This article explores the philosophy of Alain Badiou from the vantage point of the concepts of the localization, delocalization, and relocalization of the void as thematized through literary arts, religion, emancipatory politics, and the subject of psychoanalysis. In short, these moments around the void characterize the processes through which truth is processed and seen through their full realization by a philosophical engagement across the various conditions in which these truths occur. The localization of a void is the naming of an (...) indiscernible element that is incommensurable to the rubric of constructible knowledge, sense and meaning which could saturate the space of truth. Thus, the naming that localizes the void acts as a subtraction of the invariant in the variance of situation such that across various points in space and time, we are still able to subtract the universal as the invariant not just as the fidelity to the localized truth but also as the resurrection of truth upon its relocalization at a different place and a different time. At its core, this article is concerned with truth, why truth is persistent, and why we have to struggle to articulate the truth that we are trying to be faithful to again and again with each instance that truth risks being covered-over and obscured. (shrink)

This article constitutes an attempt to articulate productive crossovers between some of the philosophical groundings and theoretical underpinnings on which various schools of phenomenology are based and areas within the practice and theory of psychoanalysis that chime with these. It works ultimately towards establishing a _phenomenologico-existential psychoanalysis _from these researches, out of which key concepts of illness, structure, situation, and periodicity are excavated; and into which they are incorporated.

This article draws out ecological aspects convergent on the first page of James Joyce’s Finnegans Wake and explores them through Žižek’s theoretical perspectives on humanity today and its relation to the waste and chaos that underpins the state of nature that it is reliant on; that is in relation to the Lacanian category of the Real. It does so in an attempt to bring together Joyce and Žižek so as to demonstrate the theoretical possibilities that can arise out of their (...) synthesis. The essay’s methodology is tripartite, working through a theoretical part – utilising, as well as Žižek’s ecology, Lacanian psychoanalysis and the ecosophical thought of Félix Guattari – a textual part, drawing on Joyce scholarship pertinent to the first section of the Wake, and towards a practical part, which aims to condense the work of the essay and outline a route to a possible praxis, which takes into account the real of nature. (shrink)