This book addresses the examination of notions related to space in geography as conditions of social praxis. The author analyzes the critical currents of geography that take a stand in the face of the political consequences of the so-called traditional geography, discuss the criteria from which criticism is exercised in geographic research and reflect on nature and geopolitics from the perspective of criticism of political economy. In this way, in the texts that make up this volume, the necessary debate is (...) invited to overcome the chaos in which the use of categories such as "territory," "region," "place" and "scale" are found in social theory. (shrink)
This volume sets out to re-imagine the theoretical and epistemological presuppositions of existing scholarship on identities. Despite a well-established body of scholarly texts that examine the concept from a wide range of perspectives, there is a surprising dearth of work on multiple, heterogeneous forms of identity. Numerous studies of ethnic, linguistic, regional and religious identities have appeared, but largely in isolation from one another. Rethinking 'Identities' is a multi-authored project that is original in providing - in distributed and granular mode (...) - a hyper-contemporary and wide-ranging applied analysis that questions notions of identity based on nation and region, language, ethnicity, gender, sexuality, religion or even 'the human'. The volume achieves this by mobilizing various contexts of identity (gender, ethnicity, sexuality, nation) and medium (art, cinema, literature, music, theatre, video). Emphasizing the extreme contemporary (the twenty-first century) and the challenges posed by an increasingly global society, this collection of essays builds upon existing intellectual investigations of identity with the aim of offering a fresh perspective that transcends cognitive and geographical frontiers. (shrink)
Coference papers from the X National Seminar of Theory and History of the Art carried out in Medellín to address certain implications that the question entails, for both art and philosophy. For art: Why and since when do we think that art without aesthetics is something reprehensible or desirable? For philosophy: Is it irremovable or not the turn that the philosophical aesthetic took towards the experience of art from the eighteenth century? At the heart of these questions is a basic (...) concern: Who needs more aesthetics (taste, pleasure, beauty): art or human life?. (shrink)
If Unamuno had been able to choose how to be remembered, he would have wanted him to be a poet. This book wants to do justice to that happy possibility. But above all because Unamuno was a poet in the highest sense: he was while writing the same essay as a novel, or theater, letter or verse, and he was also a poet when he passionately lived all the facets of his intense existence. His intellectual work was poetic and his (...) personal relationships, as well as his political activity, also responded to that peculiar Unamunian aesthetic in which the vital horizon is inescapably confused with the tasks of thought." --Translated from back cover. (shrink)
