The present article examines the contemporary stakes and “application” of The Differend with particular attention to neo-fascist denialism, trolling, and alt-right “free speech” discourse. This entails investigating the text’s own rhetorical performance as well as the shifting attitudes towards the sophistic tradition in The Differend and its precursor text, “On the Force of the Weak.” The article thus also takes up in detail three examples of the characteristic sophistic form of the dilemma or double-bind, two of which are drawn from (...) Lyotard: the Holocaust denialist Robert Faurisson’s infamous dilemma of “the witness to the gas-chambers”; the canonical ancient dilemma through which Protagoras wins his fee from his student Euathlus despite seemingly never having helped him win a dispute; and “if you can speak, you can breathe,” the contemporary denialist’s rejoinder to “I can’t breathe.” Lyotard’s arguments are briefly compared to those of other thinkers. (shrink)

Flirtations: Rhetoric and Aesthetics This Side of Seduction, opens by asking a fundamental first question: What is flirtation, and how does it differ from seduction? The essays thereby address the under-theorized terrain of flirtation not as a subgenre of seduction but rather as a phenomenon in its own right.

This article takes up the specifically poetic dimension of what Jacques Derrida calls Martin Heidegger’s “philosophical nationalism” in the recently published Geschlecht III, arguing that this text doubles as a self-interrogation of Derrida’s own practice of reading poetry. Thus reading Geschlecht III alongside the nearly contemporaneous “Shibboleth: For Paul Celan,” I claim that Derrida’s critical deconstruction of Heidegger’s philosophical-poetic nationalism both allows us to read the traces of a more affirmatively deconstructive thinking of literary community in “Shibboleth” and draws attention (...) to the limits and traps of such a project. Further, I demonstrate that Derrida’s and Heidegger’s respective approaches to the question of literary community cannot be separated from their respective approaches to the question of translation and their respective ways of mobilizing the motif of the “untranslatable.”. (shrink)

This article takes up the specifically poetic dimension of what Jacques Derrida calls Martin Heidegger’s “philosophical nationalism” in the recently published Geschlecht III, arguing that this text doubles as a self-interrogation of Derrida’s own practice of reading poetry. Thus reading Geschlecht III alongside the nearly contemporaneous “Shibboleth: For Paul Celan,” I claim that Derrida’s critical deconstruction of Heidegger’s philosophical-poetic nationalism both allows us to read the traces of a more affirmatively deconstructive thinking of literary community in “Shibboleth” and draws attention (...) to the limits and traps of such a project. Further, I demonstrate that Derrida’s and Heidegger’s respective approaches to the question of literary community cannot be separated from their respective approaches to the question of translation and their respective ways of mobilizing the motif of the “untranslatable.”. (shrink)