This paper claims that indefinite descriptions, singular and plural, have different scope properties than genuine quantifiers. This claim is based on their distinct behavior in island constructions: while indefinites in islands can have intermediate (and maximal) scope readings, quantifiers cannot. Further, the simplest in situ interpretation strategy for indefinites results in incorrect truth conditions for intermediate (and maximal) scope readings. I introduce a mechanism which “auto-matically” preserves the restriction on free variables corresponding to indefinites, in a way which allows the (...) restriction to be carried up in the course of semantic interpretation and to be used at the level where the variable is quantified. This mechanism is a realization of the “indefinites-as-free-variables” proposal of Lewis, Kamp, and Heim, but emphasizes the role of the restriction. I then show that distributive readings of plural indefinites also display island-escaping behavior and argue for an independent, island-insensitive distribution mechanism. (shrink)

This paper comments on Emar Maier’s “Unreliability and point of view in filmic narration”. It is suggested that, without having discourse representations that include embedding operators, films can be unreliable in the broad sense of having propositional contents that depart from inferable, realistic scenarios. Second, films and embedded shots in film can convey agent-centered information without being composed of point-of-view shots. The reason is that the discourse representation can include information about discourse referents that identifies a depicted individual as a (...) counterpart of the experiencer. (shrink)

“Counterfactual” readings of might/could have were previously analyzed using metaphysical modal bases. This paper presents examples and scenarios where the assumptions of such a branching-time semantics are not met, because there are facts at the base world that preclude the complement of the modal becoming true. Additional arguments show that counterfactual readings are context dependent. These data motivate a semantics using a circumstantial (or factual) modal base, which refers to context-dependent facts about a world and time. The analysis is formulated (...) in a version of premise semantics for modality. (shrink)

Pictorial free perception reports are sequences in comics or film of one unit that depicts an agent who is looking, and a following unit that depicts what they see. This paper proposes an analysis in possible worlds semantics and event semantics of such sequences. Free perception sequences are implicitly anaphoric, since the interpretation of the second unit refers to the agent depicted in the first. They are argued to be possibly non-extensional, because they can depict hallucination or mis-perception. The semantics (...) proposed here employs an account of anaphora using discourse referents, a formalized possible worlds semantics for pictorial narratives, and, to model the epistemic consequences of perceptual events, the event alternative construction from dynamic epistemic logic. In intensional examples, the second unit depicting what is seen is analyzed as embedded. It is argued that a semantics for embedding where the attitudinal state of the depicted agent is required to entail the semantic content of the picture attributes too much information to the agent. This is addressed with a model of normal looking, and a semantics for the embedding construction that uses existential quantification over alternatives, rather than universal quantification. (shrink)