18 found
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  1.  39
    Using Things as Art.Darren Hudson Hick - 2019 - Grazer Philosophische Studien 96 (1):56-80.
    Secured to a table in my living room is an antique apple peeler—a cast iron 19th century mechanical contrivance that I gave my wife for her birthday some years ago. This thing is not art. At the very least, I do not believe it is art. Yet my wife and I do not use it as an apple peeler; we use it as art. Indeed, my living room is filled with things that we are using as art—some artifacts, some natural (...)
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  2.  6
    Artistic License: The Philosophical Problems of Copyright and Appropriation.Darren Hudson Hick - 2017 - University of Chicago Press.
    Culture clashes -- Ontology, copyright, and artistic practice -- The myth of unoriginality -- Authorship, power, and responsibility -- Toward an ontology of authored works -- The rights of authors -- The rights of others -- Appropriation and transformation -- Afterword.
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  3.  36
    When is a Work of Art Finished?Darren Hudson Hick - 2008 - Journal of Aesthetics and Art Criticism 66 (1):67–76.
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  4.  36
    Authorship, Co‐Authorship, and Multiple Authorship.Darren Hudson Hick - 2014 - Journal of Aesthetics and Art Criticism 72 (2):147-156.
    In this article, I use the example of the novel Micro, authored by Michael Crichton and Richard Preston, to tease out the relationships between an author and his work and with other authors of that work. The case presents a complication for a number of contemporary views on authorship and co-authorship, which suggest that Crichton is either not an author of the novel or an author but not a co-author—both, I suggest, are counterintuitive views. After working through the leading views (...)
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  5.  10
    Ontology and the Challenge of Literary Appropriation.Darren Hudson Hick - 2013 - Journal of Aesthetics and Art Criticism 71 (2):155-165.
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  6.  16
    When Is a Work of Art Finished?Darren Hudson Hick - 2008 - Journal of Aesthetics and Art Criticism 66 (1):67-76.
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  7.  14
    The Problem of Tragedy and the Protective Frame.Darren Hudson Hick & Craig Derksen - 2017 - Emotion Review 9 (2):140-145.
    We explore the classical philosophical problem of the “paradox of tragedy”—the problem of accounting for our apparent pleasure in feeling pity and terror as audiences of staged tragedies. After outlining the history of the problem in philosophy, we suggest that Apter’s reversal theory offers great potential for resolving the paradox, while explaining some of the central intuitions motivating philosophical proposals—an ideal starting point to bridge a narrowing gap between philosophy and psychology.
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  8.  8
    A Reply to Paisley Livingston.Darren Hudson Hick - 2008 - Journal of Aesthetics and Art Criticism 66 (4):395-398.
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  9.  14
    Making Sense of the Copyrightability of Plots: A Case Study in the Ontology of Art.Darren Hudson Hick - 2009 - Journal of Aesthetics and Art Criticism 67 (4):399 - 407.
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  10.  14
    Performance Hero.Craig Derksen & Darren Hudson Hick - 2009 - Contemporary Aesthetics 7.
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  11. On Canon.Craig Derksen & Darren Hudson Hick - 2018 - Contemporary Aesthetics 16 (1).
     
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  12.  6
    Carroll, Noël. Minerva's Night Out: Philosophy, Pop Culture, and Moving Pictures. Malden, MA: Wiley‐Blackwell, 2013, X + 358 Pp., $99.95 Cloth, $29.95 Paper. [REVIEW]Darren Hudson Hick - 2015 - Journal of Aesthetics and Art Criticism 73 (4):463-465.
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  13.  10
    Expressing Ideas: A Reply to Roger A. Shiner.Darren Hudson Hick - 2010 - Journal of Aesthetics and Art Criticism 68 (4):405-408.
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  14. Forgery and Appropriation in Art.Darren Hudson Hick - 2010 - Philosophy Compass 5 (12):1047-1056.
    Although art forgery is documented throughout the history of Western art, philosophical discussion of the problems of art forgery is a relatively recent matter, beginning largely in the latter half of the twentieth century. Arising even more recently is the practice of creating ‘appropriation art’, a topic that has so far been largely ignored in aesthetics but which raises some challenging questions especially when compared with forgery. This article introduces some of the philosophical problems that arise from the practice and (...)
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  15.  20
    The Co‐Author Is Dead; Long Live the Co‐Author: A Reply to Killin, Bacharach, and Tollefsen.Darren Hudson Hick - 2015 - Journal of Aesthetics and Art Criticism 73 (3):337-341.
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  16.  7
    Why Can't You Take a Joke? The Several Moral Dimensions of Pilfering a Ha‐Ha.Darren Hudson Hick - 2020 - Journal of Aesthetics and Art Criticism 78 (4):465-476.
    ABSTRACT This article investigates the moral wrongness of joke theft. Working through a trove of real-world cases, and using the sitcom The Marvelous Mrs. Maisel as a touchstone, I argue, ultimately, for a pluralist approach, contending that there are several wrongs that may be present in any case of joke theft, but which cannot be reduced to each other and which are collectively irreducible to any sort of “superwrong.”.
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  17.  7
    Young, James O., Radically Rethinking Copyright in the Arts: A Philosophical Approach.Darren Hudson Hick - forthcoming - Journal of Aesthetics and Art Criticism.
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  18.  6
    Young, James O., Radically Rethinking Copyright in the Arts: A Philosophical Approach (Routledge, 2021), 184 Pp., $155.00 Cloth. [REVIEW]Darren Hudson Hick - 2021 - Journal of Aesthetics and Art Criticism 79 (1):124-127.
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