Dans une conférence prononcée en 1993, le penseur et conteur fidjien Epeli Hau’Ofa propose de substituer au regard colonial réduisant le milieu de vie des peuples du Pacifique à des îles petites et isolées un regard océanique prenant acte de l’existence ancestrale d’une mer d’îles. Le présent article s’intéresse aux horizons que nous ouvre ce texte pour penser ce qui aujourd’hui nous insépare.

À Gênes, Italie, les ruines d’un ancien couvent ont été investies depuis six ans par un collectif dont certains individu·e·s ont des compétences et/ou un parcours d’artistes professionnels. À Yaoundé, Cameroun, des artistes de rue ont commencé à fédérer plusieurs disciplines artistiques (peinture murale, body painting, création de mode) afin d’occuper l’espace public de façon éphémère (par un défilé) et durable (en peignant des murs). En s’appuyant sur ces deux cas d’études, cet article cherche à comprendre les différentes (...) formes d’art qui sont mobilisées, comme outils d’expression politique par des activistes et comme revendications activistes qui s’expriment par l’art. La recherche d’une reconnaissance individuelle et collective, le désir d’atteindre un certain niveau artistique et la volonté d’exprimer de façon artistique des revendications politiques invitent à repenser les dynamiques in situ pour mieux saisir la complexité de l’engagement artistique professionnel, politique et militant. (shrink)

The long year-and-a-half span which goes front the insurrectional days of December Zoos to the presidential elections of April-May 2003 in Argentina requires a « spur of the moment » reading of the current condition of the « new social leadership ». Rupture, dismissal and visibility have been the typical features of its emergence. Although some interpretations of the election’s results consider that these might prove the « neutralization » and the « ebbing » of the movement’s power and its (...) motto « Let them all go away, let not even a single one stay », the phenomenology of counter-power in Argentina shows, on the contrary, that the multiplicity of situations can resist without any need for external organisation. (shrink)

Résumé C’est chiffres en mains et masques de clowns au visage qu’il faut rejeter les politiques menées au nom de l’austérité. Leur absurdité et leur injustice sautent aux yeux de qui sait compter, pour autant qu’on aide à gratter sous la surface des phrases toutes faites. Voici un petit manuel pratique pour aider l’indignation à prendre forme et à demander raison.

Cet extrait du Guide d’auto-défense universitaire nous propose des outils pour s’organiser et s’interroger collectivement sur les raisons et la/les façon(s) de quitter l’université. Ou pas. Un glossaire honnête et lucide nous permet de nommer plus précisément ce qui se joue, souvent, lors de la thèse.

Résumé C’est chiffres en mains et masques de clowns au visage qu’il faut rejeter les politiques menées au nom de l’austérité. Leur absurdité et leur injustice sautent aux yeux de qui sait compter, pour autant qu’on aide à gratter sous la surface des phrases toutes faites. Voici un petit manuel pratique pour aider l’indignation à prendre forme et à demander raison.

Sans en faire de quelque façon son thème ni un de ses messages, la musique techno, dans son bruyant silence, semble laisser entendre que les figures socio-historiques du Sens ne font plus sens, et ne peuvent plus en conséquence fragmenter le monde selon une partition ethnique et politique qui l'avait jusque là distribué en identités séparées ou opposées. Cette musique serait alors celle du commun du monde, musique éminemment cosmopolitique... Comme on peut s'en rendre compte dans les raves - mais (...) aussi dans de nombreuses pratiques artistiques contemporaines -, l'art et le politique ne sont plus séparés comme s'ils définissaient des champs opératoires hétérogènes, mais sont en quelque sorte soudés l'un à l'autre dans des agencements collectifs souples et éphémères se formant autour de sensations communes. Qu'il y ait toutefois une telle convergence de l'art (les arts et les techniques) et du politique, ne signifie pas pour autant que nous sommes renvoyés à une esthétisation du politique (la communauté comme œuvre d'art), ni même à une politisation de l'art (l'art social ou l'art critique). Cela nous indique peut-être seulement qu'il nous reste à mettre en oeuvre un art qui ne soit plus seulement représentation de l'Idéal, une technique qui ne soit plus finalisée exclusivement par les impératifs économiques, et un espace politique qui ne repose plus sur une quelconque vérité. Tout un programme qui renvoie, au fond, à la possibilité d'inventer singulièrement et collectivement une existence qui ne serait plus détournée de sa " finitude " et de son libre déploiement dans l'horizon d'une mondialité métissée et a-territoriale. Cela pourrait bien être pour notre temps, pour " nous " qui le partageons - n'en déplaise aux défenseurs de la pureté et de l'Idéal - à la fois notre tâche et notre destin. (shrink)

En focalisant notre attention sur l'atelier comme lieu de formation des improvisateurs et improvisatrices de théâtre, cet article vise à réintroduire le Théâtre d'Improvisation dans le processus d'apprentissage qui l'accompagne. Dirigé par un·e chef·fe d'atelier chargé·e de la gestion des exercices, des consignes ainsi que des retours, l'atelier se construit comme un jeu interactionnel et discursif visant à transmettre des compétences à improviser. Ce processus suppose des modalités d'ajustements collectifs et de compréhension mutuelle entre les comédien·ne·s qui s'exercent et le·la (...) chef·fe d'atelier qui prend le rôle de conseiller·ère, d'évaluateur·rice et d'enseignant·e. En ce sens, le travail d'atelier relève d'une dynamique particulière en tant que performance avant la performance publique, impliquant d'élargir la notion d'exercice à ses débordements interactionnels. Au sein de ce cadre pédagogique, le retour, moment d'échanges en aval de l'exercice, devient un phénomène primordial. S'il recouvre différentes fonctions telles que l'évaluation, la critique ou le conseil, le retour offre aussi la possibilité de déréférencer le propos de l'exercice en question pour traiter du Théâtre d'Improvisation comme pratique. Le retour dans sa dimension épisémiotique permet dès lors de saisir le passage de l'exercice, comme phénomène éphémère et localisé à la pratique du Théâtre d'Improvisation, comme discipline stabilisée et collective. (shrink)

En focalisant notre attention sur l'atelier comme lieu de formation des improvisateurs et improvisatrices de théâtre, cet article vise à réintroduire le Théâtre d'Improvisation dans le processus d'apprentissage qui l'accompagne. Dirigé par un·e chef·fe d'atelier chargé·e de la gestion des exercices, des consignes ainsi que des retours, l'atelier se construit comme un jeu interactionnel et discursif visant à transmettre des compétences à improviser. Ce processus suppose des modalités d'ajustements collectifs et de compréhension mutuelle entre les comédien·ne·s qui s'exercent et le·la (...) chef·fe d'atelier qui prend le rôle de conseiller·ère, d'évaluateur·rice et d'enseignant·e. En ce sens, le travail d'atelier relève d'une dynamique particulière en tant que performance avant la performance publique, impliquant d'élargir la notion d'exercice à ses débordements interactionnels. Au sein de ce cadre pédagogique, le retour, moment d'échanges en aval de l'exercice, devient un phénomène primordial. S'il recouvre différentes fonctions telles que l'évaluation, la critique ou le conseil, le retour offre aussi la possibilité de déréférencer le propos de l'exercice en question pour traiter du Théâtre d'Improvisation comme pratique. Le retour dans sa dimension épisémiotique permet dès lors de saisir le passage de l'exercice, comme phénomène éphémère et localisé à la pratique du Théâtre d'Improvisation, comme discipline stabilisée et collective. (shrink)

Qu’est-ce qu’une spécialiste de la philosophie grecque peut bien avoir à transmettre à un auditoire de 500 juristes débutant(e)s? Le plaisir de penser, dans la rigueur et l’audace. Le goût foncièrement démocratique pour le débat, c’est-à-dire la nécessité de confronter sa pensée à celle d’autrui, fût-elle sous-tendue par une raison contradictoire. Comment faire? Plutôt qu’un parcours classique dans l’histoire de la philosophie, l’auteur a choisi de construire le cheminement d’une enquête en deux étapes. La première, placée sous le signe d’Oedipe, (...) interroge l’énigme de l’humain. Elle fera voyager de la description poétique de l’homme comme mortel éphémère chez Homère à l’être-vers la- mort selon Heidegger, de la définition de l’homme comme animal rationnel d’Aristote à son retournement en animal fou par Castoriadis. La seconde étape prolongera ce questionnement en l’axant sur le collectif. Elle portera sur l’invention de la politique : de la cité grecque à l’État moderne, comment les sociétés humaines se sont-elles organisées? Qu’ont-elles institué comme fondement à leur communauté? Une grande attention sera également accordée à l’étude de philosophes contemporains, qui, en se fondant sur la discussion des penseurs grecs et modernes, ont proposé de nouvelles manières de penser la démocratie, la liberté et le pouvoir, les formes de vie et les types humains, les actions et les passions propres au politique. Plongeant dans les racines du passé pour mieux comprendre le présent et inventer le futur, cet ouvrage intéressera en réalité toutes les personnes désireuses de s’engager dans une réflexion citoyenne. (shrink)

While much of the recent literature on mechanisms has emphasized the superiority of mechanisms and mechanistic explanation over laws and nomological explanation, paradigmatic mechanisms—e.g., clocks or synapses—actually exhibit a great deal of stability in their behavior. And while mechanisms of this kind are certainly of great importance, there are many events that do not occur as a consequence of the operation of stable mechanisms. Events of natural and human history are often the consequence of causal processes that are ephemeral and (...) capricious. In this paper I shall argue that, notwithstanding their ephemeral nature, these processes deserve to be called mechanisms. Ephemeral mechanisms share important characteristics with their more stable cousins, and these shared characteristics will help us to understand connections between scientific and historical explanation. (shrink)

Founding our analysis on the Geneva-Brussels approach to quantum mechanics, we use conventional macroscopic objects as guiding examples to clarify the content of two important results of the beginning of twentieth century: Einstein–Podolsky–Rosen’s reality criterion and Heisenberg’s uncertainty principle. We then use them in combination to show that our widespread belief in the existence of microscopic particles is only the result of a cognitive illusion, as microscopic particles are not particles, but are instead the ephemeral spatial and local manifestations of (...) non-spatial and non-local entities. (shrink)

This concluding chapter proposes an alternative interpretation of Theodor W. Adorno's unfinished Aesthetic Theory in which he reconsiders some of the philosopher's central aesthetic concepts, such as aesthetic autonomy, from the perspective of those moments when Adorno's writing appears to destabilize the work of art and, by extension, the philosophical claims that his theories generally are held to make on behalf of the aesthetic. Adorno's Aesthetic Theory, initially shunned or attacked when it was posthumously published in 1970, has become increasingly (...) his most widely and carefully read work. While the interpreters are still in disagreement about the appropriate reading of the text, there is largely consensus about its significance as the culmination of Adorno's œuvre and its importance for the contemporary debate on aesthetics. (shrink)

The historic material culture produced by American Cold War nuclear weapons testing includes objects of scientific inquiry that can be generally categorized as being either ephemeral or enduring. Objects deemed to be ephemeral were of a less substantial nature, being impermanent and expendable in a nuclear test, while enduring objects were by nature more durable and long-lasting. Although all of these objects were ultimately subject to disappearance, the processes by which they were transformed, degraded, or destroyed prior to their disappearing (...) differ. Drawing principally upon archaeological theory, this paper proposes a functional dichotomy for categorizing and studying the historical trajectories of nuclear weapons testing technoscience artifacts. In examining the transformation patterns of steel towers and concrete blockhouses in particular, it explores an associated loss of scientific method that accompanies a science object's disappearance. (shrink)

This chapter proposes an extension of Georges Canguilhem's historical analysis toward contemporary concepts of milieu as flexible and dissipative territories, and as "adaptive landscapes" of living organisms such as the monarch butterfly and common swift. The chapter deploys and develops an understanding of certain vital processes in Canguilhem's account of milieu, by charting the experience to be found in various migration landscapes which cannot be understood independently of their taking place over time (and certainly not in abstraction). This is reflected (...) in the second section where an account of dissipative images is given as a way of thinking the ephemerality of structures whose ramifications occlude the ongoing radiance of their energy. This much can be seen, as the chapter concludes, in the work of Gemma Anderson whose drawings of mitosis and epigenetic landscapes contemplate, through a set of visual "notes," how we might begin to both think and render energy fluctuations. We can thus visualize migratory patterns not as a series of fixed points but in a way that might help us to see "sky" as a unique, dynamic milieu of lived time and space. (shrink)

This article examines the tension in Hannah Arendt’s thought between the creativity of political action and the worldlessness of labour in light of fieldwork with feminist activists in Mexico City. Drawing from my ethnographic research, I explore how labour and action are knitted together in the feminist practice of accompanying women who seek safe abortion in the city. Bringing Arendt’s thought into dialogue with anthropologies of illness experience as well as the reflections of my interlocutors in the field, I shift (...) from an approach to the situation of abortion as a decision-making event, to ask other questions about autonomy and dependency, freedom and necessity, mortality and political life. I argue that what is interesting about Arendt’s conceptualisation of the labouring body is not that she separates ‘bare life’ from the political sphere of ‘men’, but rather that it alerts us to the uncertain way our life is implicated with others. In conclusion, I argue that feminist accompaniment networks foster an ephemeral relation of care between activists and women in situations of abortion, one that invites us to re-imagine the temporality of political action and to ask, again, what it is to make a new world versus make this world livable. (shrink)

Johnson et al. make a persuasive case that qualitative, story-like reasoning plays a crucial role in everyday thought and decision-making. This commentary questions the cohesiveness of this type of reasoning and the representations that generate it. Perhaps narratives do not underpin, but are ephemeral products of thought, created when we need to justify our actions to ourselves and others.

The question of beauty continues to engage humans, especially intellectuals, who inquire into its quintessence and the sources from which it derives. Does beauty consist in attaining geometric harmony of structure and shape, or in achieving numerical proportion in audio and visual? Or, does beauty transcend all that, to crystalize into an absolute essence that conforms to high values as justice, truth, and goodness? How long does beauty last? Does it terminate at the terrestrial realm or transcend to the celestial? (...) What kind of beauty is essential for the attainment of transcendence and eschatological happiness? Beauty is two-sided, one is transient, the other eternal. This essay examines the concept of beauty in Arabic poetical compositions of Muslim mystics, and explores how they construe beauty and identify its locus vis-à-vis transcendence between ephemerality and eternality as seen in the poems by Ibn al-Farîd and al-Tilimsânî. The former perceives God’s name and attributes as embodiment of absolute beauty, and everything in the universe, as manifestations of the beauty, while the latter argues that every beauty in the universe derives from God’s absolute beauty. (shrink)

Exhibitions are embodied knowledge, and the processes of making exhibitions are also in themselves knowledge production practices. Science and technology exhibitions are therefore doubly of interest to historians of science: both as epistemic agents and as research methods. Yet both exhibitions and exhibition-making practices are ephemeral, as is the subsequent experience of the visitor. How can we research, interrogate, and understand both the productive creation of exhibitions and the phenomenologies and epistemologies of their reception and impact? “Exhibition histories” has become (...) a significant field of late, most closely associated with research on art exhibitions but also extending to world and trade fairs, and now increasingly crossing over into histories of science and technology. It is not an easy task: the range of exhibition archive materials includes – but is not limited to – 35mm slides, architectural blueprints, models, drawings, briefs, memos, budgets, press films, reviews, and personal accounts. This primary material is distributed unevenly across public and organized repositories, closed commercial archives, the personal papers of designers, often embargoed national bureaus of information, and more. Further, the experience of visiting an exhibition leaves far fewer traces to follow, requiring the researcher to do different kinds of things with the same widely varied material. This paper proposes methodologies for historians of science and technology wishing to understand the spatialization of science in exhibition contexts, the impacts of science exhibitions, and the more elusive phenomenological aspects of the exhibition visitor experience. Historians of science must accurately historicize context while researching both along and against the grain of archival material left by the making of exhibitions, as well as understanding the embodied trajectories of visitors. The practice of making exhibitions can also offer the researcher critically valuable insights into what to look for – and what may be absent – in archival records. (shrink)

For the past two decades, Einstein's Hole Argument (which deals with the apparent indeterminateness of general relativity due to the general covariance of the field equations) and its resolution in terms of "Leibniz equivalence" (the statement that pseudo-Riemannian geometries related by active diffeomorphisms represent the same physical solution) have been the starting point for a lively philosophical debate on the objectivity of the point-events of space-time. It seems that Leibniz equivalence makes it impossible to consider the points of the space-time (...) manifold as physically individuated without recourse to dynamical individuating fields. Various authors have posited that the metric field itself can be used in this way , but nobody so far has considered the problem of explicitly distilling the "metrical fingerprint" of point-events from the gauge-dependent elements of the metric field. Working in the Hamiltonian formulation of general relativity, and building on the results of Lusanna and Pauri (2002), we show how Bergmann and Komar's "intrinsic pseudo-coordinates" (based on the value of curvature invariants) can be used to provide a physical individuation of point-events in terms of the true degrees of freedom (the "Dirac observables") of the gravitational field, and we suggest how this conceptual individuation could in principle be implemented with a well-defined empirical procedure. We argue from these results that point-events retain a significant kind of physical objectivity. (shrink)

Vision is organized around material objects; they are most of what we see. But we also see beams of light, depictions, shadows, reflections, etc. These things look like material objects in many ways, but it is still visually obvious that they are not material objects. This chapter articulates some principles that allow us to understand how we see these ‘ephemera’. H.P. Grice’s definition of seeing is standard in many discussions; here I clarify and augment it with a criterion drawn from (...) Fred Dretske. This enables me to re-analyse certain ephemera that have received counter-intuitive treatments in the work of Kendall Walton (photographs), Brian O’Shaughnessy (light), and Roy Sorenson (occlusions). (shrink)

Stollenwerk, Daniel J In this essay on the social encyclical Caritas in Veritate, the author looks at Pope Benedict XVI's defense of reason in an age that has lost its faith in reason. Benedict insists we are faced with a choice between being closed within immanence - which leads to an irrational rejection of meaning and value - or open to reason that leads to the transcendent. Pope Benedict, the author concludes, is a contemporary apologist, claiming that Christianity is not (...) only the most reasonable of worldviews, but also necessary for the very survival of humanity. (shrink)

Cher***, Il est temps de te rapporter le « filage », cette gestuelle que j'ai donnée durant mon séjour aux « îles d'Auvergne », en cette vitalité printanière de fin de mai. Le résultat final, en frange d'univers, est autonome, inattendu, énigmatique et incongru. La structure, arrivée ce matin, repartira sous peu. Anecdote improbable dans le paysage, l'on marche à lui, en cette montagne, et je te donne ci-dessous la scène finale, en son décor naturel : A l'entrée, l'invite : (...) L'appel s'étend loin sur la - Résidence numérique — François Villais. (shrink)

This PhD responds to a two fold problem with the philosophy of design and the practice of design. The philosophical problem is stated as the discrepancy between a dominant philosophical framework that orders the world according to eternal essences and the actual conditions of the world in which we exist: the conditions of becoming and of flux. Commencing with a critique of the western metaphysical tradition of statics this research project proposes that we need to find a way of describing (...) an evolutionary model of practice, and by so doing to provide a revitalised narration of process. Consequently, the PhD explores the meanings of process through a critical examination of an ensemble of projects created by the author. Within this framework, a number of questions are posed in order to explore the proposition of a process practice. These questions are: What is process? How does one think process? Indeed, how do we get to grasp change? What are the consequences of process thinking on the practices of design, their fields of operation, and their productions? And, how can the thematising of process contribute to the design of the constructed environment, as well as reconfigure the practices of design? This thematising of process is argued to involve a necessary address to the constitutive and interrelated characteristics of process: space/time, movement, change, form and matter. Such an address is also seen to problematise the status of the object, the paradigms of representation, the modes of creation, the economies of exchange, and the structures of community, and to offer a modality of practice which would re-imagine the forms of social exchange to offer an ethical alternative to the tyranny of supply and demand, and thereby reconfigure the potential for dwelling. Making an overview of the discourses and practices engaging with theories of becoming, this thesis argues that almost all of these re-inscribe statics and that consequently the practice of design seems to drag behind our understanding of the world. Through a meditation on dis/appearance, in which the dynamics of being and becoming and the restless ambiguity of the gap are examined, the work establishes a process vocabulary, and makes clear through a material practice, the domains of process thinking, its inclinations, and the kinds of operations and procedures that flourish there. Foregrounding the fertile character of process practice, the PhD then proceeds to introduce notions of the movement-form, the duration-form, the transformational-form, the geometry of encounter, and to argue for physical form as an in-movement poise. Advocating new modes of approach and of attentiveness, and demonstrating new generative methods, this PhD argues that process thinking is not simply an operational stance, but an ethical position that identifies a field of care, and that consequently the design practices be expanded by taking seriously the relationship between process thinking and place making. Thus, this thesis concludes by advocating a mode of place making which, rather than reproduce planned environments as systems of control, configures place as the discursive contested place of encounter and exchange. (shrink)

Dans l’étude des relations entre la philosophie et la sociologie naissante en France, un chapitre demeure inexploré : l’interprétation des sciences sociales par Léon Brunschvicg. S’il apprécie la valeur de la recherche ethnologique de Lévy-Bruhl, sa critique de Durkheim est sévère. Il identifie deux problèmes dans le projet durkheimien, étroitement liés : avoir cherché l’origine de la connaissance dans des formes « primitives » de savoir ; avoir soumis l’autonomie du jugement au primat du social. L’idéalisme critique de Brunschvicg cherche (...) alors à opposer aux représentations collectives de Durkheim un autre modèle d’esprit collectif, incarné dans les avancées de la science et dans le progrès de la philosophie scientifique. (shrink)

Introduction. Exister, c'est être seul -- 1. Conformisme et aristocratisme -- 2. Penser et lire -- 3. Communauté et économie -- 4. De la politique à l'enseignement -- 5. Des degrés de communauté -- 6. L'épreuve du collectif -- 7. Du "je" au "nous" -- 8. Une communauté à deux? -- 9. Le collectif en conflit -- 10. Ennemis et adversaires -- Conclusion. Quelques-uns.

In the absence of continuing selves or persons, Buddhist philosophers are under pressure to provide a systematic account of phenomenological and other features of conscious experience. Any such Buddhist account of experience, however, faces further problems because of another cardinal tenet of Buddhist revisionary metaphysics: the doctrine of impermanence, which during the Abhidharma period is transformed into the doctrine of momentariness. Setting aside the problems that plague the Buddhist Abhidharma theory of experience because of lack of persons, I shall focus (...) on problems that arise because of its allegiance to momentariness and explore some responses on behalf of the Abhidharma Buddhist philosophers. I address two challenges to the Buddhist view in this paper. The first, which I will call the “Phenomenological Challenge”, primarily concerns the temporal properties of what is represented in conscious experience. The second, which I will call the “Metaphysical Challenge”, concerns the temporal properties of conscious representation itself. (shrink)

The joint international action against Iraq and the search for a new security doctrine following the end of the Cold War, led, in the early '90s, to a revival of the notion of collective security embodied in several international agreements. This notion is based on the assumption of responding collectively to international aggression. However, the international guagmires of recent years and especially the case of former Yugoslavia where international organizations have played the role of alibi to agression, has once more, (...) dealt a major blow to the illusion of the implementation of the principles of collective security. In a way similar to the 1930s and the bipolar balance of power of the Cold War, collective security seems ephemeral today. We can therefore safelypredict that in the foreseeable future, international relations wilt continue to be shaped by the balance of specific state interests and not by universally applied principles of collective security. (shrink)