This essay explores aspects of the relationship between imagery and thought in the work of the English apologist G.K. Chesterton (1874‐1936), focusing on the language and imagery of energy and of vision in his work. It attempts to assess both the strengths and the weaknesses of the ways in which imagery and other aspects of this writer's use of language relate to his argumentation. It also explores the possibility that Chesterton's work can shed light on one of the philosophical dimensions (...) of apologetics, namely, apologists’ attempts to present concepts that cannot be explicitly stated, as part of a defence of Christianity. In considering this issue, it brings Chesterton's use of imagery into dialogue with certain images in the work of the philosopher Mary Midgley and the apologist C.S. Lewis. Finally, it draws certain tentative conclusions concerning the role of imagery in relation to argumentation, within the field of apologetics. (shrink)

The Heythrop Journal, Volume 63, Issue 2, Page 245-254, March 2022.

In this essay I argue for a line of descent, in terms of methodology as an apologist, from J.H. Newman to G.K. Chesterton, and hence to C.S. Lewis. I analyse aspects of Chesterton's methodology as an apologist which strongly suggest the influence of Newman. I then argue that Newman may have exercised a greater influence on Lewis's methodology as an apologist, through Chesterton, than has previously been realised. This raises questions for future study concerning Newman's possible influence, not only on (...) Lewis, but on the other Inklings and related thinkers such as Dorothy Sayers. (shrink)

This essay considers the work of G.K. Chesterton, and in particular The Everlasting Man, in relation to narrative theology. It discusses the apparent contradiction between Aidan Nichols’ judgement that this book develops a ‘Christocentric theology of history’ and Chesterton’s own assertion that its approach is ‘historical rather than theological’. It argues that Chesterton employs both natural and narrative theology in The Everlasting Man, and these two forms of theology frame a reading of the book which resolves the seeming contradiction between (...) Nichols’ and Chesterton’s views, while also challenging the conventional chronology used in discussions of narrative theology. (shrink)

New Blackfriars, Volume 103, Issue 1103, Page 97-112, January 2022.