The aim of this article is to argue that Marcel’s idea of freedom as participation in being is what constitutes authentic freedom and existence. A “pessimistic” existentialist, Sartre conceives of authentic freedom and existence or life as making free choices and committing oneself to one’s chosen mode of life and taking responsibility for it. However, this stand of absolute freedom of choice, irrespective of the morality and nature of one’ actions with regard to human essence and ontological status as finite (...) and potential being in need of plenitude, could lead to the loss of sense of being and the proliferation of evil in a society. This is because one might freely choose to indulge in an act that negates the essence of humanity and engenders self-destruction as well as the destruction of others, since, for the “pessimistic” existentialist, one only has to be committed to it and accept its accompanying responsibility to qualify as authentic freedom and existence. I will argue that Marcel’s conception of freedom as participation in being leads to an individual’s awareness of their ontological status as a finite being and that their finitude imposes a limitation on their hold on being and generates some self-trepidation that they might lose their sense of being, and consequently propels them to engage in those acts that are consistent and compatible with their essence and are geared towards self-realisation. I will conclude that genuine freedom and authentic life lie in participation in being. (shrink)

La 4e de couv. indique : "Prenant le contrepied de l'interprétation nietzschéenne plutôt dépréciative du ressentiment, qui cadrait avec un certain souci de défendre les privilèges de l'aristocratie, cet essai suggère une interprétation juridique du ressentiment permettant d'en faire ressortir les aspects positifs. La démarche convie à un parcours en trois étapes. La première conduit de la définition que Spinoza donna de la haine en général au sentiment d'injustice, qui est un motif de haine particulier. La définition de l'injustice, correspondant (...) chez Aristote à des cas de haine donnant lieu à une colère justifiée, permet, à rebours, d'identifier et de déprécier la haine qui ne répond pas à cette définition. Se dévoile ainsi déjà en filigrane le discret génie du ressentiment. La deuxième étape chemine du sentiment d'injustice au ressentiment et permet de distinguer, à partir du critère du droit, le ressentiment de l'indignation. Si l'interprétation de Nietzsche approfondissait la distinction entre le ressentiment et l'acquiescement, l'interprétation juridique conduit à souligner la distinction entre le ressentiment et l'indignation. Redéfini comme sentiment du droit et sentiment juridique d'injustice, le ressentiment fait l'objet d'une réhabilitation dans le dernier temps de cet essai qui est aussi l'occasion d'aborder les relations entre droit et politique, droit et science, justice et amour et de réfléchir aux liens entre ressentiment, indignation et droits de l'homme à l'âge démocratique. En intégrant la vision de Jhering, qui faisait de la paix le but du droit et de la lutte le moyen de l'atteindre, en cherchant à corriger « l'erreur » de Nietzsche par Nietzsche, le droit, sous le rapport de ses liaisons avec les affects, pourrait peut-être se définir comme une arme morale, sociale et politique, plongée dans les complexions de la haine, qui sépare le ressentiment de l'indignation, la domination du premier ayant pour effet de modérer ou de subjuguer la seconde..". (shrink)

Lonergan writes both of a foundation for human knowing as well as of a functional specialty he termed ‘foundations’. Neither of these is the same as ‘foundation’ as the term is used by nonfoundationalists. Lack of clarity and differentiation regarding what is meant by ‘foundationalism’ sometimes informs the perception that Lonergan is a foundationalist. The burden of this essay is to show that Lonergan's philosophical and theological thought, as well as his use of the term ‘foundations’, fall awkwardly, if at (...) all, under anti-foundationalist strictures. There is a need to clarify and differentiate a range of terms and concepts in this regard. Lonergan shares with anti-foundationalists the rejection of ocular metaphors and other naïve approaches to human knowing. Lonergan's own search for ‘foundations’, which I argue is critical for a world Church consciousness and meets the Rahner-test for a world Church, is part of an overall project to situate knowing within identifiable, recurring patterns in the operations of human consciousness. (shrink)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Nous pensons avoir souvent le choix entre plusieurs options et considérons que les personnes humaines qui exercent normalement ce pouvoir peuvent être tenues pour responsables de leurs actes. Ces croyances, en la liberté, en la responsabilité et en leur relation nécessaire, ont pu être entendues de manières différentes, voire niées. L'idée que les actions humaines sont déterminées par des facteurs qui ne dépendent pas des agents humains, comme le sont tous ou la plupart des événements de ce monde, est une (...) croyance ancienne (destin, prédestination) et moderne (déterminisme des lois de la nature). Et la pensée qu'une indétermination des actions humaines ne serait pas plus favorable à la liberté et à la responsabilité peut conduire à la conclusion que ces dernières sont impossibles. Pour affronter ce problème, il faut élucider les concepts, et évaluer les analyses ainsi que les arguments proposés de part et d'autre. En s'appuyant sur l'état contemporain de la discussion, ce livre défend la possibilité et la plausibilité de la conception "libertarienne" de la liberté. Elle serait incompatible avec le déterminisme et compatible avec l'indéterminisme, qui est la condition de la responsabilité morale."--Page 4 of cover. (shrink)

Comment les juristes pensent-ils les fondements du droit? Le constructivisme juridique apporte une réponse inédite à cette interrogation. Cet essai le révèle en tant que modèle épistémologique permettant de refonder le droit par la science juridique. Inexploré jusqu'alors en droit, le constructivisme apparaît comme une structure de la pensée des juristes qui se manifeste en période de crise à travers un processus en forme de boucle révolutionnant successivement les méthodes, le concept et les valeurs de la connaissance juridique (fig. de (...) la couverture). Par une plongée au cur de la Rome antique, ce premier tome consacré aux origines romaines du constructivisme juridique étudie l'émergence du jusnaturalisme dans une société romaine en crise marquée par un droit privé en pleine mutation. Il décrit comment la transformation du savoir classique des jurisconsultes en une science du droit rationnelle et abstraite est l'uvre d'un fondement constructiviste du droit en mesure de répondre aux réalités sociopolitiques. Et si l'étude historique de ces temps de crise pouvait nous aider à comprendre les évolutions du droit d'aujourd'hui? (shrink)

Brentano is perhaps most famously renowned for his re-deployment of Scholastic terminology of ‘intentional act’ and ‘intentional object’ in the elaboration of his novel science of ‘descriptive psychology’ in the mid-1870s and 1880s. In this re-deployment, however, Brentano adapted the original Scholastic meanings of both of these terms. Thus Brentano advanced not one but two descriptive-psychological theses of intentionality.1 These theses, however, are often not properly distinguished, and consequently they are more often confused. Nevertheless, once the two theses are distinguished, (...) Brentano’s basic descriptive-psychological tenet of the intentionality of consciousness is more readily understandable on its own terms. Whether Brentano’s descriptive-psychological tenet is entirely acceptable philosophically, or not, of course, is another matter but this presupposes understanding in a straightforward sense what Brentano’s doctrine is. In this article, I will be concerned mainly with Brentano’s re-introduction of ‘what the Scholastics of the Middle Ages called the intentional (or mental) inexistence of an object’ in Psychology from an Empirical Standpoint (1874),2 even though it is Brentano’s (second) thesis on ‘intentional act’, one that he developed after his 1874 publication, that is more generally well known and examined. While acknowledging that many versions of ‘Brentano’s thesis’, as it is usually (and loosely) referred to by commentators today, have been re-worked in modern philosophy of mind, this article focuses attention on some of the main points of convergence and deviance between the original Scholastic concept and Brentano’s ‘new’ concept of intentionality in Psychology from an Empirical Standpoint. (shrink)

This article first outlines the importance of Brentano’s doctrine of inner perception both to his understanding of the science of psychology in general in his Psychology from an Empirical Standpoint and to his new science of descriptive psychology in particular which he later advances in his lecture courses on ‘Descriptive Psychology’ at the University of Vienna in the 1880s and early 1890s. It then examines Husserl’s critique of that doctrine in an ‘Appendix: Inner and Outer Perception: Physical and Psychical Phenomena’, (...) which Husserl added to the 1913 re-issue of his Logical Investigations. This article argues that, though Husserl promotes a very different method in phenomenology to the method of ‘inner perception’ which Brentano designs for descriptive psychology, one cannot fully understand the significance of the method that Husserl advocates in phenomenology, both in the Logical Investigations and in Ideas I, without distinguishing four different meanings for ‘inner perception’ in Brentano’s thought and addressing the problematic issue of the particular kind of scientific method for his new science of descriptive psychology which Brentano bequeaths to Husserl. (shrink)

This paper analyses Heidegger’s controversial advancement of Husserl’s idea of philosophy and phenomenological research towards ‘the Being-Question’ and its relation to ‘Dasein’. It concentrates on Heidegger’s elision of Dilthey and Husserl’s different concepts of ‘Descriptive Psychology’ in his 1925 Summer Semester lecture-course, with Husserl’s concept losing out in the competition, as background to the formulation of ‘the Being-Question’ in Being and Time (1927). It argues that Heidegger establishes his own position within phenomenology on the basis of a partial appropriation of (...) Dilthey’s hermeneutical manner of thinking, an appropriation that was later radically called into question by Levinas on Diltheyean-hermeneutical-philosophical grounds. (shrink)

A philosopher and a cognitive neuroscientist conversed with Buddhist lama Tilmann Lhündrup Borghardt (TLB) about the unresolved phenomenological concerns and logical questions surrounding “pure” consciousness or minimal phenomenal experience (MPE), a quasi-contentless, non-dual state whose phenomenology of “emptiness” is often described in terms of the phenomenal quality of luminosity that experienced meditators have reported occurs in deep meditative states. Here, we present the excerpts of the conversation that relate to the question of how it is possible to first have and (...) later retrieve such non-dual states of selflessness and timelessness that are unrelated to sensory input. According to TLB, a “pure” experience of consciousness contains the phenomenal quality of luminous clarity, which is experienced solely in the transitional phase from the non-dual state of absolute emptiness to the state of minimal emptiness, when the person gradually returns to duality. However, this quality of luminous clarity can also be experienced in non-minimal states as in the experiential mode of being awakened. TLB describes this transition as a kind of ephemeral afterglow in the form of a maximally abstract phenomenal quality, i.e., luminosity, which justifies the conclusion of having been in a state of “pure” consciousness. (shrink)

ABSTRACTDeliberative and decisional groups play crucial roles in most aspects of social life. But it is not obvious how to organize these groups and various socio-cognitive mechanisms can spoil debates and decisions. In this paper we focus on one such important mechanism: the misrepresentation of views, i.e. when agents express views that are aligned with those already expressed, and which differ from their private opinions. We introduce a model to analyze the extent to which this behavioral pattern can warp deliberations (...) and distort the decisions that are finally taken. We identify types of situations in which misrepresentation can have major effects and investigate how to reduce these effects by adopting appropriate deliberative procedures. We discuss the beneficial effects of holding a sufficient number of rounds of expression of views; choosing an appropriate order of speech, typically a random one; rendering the deliberation dissenter-friendly; having agents express fined-grained views. These applicable procedures help improve deliberations because they dampen conformist behavior, give epistemic minorities more opportunities to be heard, and reduce the number of cases in which an inadequate consensus or majority develops. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Fabuler la fin du monde: La puissance critique des fictions d’apocalypse by Jean-Paul EngélibertCyril CamusJean-Paul Engélibert. Fabuler la fin du monde: La puissance critique des fictions d’apocalypse [Fabulating the end of the world: The critical power of apocalypse fiction]. Paris: Éditions La Découverte, 2019. 239 pp. Print. 20€. ISBN 978-2-348-03719-1.Jean-Paul Engélibert is a well-established expert on apocalyptic and postapocalyptic fiction. His exploration of the genre thus far includes (...) the monograph Apocalypses sans royaume: Politique des fictions de la fin du monde, XX–XXIe siècles (2013), numerous articles, as well as the essay collection L’Apocalypse: Une imagination politique, XIXe–XXIe siècles (2018), which he co-edited. In his latest book, Fabuler la fin du monde, he returns to several texts and aspects of the genre previously covered, delving deeper into what he calls “fictions of the end of the world.” In the ten chapters, gathered in five parts, he approaches his subject as a seasoned scholar in the field of comparative literature, and his analysis draws from comparisons between modern fiction’s representation of apocalypse and biblical literature’s visions of apocalypse and messianism. The book also offers ecocritical insights into the specter of Anthropocenic manifestations in fiction, with reflections on the interrelated genres of utopia and dystopia, theories of cinema, and philosophical writings on the catastrophic history of the twentieth and twenty-first centuries.The range of fictional works discussed is wide, including Jean-Baptiste Cousin de Grainville’s Le dernier homme (1805); Mary Shelley’s Frankenstein (1818); Émile Souvestre’s Le monde tel qu’il sera (1846); Didier de Chousy’s Ignis (1883); Robert Merle’s Malevil (1972); José Saramago’s Blindness (1995); Antoine Volodine’s Minor Angels (1999); Don DeLillo’s Cosmopolis (2003); Cormac McCarthy’s The Road (2006); Céline Minard’s Le dernier monde (2007); Davide [End Page 163] Longo’s The Last Man Standing (2010); and Margaret Atwood’s MaddAddam trilogy (Oryx and Crake [2003], The Year of the Flood [2009], and MaddAddam [2013]). Engélibert also touches on feature-length movies such as Stanley Kramer’s On the Beach (1959), Lars von Trier’s Melancholia (2011), Abel Ferrara’s 4:44 Last Day on Earth (2012), and Mamoru Oshii’s Ghost in the Shell (1995), as well as on other literary and audiovisual fictions, such as E. M. Forster’s short story “The Machine Stops” (1909), Edward Bond’s dramatic trilogy The War Plays (1985), and the first season (2014) of Damon Lindelof and Tom Perrotta’s TV series The Leftovers (2014–17).Engélibert’s exegeses of the genre build around two aspects of the evolving relationship of apocalyptic narratives to the context of their production. Apocalypse (in the sense of “the end of the world” rather than the etymological sense of “revelation”) is no longer primarily a religious myth: the creation and use of the atomic bomb during the Second World War, the theorization of the Anthropocene, and the mainstreaming of concerns over climate change have made the term “apocalypse” a very real, tangible prospect for the future. Engélibert relies on Günther Anders’s Die atomare Drohung (1981) to highlight the importance of the A-bomb in bringing home the reality of potential annihilation to people’s collective consciousness. Yet his second contextual/historical point is that the Anthropocene (albeit unnamed at the time) actually started with the Industrial Revolution, and that thinkers and polemicists such as Charles Fourier or Eugène Huzar, as well as contemporary fiction writers, were already acknowledging the environmental impact of humans and their economic/industrial/technological activity as threats to human and nonhuman life, and to the health of the planetary system itself.1Citing the work of Jean-Baptiste Fressoz and Christophe Bonneuil on the history of climate science, Engélibert analyzes in detail several nineteenth-century novels (namely Le Dernier homme, Frankenstein, Le monde tel qu’il sera, and Ignis) and one early-twentieth-century story (Forster’s “The Machine Stops”) that denounce the harm that the idol of the time, Progress, was already wreaking on nature and human life... (shrink)