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  1.  17
    Shakespeare's Last Plays: Essays in Literature and Politics.John E. Alvis, Glenn C. Arbery, David N. Beauregard, Paul A. Cantor, John Freeh, Richard Harp, Peter Augustine Lawler, Mary P. Nichols, Nathan Schlueter, Gerard B. Wegemer & R. V. Young - 2002 - Lexington Books.
    What were Shakespeare's final thoughts on history, tragedy, and comedy? Shakespeare's Last Plays focuses much needed scholarly attention on Shakespeare's "Late Romances." The work--a collection of newly commissioned essays by leading scholars of classical political philosophy and literature--offers careful textual analysis of Pericles, Prince of Tyre, Cymbeline, The Winter's Tale, The Tempest, All is True, and The Two Noble Kinsmen. The essays reveal how Shakespeare's thought in these final works compliments, challenges, fulfills, or transforms previously held conceptions of the playwright (...)
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  2.  20
    A History of Catholic Moral Theology in the Twentieth Century: From Confessing Sins to Liberating Consciences by James F. Keenan, SJ.David N. Beauregard - 2010 - The National Catholic Bioethics Quarterly 10 (4):820-823.
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  3.  15
    Biomedicine and Beatitude: An Introduction to Catholic Bioethics by Nicanor Pier Giorgio Austriaco, OP.David N. Beauregard & Mark Yavarone - 2012 - The National Catholic Bioethics Quarterly 12 (3):547-549.
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  4.  8
    Inspirèd Merit.David N. Beauregard - 1999 - Renascence 51 (4):219-239.
  5.  30
    Human Malevolence and Providence in King Lear.David N. Beauregard - 2008 - Renascence 60 (3):198-222.
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  6.  3
    Human Sexuality: Holiness or Boredom?David N. Beauregard - 2000 - Ethics and Medics 25 (8):3-4.
  7.  3
    How to Deconstruct Proportionalism.David N. Beauregard - 1999 - Ethics and Medics 24 (6):3-4.
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  8.  18
    Inspirèd Merit.David N. Beauregard - 1999 - Renascence 51 (4):219-239.
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  9.  3
    Inspirèd Merit.David N. Beauregard - 1999 - Renascence 51 (4):219-239.
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  10.  44
    Love and Friendship in The Merchant of Venice.David N. Beauregard - 2019 - Renascence 71 (2):133-148.
    The basic argument of the essay is that in The Merchant of Venice Shakespeare represents Aristotelian-Thomistic notions of love and friendship. In the attraction of Bassanio for Portia we have the three-fold analysis of love as desire for the useful, the pleasurable and the virtuous. In the male friendship between Antonio and Bassanio we see the liberal man’s virtuous desire to give and share his wealth with his friends. Both relationships are concerned with giving and taking, a reflection of the (...)
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  11.  86
    Moral Thrology in Sir Gawain and the Green Knight.David N. Beauregard - 2013 - Renascence 65 (3):146-162.
    With reference to the virtue-ethics tradition, especially the system of St. Thomas Aquinas, this essay interprets the pentangle emblazoned on Gawain’s shield as symbolizing the perfection of interconnected virtues, and the Green Knight as figuring Christ in his martyrdom. Linking these two strands of meaning is the Thomist idea of fortitude, the virtue under particular scrutiny in the poem. Gawain fulfills the secondary part of fortitude, attack, while the Green Knight fulfills the primary part, endurance, and is identified with Christ. (...)
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  12.  38
    New Light on Shakespeare's Catholicism.David N. Beauregard - 1997 - Renascence 49 (3):159-174.
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  13.  20
    Shakespeare and the Passions: The Aristotelian‐Thomistic Tradition.David N. Beauregard - 2011 - Heythrop Journal 52 (6):912-925.
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  14.  36
    Shakespeare's Catholic Mind at Work: The Bard's Choices, Additions, and Projections.David N. Beauregard - 2013 - Heythrop Journal 54 (6):942-954.
  15.  1
    Twentieth Century Literature and Abortion.David N. Beauregard - 1993 - Ethics and Medics 18 (12):3-4.
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  16.  1
    The Focus of Catholic Ethics.David N. Beauregard - 1994 - Ethics and Medics 19 (3):3-4.
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  17.  1
    The Moral Life.David N. Beauregard - 1995 - Ethics and Medics 20 (6):3-4.
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  18.  8
    Virtue's Own Feature: Shakespeare and the Virtue Ethics Tradition.David N. Beauregard - 1995
    "Using an historical approach, Virtue's Own Feature explores nine of Shakespeare's most successful works as representations of the passions, virtues, and vices as they are complexly and extensively set out by Aristotle and Thomas Aquinas." "The work first undertakes to describe the late Elizabethan poetic of Sir Philip Sidney, which is demonstrated to be Shakespeare's poetic as well. Second, this study explores Shakespeare's plays in relation to the Aristotelian-Thomistic tradition of moral philosophy, one important branch of a major sixteenth-century philosophical (...)
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  19.  38
    Music, Value and the Passions. [REVIEW]David N. Beauregard - 1996 - International Philosophical Quarterly 36 (2):247-249.
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  20.  24
    Picture, Image and Experience: A Philosophical Inquiry. [REVIEW]David N. Beauregard - 2000 - International Philosophical Quarterly 40 (3):382-383.
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