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  1.  19
    Intersezionalità e femminismo transnazionale tra costruttivismo, post-strutturalismo e ‘performance’ epistemologiche.Cristina Demaria - 2016 - Scienza and Politica. Per Una Storia Delle Dottrine 28 (54).
    What does it mean today to talk about intersectionality or, better, about intersectional approaches within the vast and fragmented field of Feminist Studies? And how can intersectionality help understanding the development of transnational feminism, and viceversa? By offering a brief critical genealogy of the notion of intersectionality, from the systemic to the anti-categorial positions that have characterized the debate on this notion, the essay tries to present a reading of the main questions that stemmed from thinking the working of the (...)
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  2.  8
    I. Pezzini, "Lo spot elettorale. La vicenda italiana di una forma di comunicazione politica".Cristina Demaria - 2001 - Polis 15 (3):494-497.
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  3.  37
    The Performative Body of Marina Abramović: Rerelating (in) Time and Space.Cristina Demaria - 2004 - European Journal of Women's Studies 11 (3):295-307.
    Can a performance be analysed as a textual practice? Starting from this question, the article tries to describe the effets du sens of some of the work of Marina Abramović, a Serbian performer and visual artist. From the 1970s, when the so-called body art emerged as a visual genre, offering the artist’s body as a naked site of inscription, up to the present, when performing has become a more playful and direct transmission of energy between the doer and the viewer, (...)
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