7 found
Order:
  1.  52
    Revision, prevision, and the aura of improvisatory art.David Sterritt - 2000 - Journal of Aesthetics and Art Criticism 58 (2):163-172.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark   6 citations  
  2.  38
    Bressonians on Bresson.David Sterritt - 2001 - Film-Philosophy 5 (1).
    _Robert Bresson_ Edited by James Quandt Toronto: Toronto International Film Festival Group, 1998 ISBN 0-9682969-1-2 612 pp.
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark  
  3.  33
    Godardiana: A Reply to Marcia Landy.David Sterritt - 2002 - Film-Philosophy 6 (2).
    Marcia Landy 'Godard: Thinking Media' _Film-Philosophy_, vol. 6 no. 30, September 2002.
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark  
  4.  21
    Hitchcock, Hume, and the Matrix of Modern Cinema: John Orr (2005) Hitchcock and Twentieth-Century Cinema.David Sterritt - 2007 - Film-Philosophy 11 (3):238-246.
  5.  63
    James Walters (2008) Alternative Worlds in Hollywood Cinema: Resonance Between Realms.David Sterritt - 2010 - Film-Philosophy 14 (1):310-317.
    Direct download (9 more)  
     
    Export citation  
     
    Bookmark  
  6.  19
    Speaking and Writing about Godard: A Response to Nochimson and Sutton.David Sterritt - 2000 - Film-Philosophy 4 (1).
    Martha P. Nochimson A Modest Employee of the Cinema vs The Big Garage _Film-Philosophy_, vol. 4 no. 6, March 2000.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark  
  7.  25
    Schizoanalyzing Souls: Godard, Deleuze, and the Mystical Line of Flight.David Sterritt - 2010 - Journal of French and Francophone Philosophy 18 (2):9-28.
    "In an article on montage written for Cahiers du cinéma , Jean-Luc Godard made an observation that has been quoted many times in many contexts: If direction is a look, montage is a heartbeat…what one seeks to foresee in space, the other seeks in time….Cutting on a look is…to bring out the soul under the spirit, the passion behind the intrigue, to make the heart prevail over the intelligence by destroying the notion of space in favor of that of time. (...)
    Direct download (10 more)  
     
    Export citation  
     
    Bookmark