Treating mathematical science as a distinct cultural entity subject to environmental factors which influence its evolution, the author examines the creation and development of its major concepts since early times.

This_classic undergraduate text_elegantly acquaints students with the_fundamental concepts and methods of mathematics. In addition to introducing_many noteworthy historical figures_from the 18th through the mid-20th centuries, it examines_the axiomatic method, set theory, infinite sets, the linear continuum and the real number system, groups, intuitionism,_formal systems, mathematical logic, and other topics.

Treating mathematical science as a distinct cultural entity subject to environmental factors which influence its evolution, the author examines the creation and development of its major concepts since early times.

Research ethics education has taken many forms since federal funding agencies issued regulatory guidance directing those supported by these agencies to complete required training. In the absence of a standard training approach among institutions such as universities, the design and content of courses, workshops, and seminars varies widely. Here we describe a southwestern United States research university program that employed six teaching strategies to assist students in deep learning of ethical principles and behavior. Our purpose was to determine how these (...) strategies impact understanding and empowerment among an interdisciplinary group of graduate students. Results suggested that deep learning design can result in learning that requires students not only to remember and understand key ethics concepts but also to analyze and apply them in a broader ethical domain. Key findings inform design and delivery of future research ethics courses for instructional designers and instructors in higher education. (shrink)

Many share the conviction that wilderness should play a special role in any environmental ethic, even though the concept of wilderness remains contentious. Ever since it has been recognized that the traditional concept of a wilderness as a region “untrammeled” by human beings has a number of intractable difficulties, there has been no consensus on how we should understand wilderness, and most definitions or descriptions of wilderness remain negative (defining wilderness in terms (...) of what it is not). I propose a new ecological concept of wilderness, and show that this concept escapes the difficulties of the traditional concept and its recent alternatives, while being a useful ancillary to some of the leading contemporary theories in environmental ethics. (shrink)

Abstract:The Wilderness Act characterizes wilderness as "an area where the earth and its community of life are untrammeled by man…" How crucial to the idea of wilderness is its location on our home planet? If an extraterrestrial community of life were discovered, it would certainly be untrammeled by man. Does it make sense to extend the idea of wilderness to encompass other planets and their potential ecosystems? Many values are associated with wilderness, supporting arguments for (...) the need to preserve or protect it. Some arguments seem readily applicable to extraterrestrial habitats, while others may be specific to Earth. I offer an overview of values attributed to wilderness, and consider the extent to which these values may or may not apply beyond the Earth. Following Rolston's claim that nature is not only of value, but a source of values, extraterrestrial wildernesses can be esteemed as instances of a cosmic evolutionary process. (shrink)

: Recently a number of influential academic environmentalists have spoken out against wilderness, most prominently William Cronon and J. Baird Callicott. This is odd, given that these writers seem to support two cornerstone positions of environmentalism as it has developed over the past twenty years: first, the view articulated within environmental ethics that wild, nonhuman nature, or at least some parts of it, has intrinsic or inherent value; second, the understanding developed within conservation biology that we have entered a (...) period of massive anthropogenic biodiversity loss and that landscape-level habitat preservation is essential for combating this. I argue here that Cronon and Callicott are wrong. In fact, an ethics of respect for nonhuman nature and an informed, scientific understanding of what is necessary to preserve it do strongly support increased wilderness preservation. (shrink)

Few debates in environmental philosophy have been more heated than the one over the nature of wilderness. And yet, when one surveys the present scene, one finds that a variety of different conceptions of wilderness are still quite popular – some more so in certain professions than others. In this paper, I look at three popular conceptions of wilderness with an eye toward sussing out the good and the bad them. I look at what I call (1) (...) the folk view of wilderness, (2) Leopold’s conception of wilderness, and (3) the legal conception of wilderness (as found in the Wilderness Act of 1964). In the final part of the paper, I sketch out a sort of spectrum account of wilderness, one that I argue allows us to capture more cases of wilderness and might serve as a useful tool in future conservation efforts. (shrink)

Abstract:This paper addresses the current debate in environmental ethics regarding the notion of wilderness. It has been argued by J. Baird Callicott and Michael Nelson, William Cronon, and others that our current idea of wilderness is deeply flawed, especially insofar as it draws a sharp dichotomy between us and the rest of nature. This paper first explores what it means (and what it does not) to say that “wilderness” is a constructed concept. It then describes some (...) of the key objections and solutions proposed in order to argue that the best approach to understanding the concept and place of wilderness is to embrace a pluralistic approach. This proposal would allow for mutually inconsistent and incommensurable ideas to co-exist without succumbing to the pitfalls of an anything-goes relativism. (shrink)

How has the concept of wild nature changed over the millennia? And what have been the environmental consequences? In this broad-ranging book Max Oelschlaeger argues that the idea of wilderness has reflected the evolving character of human existence from Paleolithic times to the present day. An intellectual history, it draws together evidence from philosophy, anthropology, theology, literature, ecology, cultural geography, and archaeology to provide a new scientifically and philosophically informed understanding of humankind's relationship to nature. Oelschlaeger begins by (...) examining the culture of prehistoric hunter-gatherers, whose totems symbolized the idea of organic unity between humankind and wild nature, and idea that the author believes is essential to any attempt to define human potential. He next traces how the transformation of these hunter-gatherers into farmers led to a new awareness of distinctions between humankind and nature, and how Hellenism and Judeo-Christianity later introduced the unprecedented concept that nature was valueless until humanized. Oelschlaeger discusses the concept of wilderness in relation to the rise of classical science and modernism, and shows that opposition to "modernism" arose almost immediately from scientific, literary, and philosophical communities. He provides new and, in some cases, revisionist studies of the seminal American figures Thoreau, Muir, and Leopold, and he gives fresh readings of America's two prodigious wilderness poets Robinson Jeffers and Gary Snyder. He concludes with a searching look at the relationship of evolutionary thought to our postmodern effort to reconceptualize ourselves as civilized beings who remain, in some ways, natural animals. (shrink)

This paper develops a historical and systematic typology of perceptions of wilderness that exist in contemporary western European cultures. After describing notions of wilderness associated with worldviews that emerged during the Enlightenment period and as a critical response to it, we outline four recent transformations of these traditional notions of wilderness: wilderness as an ecological object, as a place of nature's self-reassertion, as a place of thrill and as a sphere of amorality and meaninglessness. In our (...) conclusion, we suggest what practical relevance arises from such a nuanced understanding of the inherently ambiguous concept of wilderness. (shrink)

In The Other Half of Church, pastor Michel Hendricks and neurotheologian Jim Hendricks couple brain science and the Bible to identify how to overcome spiritual stagnation by living a full-brained faith. They also identify the four ingredients necessary to develop and maintain a vibrant transformational community where spiritual formation occurs, relationships flourish, and the toxic spread of narcissism is eradicated.

Val Plumwood argued for a reworking of our concept of wilderness in ways that would both recognize indigenous influence and expand the official "fake" history to include perspective from the Others'side. Borrowing from Plumwood's logic of colonization, I explore how the official history of wilderness in the United States of America is similar to Tasmania's "fake" history. I offer a philosophical analysis of Chief Justice John Marshall's opinion in the case of Johnson v. M'Intosh (1823) where the (...) "wilderness" finds its first legal articulation. I argue that although multiple erasures of the Other as found in Marshall's concept of wilderness are serious problems, they do not support wilderness scepticism. Rather, in order to reshape the concept of wilderness in a new non-colonizing way, its antecedents must be clearly understood. Only then can we escape the precedents of control and find an ethical basis to repair the nature/culture split ending the war on the Other. (shrink)

This book investigates the Ancient Stoic thinkers’ views on gender and sexuality. A detailed scrutiny of metaphysics, ethics and political philosophy reveals that the Stoic philosophers held an exceptionally equal view of men and women’s rational capacities. In its own time, Stoicism was frequently called ‘ the manly school’ of philosophy, but this volume shows that the Stoics would have also transformed many traditional notions of masculinity. Malin Grahn-Wilder compares the earlier philosophies of Plato and Aristotle to show that the (...) Stoic position often stands out within Ancient philosophy as an exceptionally bold defense of women’s possibilities to achieve the highest form of wisdom and happiness. The work argues that the Stoic metaphysical notion of human being is based on strikingly egalitarian premises, and opens new perspectives to Stoic philosophy on the whole. (shrink)

Ideologies having roots in the legal structure of the system of wildlife protection characterize the work culture of the Pennsylvania wilderness officer. This paper examines these ideologies and the characteristically strong social solidarity of the community of wilderness officers. Wilderness officers are both law enforcement agents and conservationists. They mediate between human and animal as well as between what is considered scientific management and what is considered unenlightened and even lawless behavior. In performing this boundary work, (...) class='Hi'>wilderness officers participate in the social construction of the science of land management, which views animals as renewable resources. The wilderness officer's job is to insure the continuation of this resource as a part of the natural heritage of Pennsylvania and the United States. The wilderness officer's concept of "animal" becomes a byproduct of this social construction and of the culture of hunting that supports it. The rural upbringing common to many officers suits them ideally to their task. (shrink)

Three public lectures delivered in the Chemistry Lecture Hall of the Rice Institute, April 9, 10, and 11, 1928, by Wilder D. Bancroft, Ph.D., D.Sc., World War Memorial Professor of Physical Chemistry at Cornell University.

Wilderness provides a multidisciplinary introduction into the diverse ways in which we make sense of wilderness: how we conceptualise it, experience it, interact with, and imagine it. Drawing upon key theorists, philosophers, and researchers who have contributed important knowledge to the topic, this title argues for a relational and process based notion of the term and understands it as a keystone for the examination of issues from conservation to more-than-human relations. The text is organized around themed chapters discussing (...) the concept of wilderness and its place in the social imagination, wilderness regulation and management, access, travel and tourism, representation in media and arts, and the use of wilderness for education, exploration, play, and therapy, as well as its parcelling out in parks, reserves, or remote "wastelands." The book maps out the historical transformation of the idea of wilderness, highlighting its intersections with notions of nature and wildness and teasing out the implications of these links for theoretical debate. It offers boxes that showcase important recent case studies ranging from the development of adventure travel and eco-tourism to the practice of trekking to the changing role of technology use in the wild. Summaries of key points, further readings, Internet-based resources, short videos, and discussion questions allow readers to grasp the importance of wilderness to wider social, cultural, political, economic, historical and everyday processes. "Wilderness "is designed for courses and modules on the subject at both postgraduate and undergraduate levels. The book will also assist professional geographers, sociologists, anthropologists, environmental and cultural studies scholars to engage with recent and important literature on this elusive concept.". (shrink)

How do we know what an amoeba looks like? How can doctors see the details of our skeletons and internal organs? All of these things are made possible through the innovations of photography. The author provides a primer on the applications of photography to science as she explores the multiple facets of this complex relationship.

Through a close reading of the works of John Dewey and Aldo Leopold, I demonstrate that it is possible to reframe debates about the environment in language better suited to robust and inclusive public discourse. There are at least two ways of framing the instrumental relationship between human and environmental health: (i) in terms of control and (ii) in terms of restraint. On the one hand, means of control are associated with an anthropocentric view of environmental value: the environment has (...) worth only insofar as it provides resources for human benefit. On the other hand, means of restraint reflect greater concern for environmental health, sustainable living, non-anthropocentric (whether eco- or bio-centric) environmental value and lifestyles in harmony with nature, similar to the rhythmic relationship between human and environment captured in the writings of Henry David Thoreau and John Muir. While John Dewey defends an instrumentalism of control, Aldo Leopold supports an opposing instrumentalism of restraint. At first blush, these two concepts appear to form a dualism, as incompatible dyads in a permanently bifurcated relationship. However, the matter is not quite so simple--or so I argue. Dewey and Leopold's concepts of environmental instrumentalism prove more compatible than this simple control/restraint dichotomy suggests. Nevertheless, it is helpful to frame environmental issues in terms of these two competing instrumentalism. To test the distinction's usefulness, I examine the wilderness debate, the global warming controversy and a more local matter, attempting to frame these environmental discourses in terms of an instrumentalism of control and an instrumentalism of restraint. (shrink)

There is a complexity of entities and happenings embodied within the pillars that frame the doorways in our homes and support the broad flat spaces that form supermarkets and department stores. Each pillar speaks to the mythology encircling the origins of Gothic architecture; the ideas surrounding the shift from the trunks and boughs of the sacred grove toward the columns, arches, and vaults of church and cathedral. Each pillar embodies the evolution of life and the history of the Earth. Awakening (...) toward the relational agency at play within the “humanly derived” allows us to recognize this agency as akin to wildness and as William Cronon asserts, this kinship draws us closer to recognizing and responding to the wild in all that surrounds us. It also produces a shift in how we understand the concept of wilderness. It is not, as Cronon contends, a cultural construct, but a fluxing and complex gestalt that includes both human and more-than-human agency. (shrink)

Since we are dealing with acts of the imagination and of language which break with the cultural patterns of their particular period, we should think of rhetorics here in terms that are more generic and fate-laden than those associated with humanistic categories.

The purpose of the article is to evaluate Quine's arguments for the thesis of the indeterminacy of translation. After formulation of the thesis, Quine's four main arguments are described and evaluated. The arguments are: (1) the argument from the underdeterminacy of physical theory, (2) the argument from the inscrutability of terms, (3) the argument from the conjunction of the Peircean notion of meaning and the Duhemian thesis about the interanimation of sentences, and (4-) the argument from the linguist's reliance on (...) sets of analytical hypothesis. It is contended that none of these arguments is successful in supporting the thesis of the indeterminacy of translation, and that Quine has offered no reason to believe that the degree of determinacy of translation is different from that of physical theory. (shrink)

Intermedial art, as it emerged in the 1960s and 70s, constituted a threat not only to the medium specificity of modernism, but to the artwork as self-contained autonomous object. Both supporters and critics of intermedia drew a contrast between, on the one hand, modernism’s aesthetic engagement with a medium-specific ‘object’, and on the other new non-aesthetic ‘practices’ engaging the ‘literal spectator’ within her own space, such that the space of the gallery is drawn into the situational encounter. In her 2003/12 (...) book Aesthetics of Installation Art Juliana Rebentisch challenges this binary characterization of autonomous/non-autonomous art. She argues that aesthetic autonomy is not something that can be guaranteed by production, but rather is explicable only with reference to the structure of the aesthetic experience. And for Rebentisch, while installation art has not led to fundamentally different conditions of reception, it has led to an ideological rejection of the notion of context-independent art. Aesthetic autonomy is here not abandoned, but rather reconfigured as a dynamic operational with respect to the ethical and political situation where we encounter the artwork. Sympathetic to the broad remit of Rebentisch’s argument, this article investigates the role of the beholder’s share within the context of such situated art. I draw specifically on Wolfgang Iser’s transformation of a negative aesthetics from binaries of negation/affirmation into an enabling structure where the organization of signifiers serve not the designation of a signified object, but rather designate instructions for the production of the signified. This requires work of the situated beholder, who must negotiate access to the work’s content by bringing her orientation into play. Installation art, thus conceived, constitutes a space that while virtualized – removed from functional imperatives – compels acts of imagination/ideation by problematizing our habitual dispositions. (shrink)

Michael Fried’s unexpected contribution to defining the ontological status of video art includes an intriguing claim that projective art is particularly suited to the ‘staging’ of empathic projection. Fried applies Stanley Cavell’s notion of empathic projection, developed in relation to skepticism of ‘other minds’, to moving image installations that not only exploit the beholder’s capacity for empathically projecting, but do so in such a way as to reveal the mechanism at play. In developing this claim, I compare Fried’s key example (...) of Douglas Gordon’s Play Dead; Real Time with Bill Viola and Kira Perov’s Martyrs, a work that likewise elicits an emotional response but without a compensatory foregrounding of the underlying structuring mechanism. However, the comparison suggests that the staging of empathic projection should not be interpreted as an anti-theatrical strategy, but rather as an exemplary manifestation of what I am calling the configurational encounter – a revealing of the artwork’s conditions of existence. I reference Paul Sharits’s Epileptic Seizure Comparison, an important precursor to Gordon’s staging of empathic projection. Finally, I consider Chris Welsby’s landscape films in the light of the capacity of technology to reveal psychological mechanisms of projection, tracing such processes of projection to early childhood experiences of differentiating the human from the non-human. (shrink)

This is a peer reviewed chapter in the book The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu, an interdisciplinary analysis of taste in the wake of Pierre Bourdieu’s sociology. The chapter, ‘The configurational encounter and the problematic of beholding’, is in Part I of the book, entitled ‘Taste and Art’. Engaging the aesthetics of reception as its field of inquiry, the chapter draws upon the literary theorist Wolfgang Iser’s notion of the ‘blank’ as a staged suspension of (...) connectivity, arguing for a reassignment of the aesthetic in terms of a ‘configurational encounter’ that problematizes the work/beholder relation. This constitutes a rare attempt to apply reception aesthetics to contemporary art, a ‘gap’ first highlighted by the art historian Michael Ann Holly in her 2002 article ‘Reciprocity and Reception Theory’, published in A Companion to Art Theory. Utilising concrete examples of practice, the chapter asks whether the shift towards inter- or transmedia art practices, characterising postconceptual art, renders Bourdieu’s characterisation of the ‘autonomous’ artwork superfluous to the contemporary situation, and whether the kinds of judgments of taste associated with the acquisition of cultural capital are no longer relevant. The chapter argues that in revealing material processes, rules, instructions or appropriations – and/or its situated reception and apparatus of display – the configurational encounter problematizes the beholder’s bodily and ideological orientation toward an artwork, revealing our embodied dispositions or ‘habitus’. This counters philosopher Peter Osborne’s suggestion that a change in art’s ‘ontology’ post 1960s renders questions of aesthetics obsolete and reconceives the aesthetic as emerging from the oscillation of spatial and ideational perspective switches resulting from a calculated problematizing of the beholder’s position-taking. (shrink)

ABSTRACTIn the past millennium, there have been thousands of polities in Europe and millions of laws. This article contributes to efforts by historians and sociologists to make some sense of this sprawl by constructing common types of law and legal change. Such types constitute distinctive patterns by which historical actors change names, ideas, and applications of rules of law under various circumstances. Three classic forms of change, namely legislation, mutation of custom, and judge‐made law, were described by Max Weber. To (...) Weber's model I add four new types or motifs of change, which I dub legal deeds, voice‐supersession, legal fictions, and anthropological expansion. The major advance of the four motifs is that they each combine what could be called a semantic and a social view of legal change. That is, they take seriously the fact that law is often bound in a self‐conscious tradition of thought and practice. But each motif of change is also characterized by a typified social configuration of legal operators and legal subjects, who apply competing ideas to one another in distinctive ways. The paradigm of law in which the four motifs are embedded is evolutionary, pluralist, and liberal in that it posits creative social organization by multiple, independent, interacting individuals in society, weaving cumulative, complex orders.This theory makes several significant scholarly interventions. First, it attempts to reconcile outstanding semantic and social theories of legal change. Second, it historicizes legal pluralism while giving evolutionary theory a healthy dose of contingency. Third, the four motifs should also be serviceable to intellectual historians as tools for describing how historical actors interact with traditions generally. Tradition need not be viewed as conservative or even overwhelmingly static. This paradigm may help historians and social scientists assess how the force of the status quo balances against the power of individuals to innovate. (shrink)

In this paper, I consider Michael Fried’s recent contribution to the debate around the experience of video art, made in relation to the work of Douglas Gordon. Fried speculates that issues of antitheatricality may in fact be key to specifying the medium of video installation. While Fried’s position offers a useful way of framing the relation with the beholder in video art, in a way that pointedly moves beyond tautological notions of activating spectatorship, I question how theatricality is to be (...) thus defined. Referencing the beholding of painting, I distinguish the implicit beholder from the literal spectator, and claim that the distinction has relevance for video art. However, I welcome what seems to be an explicit acknowledgment from Fried that the position of the spectator is a contributory factor in what he terms empathic projection. I argue that video art as a spatial practice offers a distinct mode of reception by positioning the spectator in relation to two-dimensional figurative space to which she is excluded. (shrink)

Wild Ideas is a collection of essays that brings a fresh and refreshing perspective to the wilderness paradoxically at the center of our civilization.