The analyses at the core of this essay focus attention on the concepts of “Compearance” and “Exposition” in Jean-Luc Nancy’s philosophical reflection. Starting from the analyses carried out by Sartre, Lévinas and Derrida, this paper aims to define and highlight one of the fundamental concepts in Nancy’s philosophical work, which is touching. A “corpus of touch” that is a syncopated corpus, interrupted and mixed with other bodies; here the whole sense of compearance and exposition is at stake.