impress Deweyan pragmatism in the heart of Derridian deconstruction. It does so by offering Dewey’s denotative, naturalistic, empirical perspectivalism as an alternative to Derrida’s anti-empirical quasi-transcendentalism for understanding otherness and difference. The first section of my article shows Biesta offers (...) a catastrophically mistaken and confused argument. The second section imprints Deweyan pragmatism in the heart of Derrida’s deconstruction. Dewey specifically makes philosophical use of a version of the genetic method he calls the ‘empirical denotative method’ to trace the exclusions as well as the inclusions of our perspectival selections driven by our finite embodied needs, interest, desires, and purposes. We may derive the trace of quasi-transcendental différance from the trace of empirically perspectival inclusions and exclusions. Specifically, différance is a reified hypostatic abstraction. Next, I respond to Biesta’s claim that since the metaphysics of presence still entangles Dewey, he cannot appreciate the fact that presence depends on absence. Actually, presence in Dewey always depends on absence. Finally, we will find that Biesta’s own deconstructive pragmatism flounders on his commitment to self-refuting relativism. (shrink)

My objective is a better comprehension of two theoretically fundamental concepts. One, the concept of a substance in an ordinary (non-Aristotelian) sense, ranging over such things as salt, carbon, copper, iron, water, and methane – kinds of stuff that now count as (chemical) elements and compounds. The other I’ll call the object-concept in the abstract sense of Russell, Wittgenstein, and Frege in their logico-semantical enquiries. The material object-concept constitutes the heart of our received logico / ontic system, still massively influenced (...) by Aristotle after almost 2.5 millennia. On such an account, the fundamentality of material objects and their attributes are the metaphysical basis of the cosmos, as reflected in our received logic, Quine’s ‘canonical notation’ – derived via the empiricism of Russell from Frege’s function-based Begriffschrifft, and consisting of concrete singular terms and variables, quantifiers and predicate-expressions. The inadequacy of Frege’s approach to understanding concepts is reflected in his initial question. Frege enquires of ‘what it is that we are calling an object’, remarking that he regards a regular definition as impossible: “we have here something too simple to admit of logical analysis”. The imagined ultimacy or simplicity of the idea of a single object (arithmetically, just a unit – one as against two, three, four, etc.) as foundational to the calculus is just that – imagined. It is also guaranteed to block the comprehension of the substance-concept. (shrink)

Reviews the book, Relational being: Beyond self and community by Kenneth J. Gergen . The primary plea of the book is that psychology consider a relational rather than individual conception of its phenomena. Gergen encourages us to "treat what we take to be the individual units as derivative of relational process" . This notion of a fundamentally relational subject is one that the reader is invited to explore and to test against other, more traditional, ways of constructing being. It is (...) a proposition entertained and evaluated in terms of its implications but it is not presented as the real, true, or most factual account of human experience. Throughout the text, Gergen attempts to replace the individual or monological expositional style with a more dialogical, plural kind of textual negotiation. The book is constantly questioning and coming to terms with itself, its critics, and its limitations. The book is, as Bakhtin might have it, multivocal. Gergen invokes his own authorial voice, but also his voice as an embedded, historical being. Each chapter is peppered with anecdotes and personal reflections woven into the overall narrative as concrete counterpoint to the abstractions of theoretical argument. In the process, Gergen is surprisingly intimate, personal, and generous with his private life and history. The book also becomes something more human, narrative, and funny than is usual in theoretical exegesis. This style is quite inviting, partly because it is rooted in everyday life but also because it explicitly invites, and even voices, the critic, the question, and the doubt. Ultimately, what is compelling in the pages of Relational Being is what is fundamentally compelling about relationalism itself—namely, the way that it displaces abstract system as the core of meaning and replaces it with embodied relation. This displacement has the potential to redress some of the essential distortions at the heart of Enlightenment reason—particularly that venerable tradition of riding one’s chosen theoretical hobby horse into the face of concrete, lived experience . Relational practice moves us away from the distortions that inevitably come when we make everything we encounter instrumental to some idea that we cherish . Relational practice asks us, instead, to continually return to the lived relation and so continually rupture and remake the narratives by which we understand it. 2012 APA, all rights reserved). (shrink)

This paper sets out to show how Eddington's early twenties case for variational derivatives significantly bears witness to a steady and consistent shift in focus from a resolute striving for objectivity towards “selective subjectivism” and structuralism. While framing his so-called “Hamiltonian derivatives” along the lines of previously available variational methods allowing to derive gravitational field equations from an action principle, Eddington assigned them a theoretical function of his own devising in The Mathematical Theory of Relativity (1923). I make clear that (...) two stages should be marked out in Eddington's train of thought if the meaning of such variational derivatives is to be adequately assessed. As far as they were originally intended to embody the mind's collusion with nature by linking atomicity of matter with atomicity of action, variational derivatives were at first assigned a dual role requiring of them not only to express mind's craving for permanence but also to tune up mind's privileged pattern to “Nature's own idea”. Whereas at a later stage, as affine field theory would provide a framework for world-building, such “Hamiltonian differentiation” would grow out of tune through gauge-invariance and, by disregarding how mathematical theory might precisely come into contact with actual world, would be turned into a mere heuristic device for structural knowledge. (shrink)

Are mass emotions and shared feelings two different phenomena? In this paper, I investigate two different forms of corporeal interaction; one bipolar and one unipolar. In the bipolar type, two individuals give different impulses, which are aligned with each other. In the unipolar type, the impulse derives from a thing, a task or a person. This impulse creates an identical corporeal dynamic in those involved. This synchronization of the corporeal directions leads to corporeal resonance and a reciprocal intensification. The shared (...) experience of feelings is a part of unipolar corporeal interaction since the impulse for the corporeal dynamic of the individuals departs from one and the same feeling. According to Max Scheler’s analysis of emotional contagion, contagion comes about through imitation; it is merely a fallacy to believe the other person’s feeling is one’s own. In this paper, I argue that emotional contagion and shared feelings cannot be distinguished by virtue of this criterion of genuineness and instead belong to the same type of corporeal interaction. On the whole, I question the assumption that feelings are solely personal states. Individual and collective feelings can only be distinguished unambiguously through concepts, whereas affective phenomena are always tied to others, to norms and discourse. (shrink)

RAAAF [Rietveld Architecture-Art-Affordances] is an interdisciplinary studio that operates at the crossroads of visual art, experimental architecture and philosophy. RAAAF makes location- and context-specific artworks, an approach that derives from the respective backgrounds of the founding partners: Prix de Rome laureate Ronald Rietveld and Socrates Professor in Philosophy Erik Rietveld.

A review of U. Mäki (ed.). Fact and Fiction in Economics, Cambridge: Cambridge University Press, 2003. pp. xvi 384. ISBN 0521 00957. As people interested mainly in theory, methodologists and philos...