This work seeks to highlight that an understanding of aesthetic practices is essential to the analysis of politics and political processes. If today, aesthetics has become a rather overused term, referring to a variety of historical periods and groups, even states of being (love, melancholy...), nonetheless its relevance as a connecting agent between individual, state and society remains strong. Placing it as a central theme for understanding processes of domination, contestation and transversal links highlights the mobilization of spaces, bodies and (...) objects in a struggle for the exercise of power and the challenges to it. It is impossible to study historical shifts or systems of power without examining the mobilisation of aesthetic languages: of splendour and display, austerity, asceticism, minimalism or restraint. In this book the concern is with the dynamics between the custodians of aesthetics and the dissenters, with the moment, and with change over time. This book approaches contemporary politics through the aesthetics of power and its practices: from the more formal and regulated presence of state power in the public space in the form of official buildings, commemorative monuments, to the aestheticisation of sacrifice in politics and judicial spectacles. The studies presented here promise to lead us further to deepening our understanding of the dynamics of political spaces and the politics of the aesthetic in contemporary politics. (shrink)

Critical explorations of the key thinkers in the New World. Intersecting biography and history, individual monographs in New World Perspectives examine the central intellectual vision of leading contributors to politics, culture and society.

Bernard Williams thought that philosophy should address real human concerns felt beyond academic philosophy. But what wider concerns are addressed by Ethics and the Limits of Philosophy, a book he introduces as being ‘principally about how things are in moral philosophy’? In this article, we argue that Williams responded to the concerns of his day indirectly, refraining from explicitly claiming wider cultural relevance, but hinting at it in the pair of epigraphs that opens the main text. This was Williams’s (...) solution to what he perceived as the stylistic problem of how to pursue philosophy as cultural critique. Taking the epigraphs as interpretative keys to the wider resonances of the book, we show how they reveal Williams’s philosophical concerns – with the primacy of character over method, the obligation to follow orders, and the possibility of combining truth, truthfulness, and a meaningful life in a disillusioned world – to be recognisably rooted in the cultural concerns of post-war Britain. In the light of its epigraphs, the book emerges as the critique of a philosophical tradition’s inadequacies to the special difficulties of its cultural moment. (shrink)

Force Fields collects the recent essays of Martin Jay, an intellectual historian and cultural critic internationally known for his extensive work on the history of Western Marxism and the intellectual migration from Germany to America.

Adorno, Radical Negativity, and Cultural Critique presents the concept of utopia as a necessary corrective to the cynical ethos of our time. Kathleen League explores this fascinating philosophical concept through discussions of works by such diverse figures as Jacques Derrida, Richard Wolin, Pierre Bourdieu, the Sex Pistols, and Oscar Wilde. This gripping journey through an often neglected philosophy will interest those who want to know more about Adorno, radical social change, and utopia.

This chapter analyses the phenomenon of new animism in the light of the notion of cultural critique borrowed from work by anthropologists such as George Marcus and Michael Fischer. In developing the analysis, a distinction is drawn between affirmatory new animism and a critical approach to new animism. While each of these approaches acknowledges divergences between animist viewpoints and modern Western viewpoints, the affirmatory approach affirms the superiority of the animist side of the contrast; the critical approach remains (...) more circumspect, emphasizing the hermeneutical difficulties that accompany efforts to understand the cultural phenomena at issue. The purpose of the chapter is not to vindicate either the affirmatory or the critical approach but to clarify what kind of phenomenon (or movement or orientation) new animism is, what its possibilities are and what might be the strengths and weaknesses both of new animism itself and of the criticisms that have been lodged against it. (shrink)

L’intelligence artificielle est partout, l’air de rien, pour mieux nous contrôler et nous orienter en douceur. Faut-il se rebeller contre cet état de fait, qui s’impose à nos modes de vie sans la moindre délibération démocratique? Est-il encore possible ou même souhaitable de jeter ces IA invisibles, voire indiscernables, à la poubelle du numérique? Ne faudrait-il pas, avant de clamer l’urgence du « danger » qui vient, oser les connaître? L’enjeu est de construire une culture critique de l’IA, qui (...) associerait artistes, écrivains, chercheurs, ingénieurs, mathématiciens, logiciens, penseurs, philosophes, artisans et bien sûr citoyens dans une même dynamique de réflexion. (shrink)

The first book to take stock of these critical responses, this volume illuminates the relationship between cultural and political critique in the work of major Arab thinkers, and it connects Arab debates on cultural malaise, identity, and ...

In the work of these thinkers, Kurasawa finds little justification for two of the most prevalent claims about social theory: the wholesale "postmodern" dismissal of the social-theoretical enterprise because of its supposedly intractable ...

Major psychoanalytic thinkers from Freud to Ricoeur to Lacan considered the Oedipus complex the key to explaining the human psyche and human sexuality, even culture itself. But, in fact, they were merely theorizing males. In this title, originally published in 1993, the author reassesses the benchmark concepts of Freudian thought, building on feminist criticisms of psychoanalysis and the new history of sexuality. The psychoanalytic questions become political questions: How do the norms of heterosexuality and masculinity themselves emerge within modern society (...) and culture? How do the institutions of compulsory heterosexuality and modern patriarchy shape identity and desire? What make heterosexuality compulsory in our society? Brenkman argues that the larger social world is part and parcel of the Oedipus complex. He challenges psychoanalysis to reinvent its cultural project, as a therapeutics and an ethics, by recovering the moral-political dimension in its approach to family, sexuality and gender. Straight Male Modern casts a new light on psychoanalysis’s contribution to modern life, revealing the richness of the Freudian tradition’s encounter with modern politics and culture, and the poverty of its response. (shrink)

Autor ovoga clanka imao je intenciju da se analizom primitivnog mentaliteta ranih drustvenih zajednica probije do novog znacenja i smisla toga pojma. Takodje i da ukaze na eventualne refleksije duha i svesti nasih predaka na nas, ovde i sada. Prvi deo rada posvecen je kritickom promisljanju antropoloskih sporova koji su nastali povodom rasudne moci takozvanih primitivaca. Krucijalno pitanje je u sledecem: da li je razlika izmedju?primitivnog? i?civilizovanog? mentaliteta fundamentalna ili je ona moguca samo u odredjenom stepenu. Pojam primitivnog mentaliteta autor (...) provodi kroz vreme i ukazuje na shvatanja u srednjem veku, koja su zaokupljena teratoloskim temama, zatim na renesansno poimanje, koje se oslanja na prva iskustvena zapazanja i, najzad, na prosvetiteljske predstave o egzoticnim narodima iz kojih je rodjen mit o?dobrom divljaku?. Devetnaesti i dvadeseti vek uvode u igru pojmove?narodnog karaktera? i?nacionalnog duha?. Polarizuju se misljenja, s jedne strane etnocentrizma, nosena predrasudama o ljudima i etnickim grupama i, s druge strane, kulturnog relativizma, zasnovana na razumevanju i uvazavanju kulturnih razlika. Autor na kraju prepoznaje i savremenog primitivnog coveka, onoga koji nije spreman da se suoci sa izazovima svoga doba. Savremeni primitivac priziva duhove proslosti, prezivele i anahrone modele ponasanja, ne sluteci da su to oni isti modeli koje je pripisivao?divljacima?. Medjutim, dok je kulturni stadijum na kome su ziveli nasi preci opravdavao takvo razmisljanje i postupanje, mentalni sklop danasnjih primitivaca bitno odudara od visokog nivoa civilizacijskog razvoja. (shrink)

Responds to a paper delivered by Ladelle McWhorter at the Spindel Conference. Argues that we must be more careful in distinguishing Foucault's thought from feminist criticism.

Autor ovoga clanka imao je intenciju da se analizom primitivnog mentaliteta ranih drustvenih zajednica probije do novog znacenja i smisla toga pojma. Takodje i da ukaze na eventualne refleksije duha i svesti nasih predaka na nas, ovde i sada. Prvi deo rada posvecen je kritickom promisljanju antropoloskih sporova koji su nastali povodom rasudne moci takozvanih primitivaca. Krucijalno pitanje je u sledecem: da li je razlika izmedju?primitivnog? i?civilizovanog? mentaliteta fundamentalna ili je ona moguca samo u odredjenom stepenu. Pojam primitivnog mentaliteta autor (...) provodi kroz vreme i ukazuje na shvatanja u srednjem veku, koja su zaokupljena teratoloskim temama, zatim na renesansno poimanje, koje se oslanja na prva iskustvena zapazanja i, najzad, na prosvetiteljske predstave o egzoticnim narodima iz kojih je rodjen mit o?dobrom divljaku?. Devetnaesti i dvadeseti vek uvode u igru pojmove?narodnog karaktera? i?nacionalnog duha?. Polarizuju se misljenja, s jedne strane etnocentrizma, nosena predrasudama o ljudima i etnickim grupama i, s druge strane, kulturnog relativizma, zasnovana na razumevanju i uvazavanju kulturnih razlika. Autor na kraju prepoznaje i savremenog primitivnog coveka, onoga koji nije spreman da se suoci sa izazovima svoga doba. Savremeni primitivac priziva duhove proslosti, prezivele i anahrone modele ponasanja, ne sluteci da su to oni isti modeli koje je pripisivao?divljacima?. Medjutim, dok je kulturni stadijum na kome su ziveli nasi preci opravdavao takvo razmisljanje i postupanje, mentalni sklop danasnjih primitivaca bitno odudara od visokog nivoa civilizacijskog razvoja. (shrink)

The mad scientist stories of fiction and film are exercises in antirationalism, particularly its Gothic horror variant. As such, they convey the argument that rationalist secular science is dangerous, and their principal device for doing so is to invest the evil of science in the personality of the scientist. To understand this cultural critique of science, it is necessary to understand how the symbols of the scientist's personality are manipulated. This article argues that mad scientists become increasingly amoral (...) as nineteenth-century texts are adapted to twentieth-century films. The consequence is that this cultural critique is becoming even more severe, due to external reasons independent of the glories or the crimes of real scientists. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:diacritics 30.1 (2000) 106-123 [Access article in PDF] The (Mis)Uses of Cannibalism in Contemporary Cultural Critique C. Richard King At least since 1979, when W. Arens demystified what he termed "the man-eating myth," cannibalism, once a fundamental feature of the anthropological imagination and a primary trope for interpreting cultural difference, has become subject to serious debate and lingering doubt [see Osborne]. Even as some anthropologists have (...) sought to recuperate anthropophagy as a tangible symbolic, ideological, and ritual complex [Brown and Tuzin; Conklin, "'Thus are our Bodies'"; Forsyth; Harris, Good to Eat 199-234; Sanday], a constellation of scholarly projects and popular works has complicated cannibalism by relocating it in the West. Perhaps most visibly, Hollywood cinema has reclaimed cannibalism. Although a handful of films have revived well-worn clichés of dark-skinned savages preparing to consume Westerners, as in King Solomon's Mines and Crocodile Dundee, others have cast the Western subject as cannibal to grapple with the horrors of reluctant cannibalism, as in Alive! [see Fiddes 121-31], to work through the transgressive and terrifying desires associated with psychopathic cannibalism, as in The Silence of the Lambs [Fuss; Halberstam], and importantly to parody the normative beliefs and behaviors of white, middle-class, heterosexual EuroAmericans, as in Eating Raoul and Parents. At the same time, an array of scholars, artists, and activists have invoked cannibalism to fashion critical perspectives on Western cultural practices. In his film Cannibal Tours (1987), Dennis O'Rourke encourages his audiences to think critically about tourists who travel to the Sepik River Valley to encounter reformed cannibals, asking implicitly who the cannibals are, the Melanesians who formerly (were thought to/claim to have) practiced anthropophagy or the tourists who travel to New Guinea to consume them [see Bruner]. Others have pushed the metaphor. Michael Ames, borrowing explicitly from O'Rourke, uses the cannibal to reframe ethnographic museums and their practices. Similarly, Jane Tompkins asserts that "Museums are a form of cannibalism made safe for polite society" [533]. More generally, Crystal Bartolovich playfully glosses consumerism as the cultural logic of the late cannibalism; bell hooks speaks of the EuroAmerican desires for and incorporation of things ethnic as "eating the other"; and Rosalind Morris suggests that cannibalism is the essential metaphor for late capitalism. More telling, however, are a set of overlapping critical projects that offer detailed theorizations [End Page 106] [Begin Page 108] of contemporary anthropophagy. Here, I will examine three that have had an important impact on discussions of tourism, museums, cultural appropriation, and consumption. Dean MacCannell, in an exciting exploratory review of the documentary Cannibal Tours, makes explicit what O'Rourke left unsaid: we are cannibals, and contemporary capitalism is neocannibalism. Perhaps more radically, Jack Forbes argues that Western civilization fosters cannibalism as an embodied, psychosocial condition or psychosis rooted in exploitation and consumption. Inspired at least in part by Forbes, Deborah Root rethinks Western civilization as cannibal culture.Although I am terribly sympathetic with these perspectives, particularly their political commitments and theoretical creativity, I am disturbed by the practices and effects that animate them. Indeed, as powerful as this critical field promises to be, it is at the same time troubling and dangerous. Although it defamiliarizes practices of cultural production and consumption, it does not enhance understanding of the contexts in which individuals and institutions deploy them and does less to effectively challenge or undermine them. In reframing beliefs and behaviors to accentuate productivity and power, it reinstates and reaffirms binaries and, worse, often turns on the same forms of appropriation.* * *Arguably, flesh eating has always promoted the elaborations of differences. Works central to the Western canon mobilize cannibalism to make (sense of) the world. Herodotus offers an early anthropophagic distinction:These Scythian husbandmen then occupy the country eastward for three days' journey.... Beyond this region the country is desert for a great distance; and beyond the desert Androphagi dwell.... The Androphagi have the most savage customs of all men; they pay no regard to justice, nor make use of any established law. They are nomads and wear a dress like a Scythian; they... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Freud, Archaeology and Egypt: Religion, Materiality and the Cultural Critique of Origins SIMON GOLDHILL In memoriam John Forrester i. With a rhetoric that is as self-serving as it is historically false, scientific writers since the Second World War have insisted that Darwin’s evolutionary biology was the breakthrough that heralded the triumph of secularism and materialism, the very conditions of modernity: the Scientific Revolution. Darwin’s theorizing does have (...) a specific purchase on one crucial aspect of Judaeo-Christian thinking, for sure. Darwin’s theory of evolution challenged the perfection of man, made in God’s image, by proposing instead a theory of continuous and continuing change. The Bible insists on a moment of origin—bereshit, “In the beginning... ” [Genesis 1 1]—and the rabbinical and Christian commentators on this opening demand that creatio ex nihilo is an unchallengeable principle, in the face of the considerable challenge of repeated philosophical rejections of such an idea.1 The Gospel of Luke proclaims that it will narrate the genesis of Jesus and to this purpose opens with a genealogy from Abraham to Jesus, an unbroken line that grounds and authorizes the fulfilment of the messianic prophesy of Isaiah. In aggressive and precisely polemical contrast, Darwin exclaimed: “What an infinite number of generations, which the mind cannot grasp, must have succeeded each other in the long roll of years!.”2 Rather than listing a precise number of generations from Adam and Eve, as the Hebrew Bible and the Gospels would have us do, arion 28.3 winter 2021 76 freud, archaeology and egypt Darwin imagines a narrative for the human race without beginning and without end and without perfection. But when Darwin does this, it was already nothing new. Not only had books like Chambers’ Vestiges of the Natural History of Creation scandalously opened the door to a model of evolutionary change without divine providential causation, but also Charles Lyell’s seminal Principles of Geology back in the 1830s had already revealed this chasm of time.3 “In the economy of the world,” he wrote, “I can find no traces of a beginning, no prospect of an end”—and he had the facts in the ground to prove it.4 James Playfair, who helped popularize Lyell’s stunning discovery of the deep time of the earth, demonstrates an iconic reaction to Lyell’s science: “in the distance of this extraordinary perspective... [t]he mind seemed to grow giddy by looking so far into the abyss of time.”5 The abyss of past time makes the nineteenth-century scholar giddy, dizzy with an overload of imagination. It was geology, first of all, not biology that challenged the very ground on which Christian theories of time and human development stood. As Ruskin beautifully put it: “If only the Geologists would let me alone, I would do very well, but those dreadful Hammers! I hear the clink of them at the end of every cadence of the Bible verses.”6 But, more perhaps even than geology, the most challenging threat to the established intellectual and social understanding of things came from critical history. Ernest Renan, renegade Catholic, and one of the most influential and notorious writers on Christianity in the 19th century, was typical when he wrote “My faith has been destroyed by historical criticism, not by scholasticism nor by philosophy.”7 Critical history showed that the earliest stories, on which so much depended, were myths not history. The stories of earliest Greek history, as Grote argued, or Roman history, as Niebuhr had earlier demonstrated, were veined with legends and fantasies, and did not provide access to “wie es eigentlich gewesen hat,” to “what actually happened,” the watchword of empirical Simon Goldhill 77 historiography.8 As Bishop Wilberforce thundered in already too late anticipation, “The alarming question is... whether the human mind, which with Niebuhr has tasted blood in the slaughter of Livy, can be prevailed upon to abstain from falling next upon the Bible.”9 So, terrifyingly to the orthodox, the doubt which undermined Livy, did indeed focus sharply on the bible and even of the lives of the saints from a much later period. A series of horrifying books—Strauss or Renan on... (shrink)

Mentoring Away the Glass Ceiling in Academia: A Cultured Critique describes how women of diverse backgrounds perceive their mentoring experiences or the lack of mentoring experiences in the academy. This book provides a space for envisioning strategies and practices to improve mentoring practices and the collegiate environment.

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 37.1 (2004) 92-95 [Access article in PDF] Rethinking the Frankfurt School: Alternative Legacies of Cultural Critique. Ed. Jeffrey T. Nealon and Caren Irr. Albany: SUNY Press, 2002. Pp. 227. $23.95, paperback. Not long ago at a gathering of arts and humanities scholars, I found myself introduced to a group of people as someone interested in the work of Theodor Adorno, whose name led one (...) member of the group to groan, "Not that old chestnut!" Such has been an ambient attitude in cultural studies toward not just the work of Adorno but many of the scholars who came to be known collectively in the 1960s as the Frankfurt School, thanks to their affiliation with the Institute for Social Research at the University of Frankfurt. Rethinking the Frankfurt School, a deceptively slim volume that manages to cover a lot of ground in a dozen densely packed essays edited by Jeffrey T. Nealon and Caren Irr, counters the conventional cultural studies wisdom regarding the Frankfurt School, debunking along the way not just the facile dismissal of some of the school's members for their "mandarin elitism," but also the notion that the scholars who arguably pioneered the critical study of mass culture have lost their relevance for cultural studies.The association of the Frankfurt School with a cranky and outdated variant of bourgeois proto-Marxism—what Lukacs once dismissed as self-indulgent despair cultivated in the comfort of "the Grand Hotel Abyss"—was at least in part a legacy of the rediscovered cultural and political optimism of the late 1960s. This optimism came to characterize those strands of cultural studies that countered the gloomy assessments of the Frankfurt School with the potential of what the collection's editors disparagingly describe as "subversive consumption." From the perspective of the new millennium it's no longer the Frankfurt scholars who look misguided. In a turning of the tables, the outdated figure of this volume is not Adorno, the pointy-headed pessimist, but rather those who helped dismiss him as such. In particular, Simon During, who edited the 1993 version of the cultural studies canon, The Cultural Studies Reader, comes in for a double dose of implicit criticism (thanks in part to what seems to be an editing oversight) for his critique of Horkheimer and Adorno's failure to take into account [End Page 92] the "opportunities for all kinds of individual collective creativity and decoding" provided by the culture industries (3, 62). If, as During suggested, the 1960s represented a time in which the mass media had become more variegated and presumably more flexible and porous than in the period treated by Horkheimer and Adorno, this collection suggests the renewed relevance of the Frankfurt School might in part be explained by the "unprecedented consolidation within the multinational 'infotainment' industry" during the 1990s (5). The triumphal resuscitation and consolidation of monopoly capitalism triggers, on this account, the rehabilitation of its most scathing critics.The more compelling argument advanced in this volume, however, is that the ostensibly outdated character of much of the work of the Frankfurt School was as much a result of superficial and dismissive readings as of changing historical conditions. As contributor Evan Watkins suggests in his discussion of Adorno, the dominant tendency in culture studies has been to contradict disparaging claims about mass culture (claims which earned Adorno and Horkheimer the sticky moniker of elitists) rather than to take seriously an approach that explored the intricate connections between mass culture and the social relations of production and consumption. Only in the abstract can the consumption of ostensibly counter-hegemonic texts be figured as subversive politics, especially during a time when "The Times They Are A-Changin' " can become a jingle for a bank commercial.Against the theoretical backdrop of the Frankfurt School, the very attempt to isolate culture as a sphere of resistance unto itself becomes a symptom of reification. As Imre Szeman puts it, perhaps the most important lesson of the Frankfurt School for cultural studies "can be summarized by a negative maxim: don't fetishize culture" (74... (shrink)

This provocative book explores the difficulties surrounding the attempt to understand the relationship between literary and political discourse. It examines the initial formulation of these difficulties in Georgian Britain, and traces them through the cultural debates of the Victorian men of letters to the critical ideologies of the twentieth-century literary academy. Richard Bourke offers an incisive critique of the way in which the idea of Culture has been used as a means of resolving the failure to establish an (...) adequate theory of politics in the wake of the French Revolution. (shrink)

In developing an "internal" sociology of science, the sociology of scientific knowledge drew on Wittgenstein’s later philosophy to reinterpret traditional epistemological topics in sociological terms. By construing scientific reasoning as rule following within a collective, sociologists David Bloor and Harry Collins effectively blocked outside criticism of a scientific field, whether scientific, philosophical, or political. Ethnomethodologist Michael Lynch developed an alternative, Wittgensteinian reading that similarly blocked philosophical or political critique, while also disallowing analytical appeals to historical or institutional contexts. I (...) criticize these Wittgensteinian sociologies and argue for the historical and contemporary significance of methodological criticisms of scientific practice that conjoin epistemological and political categories. I consider two such cases briefly: the Baconian criticism of Scholastic science in the early Royal Society and the criticism of AIDS drug testing protocols by activists. Key Words: Wittgenstein • sociology of scientific knowledge • ethnomethodology • scientific method • interpretive sociology. (shrink)

Reading Genesis 1 and 2, we are tempted to see only problems to solve. Yet these two chapters burst with glorious truths about God, our world, and ourselves. In fact, their foundational doctrines are among the richest sources of insight as we pursue robust, sensitive, and constructive engagement with others about contemporary culture and ideas. -/- With deftness and clarity, Christopher Watkin reclaims the Trinity and creation from their cultural despisers and shows how they speak into, question, and reorient (...) some of today's most important debates. (shrink)

This book aims to develop the tradition of philosophical hermeneutics, the theoretical account of interpretive (as opposed to explanatory) understanding--the account of meanings and contexts rather than causes and predictions--usually restricted to the domain of literary and textual analysis, in new directions by exploiting its potential as an instrument of critique. It refutes commonly held claims that hermeneutic analyses are necessarily relativistic, Eurocentric, or critically impotent and demonstrates how hermeneutic procedures can inform analyses of urgent current and cross-cultural (...) issues such as the biology of race, female genital excision, and the so-called "culture of poverty" thesis. Lorenzo Simpson demonstrates that a robust methodology of philosophical hermeneutics is well positioned to intervene in critical political and social issues in global ethics and justice in concert with critical theory's emancipatory aims. (shrink)

Der Aufsatz vertieft bestehende feministische Lesarten von Canettis Blendung, indem er zentrale intertextuelle Bezüge offenlegt und den Roman in den Kontext jener Debatten stellt, die nach dem Ende des ersten Weltkriegs in Europa geführt worden sind. Der Beitrag beschäftigt sich insbesondere mit der Rolle der Misogynie, die Canetti als vermeintliche Lösung der notorischen „Krise des Subjekts“ und festen Bestandteil der Hochkultur kritisiert. Das Augenmerk gilt nicht allein den weiblichen Figuren, sondern auch der narrativen Konstruktion des „Weiblichen“; umso schärfere Konturen gewinnen (...) dadurch Canettis Kritik und sein bitterböser Witz. Herkömmliche Lesarten wie diejenige Russell Bermans, der den Roman in den Dienst eines “charismatic modernism” zu stellen versucht, werden sich am Ende als revisionsbedürftig erweisen. (shrink)

This article examines a select sample of popular magazines and self-help books to address the question: How is premenstrual syndrome constructed discursively as a legitimate disease worthy of medical attention and public discussion? The author finds that some women have been active participants in the construction of PMS as a medical disease. In particular, she finds that accounts of women's experiences of premenstrual symptoms figure prominently in the rhetorical legitimation of PMS as a medical phenomenon in the popular press and (...) self-help books. At the same time, the author examines the gendered assumptions about gender, health, and normality that underlie how women's “experiences” are incorporated into the construction of PMS. In particular, she asks whose experience is part of the medical legitimation of premenstrual symptoms and argues that the case of PMS illustrates the need for feminists to problematize biological as well as social experiences. (shrink)

All major western countries today contain groups that differ in their religious beliefs, customary practices or ideas about the right way in which to live. How should public policy respond to this diversity? In this important new work, Brian Barry challenges the currently orthodox answer and develops a powerful restatement of an egalitarian liberalism for the twenty-first century. Until recently it was assumed without much question that cultural diversity could best be accommodated by leaving cultural minorities free to (...) associate in pursuit of their distinctive ends within the limits imposed by a common framework of laws. This solution is rejected by an influential school of political theorists, among whom some of the best known are William Galston, Will Kymlicka, Bhikhu Parekh, Charles Taylor and Iris Marion Young. According to them, this 'difference-blind' conception of liberal equality fails to deliver either liberty or equal treatment. In its place, they propose that the state should 'recognize' group identities, by granting groups exemptions from certain laws, publicly 'affirming' their value, and by providing them with special privileges or subsidies. In Culture and Equality, Barry offers an incisive critique of these arguments and suggests that theorists of multiculturism tend to misdiagnose the problems of minority groups. Often, these are not rooted in culture, and multiculturalist policies may actually stand in the way of universalistic measures that would be genuinely beneficial. (shrink)

How do we achieve social justice? How do we change society for the better? Some would argue that we must do it by changing the laws or state institutions. Others that we must do it by changing individual attitudes. I argue that although both of these factors are important and relevant, we must also change culture. What does this mean? Culture, I argue, is a set of social meanings that shapes and filters how we think and act. Problematic networks of (...) social meanings constitute an ideology. Entrenched ideologies are resilient and are barriers to social change, even in the face of legal interventions. I argue that an effective way to change culture is through social movements and contentious politics, and that philosophy has a role to play in promoting such change. (shrink)

This paper claims that Kant’s conception of culture provides a new means of understanding how the two parts of the Critique of Judgment fit together. Kant claims that culture is both the ‘ultimate purpose’ of nature and to be defined in terms of ‘art in general’ (of which the fine arts are a subtype). In the Critique of Teleological Judgment, culture, as the last empirically cognizable telos of nature, serves as the mediating link between nature and freedom, while (...) in the Critique of Aesthetic Judgment, the connection between art and morality passes through culture. In either case, Kant offers distinct, yet interdependent, arguments for how culture demonstrates the amenability of nature to its supersensible ground: the central question Kant claims in the Introduction that the work seeks to answer. Thus, not only does this account advance a concept essential to both parts of the work; it also demonstrates how the two parts can be conceived as complementary, with each supplementing the other to solve Kant’s central question. As such, understanding the Critique of Judgment in terms of culture enables us to see how the two parts of the work do not merely share points of similarity or common themes, but presuppose one another in order to understand how nature is amenable to freedom. (shrink)