This collection of original essays by preeminent interpreters of continental philosophy explores the question of whether Western thought and culture have been dominated by a vision-centered paradigm of knowledge, ethics, and power. It focuses on the character of vision in modern philosophy and on arguments for and against the view that contemporary life and thought are distinctively "ocularcentric." The authors examine these ideas in the context of the history of philosophy and consider the character of visual discourse in the writings (...) of Plato, Descartes, Hegel, Nietzsche, Husserl, Heidegger, Benjamin, Sartre, Merleau-Ponty, Levinas, Derrida, Foucault, Gadamer, Wittgenstein, and Habermas. With essays on television, the visual arts, and feminism, the book will interest readers in cultural studies, gender studies, and art history as well as philosophers. (shrink)

This collection of original essays by preeminent interpreters of continental philosophy explores the question of whether Western thought and culture have been dominated by a vision-centered paradigm of knowledge, ethics, and power. It focuses on the character of vision in modern philosophy and on arguments for and against the view that contemporary life and thought are distinctively "ocularcentric." The authors examine these ideas in the context of the history of philosophy and consider the character of visual discourse in the writings (...) of Plato, Descartes, Hegel, Nietzsche, Husserl, Heidegger, Benjamin, Sartre, Merleau-Ponty, Levinas, Derrida, Foucault, Gadamer, Wittgenstein, and Habermas. With essays on television, the visual arts, and feminism, the book will interest readers in cultural studies, gender studies, and art history as well as philosophers. (shrink)

In a study that goes beyond the ego affirmed by Freudian psychology, David Levin offers an account of personal growth and self-fulfillment based on the development of our capacity for listening. Drawing on the work of Dewey, Piaget, Erikson, and Kohlberg, he uses the vocabulary of phenomenological psychology to distinguish four stages in this developmental process and brings us the significance of these stages for music, psychotherapy, ethics, politics, and ecology. This analysis substantiates his claim that the development of our (...) listening capacity is a process that fits Foucault's conception of a practice of the self, forming our character as social beings and moral agents. David Levin contends that our self- development as auditory beings is necessary for the achievement of a just and democratic society. (shrink)

This is a unique study, contuining the work of Merleau-Ponty and Heidegger, and using the techniques of phenomenology against the prevailing nihilism of our culture. It expands our understanding of the human potential for spiritual self-realization by interpreting it as the developing of a bodily-felt awareness informing our gestures and movements. The author argues that a psychological focus on our experience of well-being and pathology as embodied beings contributes significantly to a historically relevant critique of ideology. It also provides an (...) essential touchstone in experience for a fruitful individual and collective response to the danger of nihilism. Dr Levin draws on Merleau-Ponty's phenomenology to clarify Heidegger's analytic of human beings through an interpretation that focuses on our experience of being embodied. He reconstructs in modern terms the wisdom implicit in western and semitic forms of religion and philosophy, considering the work of Freud, Jung, Focault and Neitzsche, as well as that of American educational philosophers, including Dewey. In particular, he draws on the psychology of Freud and Jung to clarify our historical experience of gesture and movement and to bring to light its potential in the fulfilment of Selfhood. Throughout the book, the pathologies of the ego and its journey into Selfhood are considered in relation to the conditons of technology and the powers of nihilism. (shrink)

First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

The principal argument of the present paper is that the human body is as much a reflective formation of multiple discourses as it is an effect of natural and environmental processes. This paper examines the implications of this argument, and suggests that recognizing the body in this light can be illuminating, not only for our conception of the body, but also for our understanding of medicine. Since medicine is itself a discursive formation, a science with both a history, and a (...) future, it is argued that much can be learned by reflecting on the progression of models, or “paradigm-shifts,”, in terms of which modern medicine has articulated the human body that figures at the heart of its discourse. Four historical periods of medicine will be considered, each one governed by its own distinctive paradigm. It is argued, finally, that, with the emergence of behavioural medicine, and, more particularly, psychoneuroimmunology, a new discursive formation in medicine, one can see a new conceptualization of the human body beginning to take shape; and that this new figure of the body makes it possible for the very first time to conceive the construction of testable hypotheses regarding correlations between the objective body of science and the phenomenological body of experienced meaning. (shrink)

David Michael Levin's ongoing exploration of the moral character and enlightenment-potential of vision takes a new direction in _The Philosopher's Gaze_. Levin examines texts by Descartes, Husserl, Wittgenstein, Nietzsche, Heidegger, Benjamin, Merleau-Ponty, and Lévinas, using our culturally dominant mode of perception and the philosophical discourse it has generated as the site for his critical reflections on the moral culture in which we are living. In Levin's view, all these philosophers attempted to understand, one way or another, the distinctive pathologies of (...) the modern age. But every one also attempted to envision—if only through the faintest of traces, traces of mutual recognition, traces of another way of looking and seeing—the prospects for a radically different lifeworld. The world, after all, inevitably reflects back to us the character, the reach and range, of our vision. In these provocative essays, the author draws on the language of hermeneutical phenomenology and at the same time refines phenomenology itself as a method of working with our experience and thinking critically about the culture in which we live. (shrink)

In this study, I examine the significance of the trace and its legibility in the phenomenologies of Merleau-Ponty and Levinas, showing that this trope plays a more significant role in Merleau-Ponty's thinking than has been recognized heretofore and that it constitutes a crucial point of contact between Merleau-Ponty and Levinas. But this point of contact is also, in both their philosophies, a site where their thinking is compelled to confront its limits and the enigmas involved in the description of the (...) topography of a hermeneutical flesh. It is argued that the significance of the trace consists in its alterity, its registering and inscribing in the very matter of the flesh an imperative spiritual assignment: the morally binding hold of the other person on my capacity to be responsive to the other's needs and bear responsibility for the other's welfare. The retrieval or recuperation of the trace, which, I argue, is inscribed as a certain predisposition in what, borrowing from Merleau-Ponty, we might call the prepersonal topology of the flesh, would thus constitute a task of the utmost importance for the formation of the moral self. However, given the paradoxical temporality of the trace and the hermeneutical nature of its legibility, the retrieval of the trace is not actually possible. Nevertheless, the attempt to retrieve it - one's commitment to retrieving it - is an absolutely imperative existential task, determining the character of the moral self. In both Merleau-Ponty and Levinas, however, the problematic nature of this recuperative project is manifested in the ambiguous, equivocal modality of their rhetoric, supposedly engaged in the phenomenological description of the primordial 'inscription', but oscillating, in fact, undecidably between descriptive and prescriptive, constative and performative, literal and metaphorical modes of discourse. It is argued that this, far from being a fault, is necessitated by the hermeneutic nature of the trace, which requires that the description be invocative and evocative, provoking a deep transformation in experience that would make the description true. It accordingly becomes clear that and why the moral phenomenologies of Merleau-Ponty and Levinas, depending as they must on a metaphorical interaction between language and experience, cannot function within the framework of the traditional correspondence theory of truth. (shrink)

This study undertakes a hermeneutical reading of some texts in which the question of the embodiment of the categorical imperative, the responsibility enjoined by the procedural form of the moral law, is introduced. It is hoped that this reading will contribute to our understanding of the body of experience, the so-called body-subject, showing the body to be not only an object-body, not only, as in the work of Foucault, a material substratum for the application of power, but also, as Levinas (...) thought, the primordial bearer of a certain rudimentary moral compass, at the very heart of which there lies, if only deeply encrypted, the categorical assignment of the moral law. (edited). (shrink)

In ?Some Myths about ?Mental Illness'? (Inquiry, Vol. 18 [1975], No. 3), Michael Moore attempts to clarify and refute what he takes to be the radical (existential) position concerning the nature and diagnosis of mental illness. Moore's dissatisfaction with certain formulations and conceptualizations of the radical position is endorsed; as also the need to introduce greater rigor and precision into the discussion of mental illness. But Moore's clarifications are really misunderstandings and, in consequence, his refutations do not succeed. Moore's five?fold (...) interpretative classification of the radical thesis is retained. (shrink)

In this paper I examine important texts by Jacques Derrida in which, either implicitly or explicitly, the Shoah, the catastrophe of the Holocaust is signified, interrupting, disrupting, even disfiguring the texture of the text. The question is how appropriately to remember and mourn the dead within philosophical discourse, how to remember what happened and how to understand it as a question not only of ethical and political responsibility but also as an evil deeply and pervasively reflected in the ontology and (...) epistemology of the philosophical tradition—an evil circulating within the very substance of philosophical thought, and in such a way that Derrida will make this philosophical complicity in the violence and evil of the Holocaust register its painfully oppressive guilt in textual configurations haunted by the presence of the victims, remembered in traces of their absence. Thus we see how Derrida lets the question of an appropriate form of historical memory, a fitting way to remember the Shoah, invade his texts—how he lets the texts of his thought be exposed to its radical evil and exposed to the pain of an impossible mourning. We also see how the deconstruction of the metaphysics of presence implies a contestation of historicism, a writing of history that betrays the past in the very process of making it present. (shrink)

This paper has three aims: first, to redeem some of Freud's most fundamental insights, so courageous and revolutionary that they were not even entirely appealing and intelligible to Freud himself; not understanding their teacher, Freud's disciples systematically distorted or suppressed his boldest speculations. By concentrating on an early Buddhist text of great profundity it is hoped to push our understanding of Freud beyond Freud himself. The exotic nature of this text makes it an especially powerful instrument for cutting through the (...) conservatism and resistance of venerable Freudian doctrine; secondly, to make more accessible a text which will encourage Western thinkers to do some serious thinking in the Buddhist way; and thirdly to examine the relationship between id and ego; it is shown why and how the egological construction (ego/superego) blocks the spontaneity of libidinal fulfillment. The role of representation in time-consciousness is also explored. (shrink)

Democracy as compared with other ways of life is the sole way of living which believes wholeheartedly in the process of experience as end and as means; as that which is capable of generating the science which is the sole dependable authority for the direction of further experience and which releases emotions, needs, and desires so as to call into being the things that have not existed in the past. For every way of life that fails in its democracy limits (...) the contacts, the exchanges, the communications, the interactions by which experience is steadied while it is enlarged and enriched. The task of this release and enrichment is one that has to be carried on day by day. Since it is one that can have no end till experience itself comes to an end, the task of democracy is forever that of creation of a freer and more humane experience in which all share and to which all contribute. (shrink)

This paper purports a limited study of the concept of reason. It analyzes the claim of religious belief to be reasonable. The context for this analysis is an examination of some evidential (criteriological) connections between reasonable belief and ?(good) reasons? for such belief. Consideration of the typical sort of evidential connection shows, not surprisingly, that religious belief cannot claim to be reasonable. But it is argued that there is (at least) one other sort of connection, and that it is philosophically (...) plausible to regard this connection as definitive of a quite distinctive sense of ?reasonable?, with its own kind and style of criteria, according to which religious belief can be thought reasonable. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:David Michael Levin ROUSSEAU'S CURSE Pretext Rousseau is the author of a text he called his Confessions. ' But neither a text nor a confession can exist without a reader, or an other. Like it or not, we readers are participants in the rite of Rousseau's confessions. Do we have anything to confess? When the reading of a confession uncovers the spelling of a curse, so that the self-accused (...) author appears to accuse his readers, the discoverers of the curse can no longer pretend their neutrality and innocence. In fact, the detectives must assume the identity of the accused. In such a special case, then, the inevitable work of textual interpretation magically doubles as the story of a mysteriously elusive "crime" and its final, or anyway presumed detection. But, as in the very best of such stories, neither the skillfully executed crime nor its invisible author—if indeed these terms denote anything at all—need be what they seem. So perhaps the only thing we can say for sure here is that the spelling of the curse is the curse of spelling. And this puts us on the track of a mystery as ancient as the art of writing itself—a mystery whose story the scholars of hermeneutics have thus far preferred to ignore. The mystery I have in mind is the secret affinity between writing and death. A careful hermeneutic approach to Plato's critique of writing, however, may give us a crucial clue. For what binds written language to the power of death is its role in mourning, its incarnation in the form of shadows: black configurations of shadows placed for visibility against the white of the paper. In Plato's Myth of the Cave, the crime of writing is dimly adumbrated. Writing is idolatry, worship of false images, shadows. Rousseau's Confessions, written near the end of his life in the shadow of death, does not escape the shadows of doubt and suspicion which we, his readers, having discovered our own selves inscribed into the darkness of the text, cannot easily refrain from casting. But as soon as we recognize in the shapes of these shadows a suspicion for which 76 David Michael Levin77 we are responsible, we must confess our fatal complicity in the closing of the hermeneutical circle. Commentary on the Text If Rousseau's Confessions does not read like the typical memoir, neither does it read like the typical confession. A final twist awaits us. We read with a certain innocence, or faith, not prepared for the transitive conclusion: the text, as it happens, will bequeath a monstrous and impossible burden. What is the reader to do? How could it be that this man, who seemed to honor us, and won our trust with the candor of his revelations, should so boldly, by one cross conceit, vanish, only to leave us double-crossed and within a labyrinth which, as he would have us believe, we ourselves have wrought? What are we to make of his work? At first, the Confessions appears to be a work of light: with dazzling clarity of mind and courage no less prismatic, Rousseau proposes to take his readers into the gloomy chasms of his soul. "My purpose," he declares, "is to display to my kind a portrait in every way true to nature, and the man I shall portray is myself" (p. 17). That this, however, is not the whole of his intention, we learn through a neighboring sentence. For he says: "Let the last trumpet sound when it will, I shall come forward with this work in my hand, to present myself before my Sovereign Judge, and proclaim aloud: 'Here is what I have done'..." (p. 17). And yet, even this does not fully disclose his design, since he concedes, somewhat later, that "it is as if, feeling my life escaping from me, I were trying to recapture it at its beginnings" (p. 31). But in the end, as in the beginning, darkness and light are one. And indeed, deep into the Seventh Book, we see that the author's light does begin to dim, and that he no longer speaks with much assurance. Nor is... (shrink)

Drawing on Merleau-Ponty's recognition of a prepersonal stage and dimension of our embodied experience to carry forward his phenomenology of language, this essay elaborates the significance of Merleau-Ponty's phrase "singing the world" and gives new inspiration to the metaphysical longing for a revelation of the "origin" of language, displacing this "origin" from its mythic sites to let it be heard within our experience of speaking. This experience is both diachronic (stages) and synchronic (structural dimensions): first, our prepersonal attunement to the (...) soundings in our auditory field; second, our experience of speaking the inherited language; third, a recuperation of that first communicative attunement. (shrink)