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Daniel T. O'Hara [15]Dan O'hara [5]Daniel O'Hara [1]
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  1.  40
    On Deconstruction: Theory and Criticism after StructuralismRoland Barthes.Dan O'Hara & Jonathan Culler - 1984 - Journal of Aesthetics and Art Criticism 42 (3):323.
  2.  26
    Experiments in Reading.Daniel T. O'Hara - 2009 - New Nietzsche Studies 8 (1-2):151-160.
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  3.  6
    Iser, Wolfgang. Walter Pater: The Aesthetic Moment.Dan O'hara - 1988 - Journal of Aesthetics and Art Criticism 46 (4):528-528.
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  4.  12
    Lionel Trilling: The Work of Liberation.Daniel T. O'Hara - 1990 - Journal of Aesthetics and Art Criticism 48 (1):103.
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  5. Orpheus turning : the reader to come in Camera Lucida.Daniel T. O'Hara - 2022 - In Jeffrey R. Di Leo & Zahi Anbra Zalloua (eds.), Understanding Barthes, understanding modernism. New York: Bloomsbury Academic.
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  6. Orpheus turning : the reader to come in Camera Lucida.Daniel T. O'Hara - 2022 - In Jeffrey R. Di Leo & Zahi Anbra Zalloua (eds.), Understanding Barthes, understanding modernism. New York: Bloomsbury Academic.
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  7.  28
    Revisionary Madness: The Prospects of American Literary Theory at the Present Time.Daniel T. O'Hara - 1983 - Critical Inquiry 9 (4):726-742.
  8.  44
    The Art of Reading as a Way of Life: On Nietzsche's Truth.Daniel T. O'Hara - 2009 - Northwestern University Press.
    The art of reading as a way of life: an introduction to Nietzsche's truth -- Experiments in creative reading: the Cambridge Nietzsche -- Nietzsche's passion in The gay science: an experiment in creative reading -- Nietzsche's book for all and none: the singularity of Thus spoke Zarathustra -- Ecce homo: Nietzsche's two natures -- Nietzsche's critical vortex: on the global tragedy of theoretical man.
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  9.  10
    Thinking Through Art: Aesthetic Agency and Global Modernity.Daniel T. O'Hara & Alan Singer - 1998 - Duke University Press.
    In the eighteenth century the category of the aesthetic sought to bridge the gap between the prevalent dualities of Cartesian thought: art and science, history and science, prejudice and truth. This special issue of _boundary 2_ addresses current debates about the status of art in the context of global modernity. The range of arguments represented here cover a broad historical scope—from Cartesianism to present-day global modernity—of cultural discourse on the aesthetic to bring a focus to contemporary discussions of the corollary (...)
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  10.  8
    Why Nietzsche now?Daniel T. O'Hara (ed.) - 1985 - Bloomington: Indiana University Press.