Musica-Colore-Tratto ©· un percorso epistemologico, una volont©¿ di tentare di comprendere la musica non come realt©¿ a s©♭ stante, bens©Ơ in relazione ad altre fonti del sapere che, in qualche modo, le si possano affiancare: sia per la ricerca di un kantiano tutto-insieme-connesso, sia per una pretesa hegeliana di un pensiero umano tricotomico. La volont©¿ di chi scrive ©· quella di far trasparire un'involontaria logica che permea l'idea umana generale (a prescindere da ci©ø in cui essa si cimenti) e di (...) ribadire il forte teleo℗Ưlogismo nel quale essa trova i suoi limiti. Pittori o litografi come Kandinsky o Escher ne erano ben consci, se arrivarono, tra i loro aforismi, ad affermare che "il colore ©· come la musica", o "adoriamo il caos perch©♭ amiamo produrre l'ordine". [Testo dell'editore]. (shrink)

The Dangerous Book for Boys Abstract: Seventeenth and eighteenth century discussions of the senses are often thought to contain a profound truth: some perceptible properties are secondary qualities, dispositions to produce certain sorts of experiences in perceivers. In particular, colors are secondary qualities: for example, an object is green iff it is disposed to look green to standard perceivers in standard conditions. After rebutting Boghossian and Velleman’s argument that a certain kind of secondary quality theory is viciously circular, we (...) discuss three main lines of argument for the secondary quality theory. The first is inspired by an intuitively compelling picture of perception articulated by Reid; the second is that the secondary quality theory is a conceptual truth; the third line of argument is presented in Johnston’s influential paper ‘How to speak of the colors’. We conclude that all these arguments fail, and that the secondary quality theory is unmotivated. Keywords: color, secondary quality, disposition, vision, perception.. (shrink)

I defend a version of color subjectivism — that colors are sortals for certain neural events — by arguing against a sophisticated form of color objectivism and by showing how a subjectivist can legitimately explain the phenomenal fact that colors seem to be properties of external objects.

When we open our eyes, the world seems full of colored opaque objects, light sources, and transparent volumes. One historically popular view, _eliminativism_, is that the world is not in this respect as it appears to be: nothing has any color. Color _realism_, the denial of eliminativism, comes in three mutually exclusive varieties, which may be taken to exhaust the space of plausible realist theories. Acccording to _dispositionalism_, colors are _psychological_ dispositions: dispositions to produce certain kinds of visual experiences. (...) According to both _primitivism_ and _physicalism_, colors are not psychological dispositions; they differ in that primitivism says that no reductive analysis of the colors is possible, whereas physicalism says that they are physical properties. This paper is a defense of physicalism about color. (shrink)

Joshua Gert presents an original account of color properties, and of our perception of them. He employs a general philosophical strategy - neo-pragmatism - which challenges an assumption made by virtually all other theories of color: he argues that colors are primitive properties of objects, irreducible to physical or dispositional properties.

Arguments from perceptual variation challenge the view that colors are objective properties of objects, properties that objects have independent of how they are perceived. This paper attempts, first, to diagnose one central reason why arguments from perceptual variation seem especially challenging for objectivists about color. Second, we offer a response to this challenge, claiming that once we focus on determinate colors rather than the determinables they determine, a response to arguments from perceptual variation becomes apparent. Third, our nominal (...) opponents are relationalist (like Cohen in The red and the real: an essay on color ontology, Oxford University Press, Oxford, 2009) and we will argue that the main argument for rejecting objectivism commits the relationalist to a position that is more radical than the one he would wish to endorse. Fourth, we suggest that insight into which properties could be relational may be found by looking to our best scientific theories. (shrink)

According to color realism, object colors are mind-independent properties that cover surfaces or permeate volumes of objects. In recent years, some color scientists and a growing number of philosophers have opposed this view on the grounds that realism about color cannot accommodate the apparent unitary/binary structure of the hues. For example, Larry Hardin asserts, the unitary-binary structure of the colors as we experience them corresponds to no known physical structure lying outside nervous systems that is causally involved in (...) the perception of color. This makes it very difficult to subscribe to a color realism that is supposed to be about red, green, blue, black, and white—that is, the colors with which we are perceptually acquainted.1 Similarly, Evan Thompson says. (shrink)

In Rediscovering Colors: A Study in Pollyanna Realism, Michael Watkins endorses the Moorean view that colors are simple, non-reducible, properties of objects. Consequently, Watkins breaks from what has become the received view that either colors are reducible to certain properties of interest to science, or else nothing is really colored. What is novel about the work is that Watkins, unlike other Mooreans, takes seriously the metaphysics of colors. Consequently, Watkins provides an account of what colors (...) are, how they are related to the physical properties on which they supervene, and how colors can be causally efficacious without the threat of causal overdetermination. Along the way, he provides novel accounts of normal conditions and non-human color properties. The book will be of interest to any metaphysician and philosopher of mind interested in colors and color perception. (shrink)

Realists about color, be they dispositionalists or physicalists, agree on the truth of the following claim: (R) x is red iff x is disposed to look red under standard conditions. The disagreement is only about whether to identify the colors with the relevant dispositions, or with their categorical bases. This is a question about the representational content of color experience: What kind of properties do color experiences ascribe to objects? It has been argued (for instance by Boghossian and Velleman, (...) 1991) that truths like (R) cannot be used in an account of the colors as they would result in ‚circular’, and therefore empty, contents. It has also been argued (for instance by Harman, 1996) that switching to an account of color in terms of a functional account of color sensations would result in a circular, and therefore empty, account. In this paper, I defend a realist account of color in terms of a (non-reductive) functional account of color sensations. Such an account of sensations has been suggested by Pagin (2000), and it can be applied to color sensations without the resulting account of the colors themselves being circular or empty. I argue that the so-called transparency of experience does not provide any argument against such an account. I also argue that on such an account, the issue of physicalism vs. dispositionalism boils down to the question of the modal profile of the color concepts. (shrink)

The Hurvich-Jameson (H-J) opponent-process network offers a familiar account of the empirical structure of the phenomenological color space for humans, an account with a number of predictive and explanatory virtues. Its successes form the bulk of the existing reasons for suggesting a strict identity between our various color sensations on the one hand, and our various coding vectors across the color-opponent neurons in our primary visual pathways on the other. But anti-reductionists standardly complain that the systematic parallels discovered by the (...) H-J network are just empirical correspondences, constructed post facto, with no predictive or explanatory purchase on the intrinsic characters of qualia proper. The present paper disputes that complaint, by illustrating that the H-J model yields some novel and unappreciated predictions, and some novel and unappreciated explanations, concerning the qualitative characters of a considerable variety of color sensations possible for human experience, color sensations that normal people have almost certainly never had before, color sensations whose accurate descriptions in ordinary language appear semantically ill-formed or even self-contradictory. Specifically, these "impossible" color sensations are activation-vectors (across our opponent-process neurons) that lie inside the space of neuronally possible activation-vectors, but outside the central 'color spindle' that confines the familiar range of sensations for possible objective colors. These extra-spindle chimerical-color sensations correspond to no reflective color that you will ever see objectively displayed on a physical object. But the H-J model both predicts their existence and explains their highly anomalous qualitative characters in some detail. It also suggests how to produce these rogue sensations by a simple procedure made available in the latter half of this paper. The relevant color plates will allow you to savor these sensations for yourself. (shrink)

We are concerned here with recursive function theory analogs of certain problems in chromatic graph theory. The motivating question for our work is: Does there exist a recursive (countably infinite) planar graph with no recursive 4-coloring? We obtain the following results: There is a 3-colorable, recursive planar graph which, for all k, has no recursive k-coloring; every decidable graph of genus p ≥ 0 has a recursive 2(χ(p) - 1)-coloring, where χ(p) is the least number of colors which will (...) suffice to color any graph of genus p; for every k ≥ 3 there is a k-colorable, decidable graph with no recursive k-coloring, and if k = 3 or if k = 4 and the 4-color conjecture fails the graph is planar; there are degree preserving correspondences between k-colorings of graphs and paths through special types of trees which yield information about the degrees of unsolvability of k-colorings of graphs. (shrink)

In previous work, I have defended a non-standard version of intentionalism about perceptual experience. According to the doxastic account, visual experience is a peculiar kind of belief: belief with “phenomenal” or looks-content. In this paper, I investigate what happens if this account of experience is combined with another idea I find very plausible: That the colors are to be understood in terms of color experience. I argue that the resulting phenomenal account of color experience captures everything essential to what (...) has been called the “natural concept of color”. And I show that circularity worries are not aggravated by adopting this account instead of more standard forms of intentionalism—rather, they can be dispelled along the same lines. (shrink)

Determinants of synesthetic color choice for the Japanese logographic script, Kanji, were studied. The study investigated how synesthetic colors for Kanji characters, which are usually acquired later in life than other types of graphemes in Japanese language , are influenced by linguistic properties such as phonology, orthography, and meaning. Of central interest was a hypothesized generalization process from synesthetic colors for graphemes, learned prior to acquisition of Kanji, to Kanji characters learned later. Results revealed that color choices for (...) Kanji characters depend on meaning and phonological information. Some results suggested that colors are generalized from Hiragana characters and Arabic digits to Kanji characters via phonology and meaning, respectively. Little influence of orthographic information was observed. The findings and approach of this study contributes to a clarification of the mechanism underlying grapheme-color synesthesia, especially in terms of its relationship to normal language processing. (shrink)

This article conceptualizes contemporary geopolitical violence in the Arctic through a semiotic register. Different living beings perceive different things, and these differences amount to different worlds, not merely different worldviews. Building on Eduardo Kohn’s reading of the semiotics of Charles Sanders Peirce, and theorists of biosemiotics and ecosemiotics, the article analyses how signs in and between living organisms and their environments are political matters of life and death. Via the themes of invisibility, colors, and snow, the article traces semiotic (...) relations between different living beings and their Arctic ecologies to weave a semiotic understanding of contemporary geopolitical violence in the Arctic and the role of climate change therein. The article defines the violence of climate change as a violence of not being able to recognize oneself, and builds on Eduardo Viveiros de Castro’s concept of multinaturalism to explain what it means that one world ruins other worlds. (shrink)

Determinants of synesthetic color choice for Japanese phonetic characters were studied in six Japanese synesthetes. The study used Hiragana and Katakana characters, which represent the same set of syllables although their visual forms are dissimilar. From a palette of 138 colors, synesthetes selected a color corresponding to each character. Results revealed that synesthetic color choices for Hiragana characters and those for their Katakana counterparts were remarkably consistent, indicating that color selection depended on character-related sounds and not visual form. This (...) Hiragana–Katakana invariance cannot be regarded as the same phenomenon as letter case invariance, usually reported for English grapheme-color synesthesia, because Hiragana and Katakana characters have different identities whereas upper and lower case letters have the same identity. This involvement of phonology suggests that cross-activation between an inducer brain region and that of the concurrent area in grapheme-color synesthesia is mediated by higher order cortical processing areas. (shrink)

This paper illustrates what a philosophical and a logical investigation of colors amounts to in contrast to other kinds of color analysis such as physical, physiological, chemical, psychological or cultural analysis of colors. Neither a philosophical nor a logical analysis of colors is concerned with specific aspects of colors. Rather, these kinds of color analysis are concerned with what one might call “logical foundations of color theory”. I will illustrate this first by considering philosophical and then (...) logical analysis of colors. (shrink)

This book is a meditation on the different aspects of colour, particularly its relationship to healing. Drawing on examples from natural science and spiritual science, Klocek focuses on the real essence of colours and how they relate to human beings in our physical body and soul. From Newton to Rudolf Steiner, and including the development of artistic pigments, this enlightening book shows how colour can be linked to healing with artistic therapies, homeopathy and flower essences.Illustrated in colour with numerous diagrams (...) and examples of art from the Middle Ages to the twentieth century, this book offers surprising insights into a subject that is integral to our everyday life and development. (shrink)

We examine the pros and cons of color realism, exposing some desiderata on a theory of color: the theory should render colors as scientifically legitimate and correctly individuated, and it should explain how we have veridical color experiences. We then show that these desiderata can by met by treating colors as properties of the special sciences. According to our view, some of the major as properties of the special sciences. According to our view, some of the major disputes (...) in the literature about color -- anti-realism versus dispositionalism versus reductionism -- are not well-founded at this stage of scientific inquiry. Our account of color is designed to be of use in the sciences and as such is driven largely by considerations of what the various sciences need in order to proceed appropriately. We argue that a scientific theory of colors need not regard colors as anything more than high-level statistical constructs built out of correlations between color experiences and other phenomena. (shrink)

Color subjectivists claim that, despite appearances to the contrary, the world external to the mind is colorless. However, in giving an account of color perception, subjectivists about the nature of perceived color must address the nature of perceived spatial location as well. The argument here will be that subjectivists’ problems with coordinating the metaphysics of perceived color and perceived location render color perception implausibly mysterious. Consequently, some version of color realism, the view that colors are (physical, dispositional, functional, sui (...) generis, or some other) properties of physical objects, is correct. (shrink)

In a plenary presentation on structural racism at the 2019 American Society of Bioethics and Humanities Annual Meeting, invited speaker Mary T. Bassett asserted that there is no solidarity without...

Gift of utterance: expanding vocabularies for truth -- Dainty as candle-lights: veiled truths and shadowy lies -- Philomela and the risk of history -- Truth: a muddy sprout -- No auditors in the courtroom of history.

Michael Tye has recently been a vocal defender of color realism or, as I shall call it, color objectivism. Objectivism about color is the view that color properties are identical to intrinsic physical properties of the surfaces of objects. Subjectivism about color is the denial of color objectivism. Objectivists argue that color claims must be taken at face value. In this paper I forego the usual bickering about whether there are surface reflectance properties that can be identified with colors (...) as the objectivist theory requires. Supposing that some such properties could be found, I argue that if objectivism about color were correct it would have the unsavory consequence that we are rarely if ever right—perhaps never right—about the particular colors of particular things. So objectivism does not bear out common attribution of colors to the surfaces of things, after all. (shrink)

Regier, Kay, and Khetarpal report the results of computer simulations that cluster color stimuli on the basis of their coordinates in CIELAB space, one of two commonly used perceptual color spaces. Regier and coauthors find partitions of those stimuli that are strikingly similar to the way actual color lexicons partition color space. They do not argue for the custom-made clustering method used in their simulations, nor for the assumption of CIELAB space. The present paper aims to answer the question to (...) what extent their computational results depend on these assumptions. It does this by applying a great variety of known clustering methods to Regier et al.’s stimuli, and by assuming not only CIELAB space but also CIELUV space, the other main color space. (shrink)

Angus Fletcher is one of our finest theorists of the arts, the heir to I. A. Richards, Erich Auerbach, Northrop Frye. This, his grandest book since the groundbreaking Allegory of 1964, aims to open another field of study: how thought--the act, the experience of thinking--is represented in literature. Recognizing that the field of formal philosophy is only one demonstration of the uses of thought, Fletcher looks for the ways other languages (and their framing forms) serve the purpose of certain thinking (...) activities. What kinds of thinking accompany the writing of history? How does the gnomic sentence manage to represent some point of belief? The fresh insights Fletcher achieves at every turn suggest an anatomy of poetic and fictional strategies for representing thought--the hazards, the complications, the sufferings, the romance of thought. Fletcher's resources are large, and his step is sure. The reader samples his piercing vision of Milton's Satan, the original Thinker, leaving the pain of thinking as his legacy for mankind; Marvell's mysteriously haunting "green thought in a green shade"; Old Testament and Herodotus, Vico and Coleridge; Crane, Calvino, Stevens. Fletcher ranges over the heights of literature, poetry, music, and film, never losing sight of his central line of inquiry. He includes comments on the essential role of unclear, vague, and even irrational thinking to suggest that ideas often come alive as thoughts only in a process of considerable distress. In the end he gives us literature--not the content of thought, but its form, its shape, the fugitive colors taken on by the mind as represented in art. (shrink)

Hering’s opponent-colors theory suggests that our color sensations are produced by three mechanisms: a red–green mechanism, a yellow–blue mechanism, and a white–black mechanism. The first two mechanisms give rise to our sensations of hued colors; the third mechanism gives rise to our sensations of hueless colors. Noticeably, whereas the pair of colors produced by each of the hued mechanisms do not mix to yield a phenomenal intermediate (i.e., there are no greenish reds, reddish greens, yellowish blues, (...) or bluish yellows), the colors produced by the hueless mechanism, white and black, do have a phenomenal intermediate—gray. This different behavior of the white–black mechanism poses a problem for Hering’s theory. Several attempts to fix this problem have been suggested. This paper focuses on the suggestion made by Paul Heggelund a century after Hering proposed his theory. In Heggelund’s amendment of Hering’s theory, the hueless colors are not confined to the one-dimensional gamut between black and white, but rather require two components for their full description: a light–dark (or luminous–black) component, where light and dark are mutually exclusive sensations, and a white component, which doesn’t have an opponent counterpart. Here I show that although Heggelund’s theory indeed provides a solution to the problem that the hueless colors pose to Hering’s theory, it is not self-consistent. I go on to revise Heggelund’s theory to obtain a consistent opponent-colors theory. (shrink)

A recent report by the Swedish National Council for Crime Prevention in cooperation with the Swedish Security Service shows that the Internet has been extensively used to spread propaganda by proponents of violent political extremism, characterized by a worldview painted in black and white, an anti-democratic viewpoint, and intolerance towards persons with opposing ideas. We provide five arguments suggesting that philosophical dialogue with young persons would be beneficial to their acquisition of insights, attitudes and thinking tools for encountering such propaganda. (...) The arguments are based on stated requirements for problem solutions given by experts in violent political extremism, recent research about the effects of philosophical dialogue in young persons’ thinking skills, and parts of the basic theoretical framework of Philosophy for Children. Philosophical dialogues seem a promising way for young people to achieve a stronger democratic awareness and a more tenacious resistance against extremist views online. (shrink)

I respond to the separate commentaries by Jacob Berger, Charlie Pelling, and David Pereplyotchik on my paper, “Color-Consciousness Conceptualism.” I resist Berger’s suggestion that mental colors ever enter consciousness without accompaniment by deployments of concepts of their extra-mental counterparts. I express concerns about Pelling’s proposal that a more uniform conceptualist treatment of phenomenal sorites can be gained by a simple appeal to the partial overlap of the extensions of some concepts. I question the relevance to perceptual consciousness of the (...) arguments for demonstrative concepts that Pereplyotchik attacks. (shrink)

red and round. According to common sense, the red, round thing we see is the tomato itself. When we have a hallucinatory vision of a tomato, however, there may be present to us no red and round phys- ical object. Still, we use the words 'red' and 'round' to describe that situation as well, this time applying them to the visual experience itself. We say that we have a red, round visual image, or a visual experience of a red disk, (...) or some such. Because we see physical objects far more often than we hallucinate, we apply terms for color and shape to physical objects far more often than to visual experiences. Moreover, different theories of perception explain in different ways the applications such terms have to physical objects and to visual experiences. But whatever their frequency and explanation, it seems clear that both sorts of application occur. (shrink)

Sensory qualities are objective properties; indeed, on the evidence, they are physical properties. However, what makes a physical property the sensory quality it is is its relationship to sensory experiences of perceivers. For instance, the redness of a surface is a physical property of the surface; what makes that physical property surface red is the fact that it disposes surfaces to look red to appropriate visual perceivers in appropriate viewing circumstances. What it is like for something to look red—that is, (...) the actual phenomenal character of visual experiences as of something red—is also a physical property; on the evidence, it is a physical property of the brain. (shrink)

In his Time and Narrative, Ricœur introduces the term of “third time” to designate the middle ground between human and natural time. This time is synonymous with historical time, which is the main source of historical discourse. The third time consists of inscribing human time onto the time of nature. While historiography must strictly follow this structure, works of fiction have the freedom to explore and even create imaginative variations of time. Despite the constraints this seems to impose on historical (...) writing, this article shows that even within the tight structure of historical time, a palette of various colors and shades, akin to imaginative variations, can be observed. Historical time possesses depth and speed; it can contract and relax, motivate or prevent action, or gain various dynamics in relation to the ending it offers. (shrink)

Jones and Coleman are among a handful of otherwise normal as a child and the number 5 was red and 6 was green. This the- people who have synesthesia. They experience the ordinary ory does not answer why only some people retain such vivid world in extraordinary ways and seem to inhabit a mysterious sensory memories, however. You might _think _of cold when you no-man’s-land between fantasy and reality. For them the sens- look at a picture of an ice cube, (...) but you probably do not feel es—touch, taste, hearing, vision and smell—get mixed up in- cold, no matter how many encounters you may have had with stead of remaining separate. ice and snow during your youth. Modern scientists have known about synesthesia since Another prevalent idea is that synesthetes are merely being 1880, when Francis Galton, a cousin of Charles Darwin, pub- metaphorical when they describe the note C flat as “red” or say lished a paper in _Nature _on the phenomenon. But most have that chicken tastes “pointy”—just as you and I might speak of brushed it aside as fakery, an artifact of drug use (LSD and a “loud” shirt or “sharp” cheddar cheese. Our ordinary lan- mescaline can produce similar effects) or a mere curiosity. guage is replete with such sense-related metaphors, and perhaps About four years ago, however, we and others began to un- synesthetes are just especially gifted in this regard. cover brain processes that could account for synesthesia. Along We began trying to find out whether synesthesia is a gen- the way, we also found new clues to some of the most mysteri- uine sensory experience in 1999. This deceptively simple ques- ous aspects of the human mind, such as the emergence of ab- tion had plagued researchers in this field for decades. One nat- stract thought, metaphor and perhaps even language. ural approach is to start by asking the subjects outright: “Is this A common explanation of synesthesia is that the affected just a memory, or do you actually see the color as if it were right people are simply experiencing childhood memories and asso- in front of you?” When we tried asking this question, we did ciations.. (shrink)

Byrne & Hilbert argue that colors are reflectance properties of objects. They also claim that a necessary condition for something's being a color is that it causally explain – or be causally implicated in the explanation of – our perceptions of color. I argue that these two positions are in conflict.

We investigate the existence of perfect homogeneous sets for analytic colorings. An analytic coloring of X is an analytic subset of [X]N, where N>1 is a natural number. We define an absolute rank function on trees representing analytic colorings, which gives an upper bound for possible cardinalities of homogeneous sets and which decides whether there exists a perfect homogeneous set. We construct universal σ-compact colorings of any prescribed rank γ<ω1. These colorings consistently contain homogeneous sets of cardinality γ but they (...) do not contain perfect homogeneous sets. As an application, we discuss the so-called defectedness coloring of subsets of Polish linear spaces. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Coloration of Aristotelian Eye-Jelly: A Note on On Dreams 459b–460aRaphael WoolfThe purpose of this paper is to make a small contribution to a recent lively debate concerning Aristotle’s philosophy of mind. This debate has centered on a paper published by Myles Burnyeat,1 which argued that Aristotle’s philosophy of mind, being hopelessly anachronistic, could not serve as the prototype of any contemporary theory: in particular, it could not be (...) seen as proto-functionalist, as Nussbaum and Putnam had proposed.2 The grounds given by Burnyeat for the anachronism of Aristotle’s philosophy of mind focus mainly on Aristotle’s notion of perceptual awareness. According to Burnyeat, perceptual awareness is for Aristotle a primitives3 and essential4 property of the relevant organ of perception. In Burnyeat’s view, Aristotle’s theory denies that there is any further level of analysis that can be undertaken. When an eye comes to perceive an object, the potentiality of the eye for seeing is actualized, but there is nothing further to be said. In particular, there is no physiological change taking place in the eye, in which the psychological change is realized. Thus, when Aristotle says in the De Anima that the eye becomes “in a way coloured”5 when it sees a coloured object, for Burnyeat this means no more [End Page 385] than that it registers awareness of colour,6 not that it becomes literally coloured itself.On this last point, Burnyeat takes issue with the view of Richard Sorabji,7 who maintains that for Aristotle the eye does undergo physiological change when it does some seeing: in particular, if it sees, for example, a red object, then the jelly inside the eye literally becomes coloured red. On this view, Aristotle does indeed have a theory, congenial enough to modern perspectives, whereby each psychological change is realized physiologically.8There are several large questions which my paper does not attempt to address. Firstly, it offers no view on what implications Burnyeat’s position would have, if correct, for the interpretation of Aristotle as a proto-functionalist. Secondly, it does not offer a view on how necessary the correctness of an interpretation such as Sorabji’s is to the case made by the advocates of Aristotle as a proto-functionalist.9 Thirdly, it makes no adjudication between any of the competing parties’ interpretations of Aristotle’s De Anima, his main work on psychology and the chief textual battleground in the debate I have been outlining.This paper’s aim is a much more modest one. It is to draw attention to a short passage in Aristotle’s work On Dreams, which in my view incontrovertibly suggests that Aristotle did believe that the eye becomes literally coloured during perception of a coloured object. I shall therefore be presenting one piece of evidence in favour of Sorabji’s view; but I shall not be arguing that Sorabji’s view is conclusively the right one (which would require consideration of all the relevant evidence), nor drawing any conclusions about the implications of this evidence for interpretations of Aristotle’s philosophy of mind. It is, however, [End Page 386] reasonable to suggest that if Sorabji’s view is right then Burnyeat’s view is in severe difficulties, since its main underpinning—the claim that psychological change has no physiological counterpart in Aristotle’s theory—will have been removed. The evidence I have to present, then, is, albeit indirectly, support for the view that Aristotle’s philosophy of mind is not hopelessly anachronistic, at least in the way that Burnyeat claims.Here is the evidence from On Dreams (459b23–460a26):That the sense-organs rapidly perceive even slight differences is shown by what happens with mirrors. Indeed, anyone who would give his attention to it might look into that subject too and explore the problem. At the same time, it is clear from this case that, just as the organ of sight is affected by, so too it acts upon, its object. For in extremely clean mirrors, when women look into them during their menstrual period, the mirror surface takes on a sort of blood-red cloud. In fact, if the... (shrink)

The main point of our hypothesis “coloration undermines camouflage” is that many color patterns in plants undermine the camouflage of invertebrate herbivores, especially insects, thus exposing them to predation and causing them to avoid plant organs with unsuitable coloration, to the benefit of the plants. This is a common case of “the enemy of my enemy is my friend” and a visual parallel of the chemical signals that plants emit to call wasps when attacked by caterpillars. Moreover, this is also (...) a common natural version of the well‐known case of industrial melanism, which illustrates the great importance of plant‐based camouflage for herbivorous insects and can serve as an independent test for our hypothesis. We claim that the enormous variations in coloration of leaves, petioles and stems as well as of flowers and fruits undermine the camouflage of invertebrate herbivores, especially insects. We assume that the same principle might operate in certain animal–parasite interactions. Our hypothesis, however, does not contrast or exclude other previous or future explanations of specific types of plant coloration. Traits such as coloration that have more than one type of benefit may be selected for by several agents and evolve more rapidly than ones with a single type of advantage. BioEssays 26:1126–1130, 2004. © 2004 Wiley Periodicals, Inc. (shrink)

Double dissociations between perceivable colors and physical properties of colored objects have led many philosophers to endorse relationalist accounts of color. I argue that there are analogous double dissociations between attitudes of belief—the beliefs that people attribute to each other in everyday life—and intrinsic cognitive states of belief—the beliefs that some cognitive scientists posit as cogs in cognitive systems—pitched at every level of psychological explanation. These dissociations provide good reason to refrain from conflating attitudes of belief with intrinsic cognitive (...) states of belief. I suggest that interpretivism provides an attractive account of the former. Like colors, attitudes of belief evolved to be ecological signifiers, not cogs in cognitive systems. (shrink)

Emotion modulates our time perception. So far, the relationship between emotion and time perception has been examined with visible emotional stimuli. The present study investigated whether invisible emotional stimuli affected time perception. Using continuous flash suppression, which is a kind of dynamic interocular masking, supra-threshold emotional pictures were masked or unmasked depending on whether the retinal position of continuous flashes on one eye was consistent with that of the pictures on the other eye. Observers were asked to reproduce the perceived (...) duration of a frame stimulus that was concurrently presented with a masked or unmasked emotional picture. As a result, negative emotional stimuli elongated the perceived duration of the frame stimulus in comparison with positive and neutral emotional stimuli, regardless of the visibility of emotional pictures. These results suggest that negative emotion unconsciously accelerates an internal clock, altering time perception. (shrink)

Consistent discriminatory practices associated with dark and black skin color underpin the persistence of colorism and racism in the Indian subcontinent. To understand better how skin color ideologies occupy the mind of people with the effect of marginalizing those with dark skin color and promoting whiteness as a social capital, we will apply the paradigm of situated affectivity. The conceptual tools developed in this framework will help to see how the environmental structures that perpetuate colorism have a pervasive influence on (...) individuals’ values and their emotional repertoire from a very young age. After having documented how the minds of individuals are invaded with discriminatory colorist positions, we will present how people indulge in processes of _user-resource_ interactions assumed to help regulating their affect, that in turn, result in re-enforcing again colorist and racist ideologies and practices. (shrink)

Several religious traditions of South Asia understand that mental activities produce colors (leśyās) that are associated with the mind or with the soul itself. In Jain texts, there are three theories about how leśyās are produced: that leśyās are a product (parināma) (1) of the passions (kasāyas), (2) of vibrations of the soul (yoga), and (3) of all eight varieties of karmas. The views of various Śvetāmbara and Digambara commentators regarding leśyās are compared.