The myths which seek to assert the idea of completeness per medium of the creature of dual sex are legion. The androgyne of Plato, the Tiresias of the fable, through their double sexuality and their ability to meld in one body both animus and anima, the genius of man and the genius of woman, affirm the idea of ontological perfection. But, consubstantial with their radiant power is the terror that they generate. For they unsettle even the gods. Symbol of the (...) creative harmony and beauty of the universe, the androgyne is nonetheless the harbinger of catastrophe. Its perfection is an anomaly. Its beauty a provocation. Its intelligence an insult. For the androgyne is the copy of God, the extremity of a hand that shapes, capable of what God is able. (shrink)

The intention of this paper's title is not to position the notion of androgyny solely on the side of women writers, even though they are the most quoted. I have considered the phenomenon among both sexes, and the authors who 'forgot' their sex early on, in order to create. This 'forgetting' even seems to be the condition for genius. Indeed the androgyne, who is more an idea than a character, becomes for many writers the complete expression of that compulsory mixture (...) of strength and grace without which art and its claims remain incomplete. In fact authors have showcased themselves and have certainly thrown the dice for their own lives by creating an androgynous character, since that character has very often been a pretext for finding themselves through words and poetry. (shrink)

The intention of this paper's title is not to position the notion of androgyny solely on the side of women writers, even though they are the most quoted. I have considered the phenomenon among both sexes, and the authors who 'forgot' their sex early on, in order to create. This 'forgetting' even seems to be the condition for genius. Indeed the androgyne, who is more an idea than a character, becomes for many writers the complete expression of that compulsory mixture (...) of strength and grace without which art and its claims remain incomplete. In fact authors have showcased themselves and have certainly thrown the dice for their own lives by creating an androgynous character, since that character has very often been a pretext for finding themselves through words and poetry. (shrink)