This 16th-century book of reading notes and reflections on philosophy and history was written by Lo Ch'in-shun, a philosopher of Ming China. This translation includes an introduction providing a brief biography of Lo and placing his work in a historical context.

This 16th-century book of reading notes and reflections on philosophy and history was written by Lo Ch'in-shun, a philosopher of Ming China. This translation includes an introduction providing a brief biography of Lo and placing his work in a historical context.

"Now we have heard that, as for those sages before Confucius, if it had not been for Confucius, there would have been no way for them to be known, and as for those sages after Confucius, if not for him, there would have been no one for them to emulate. He is called the one who transmitted Yao and Shun as if they were his own ancestors, who took as his model Wen and Wu, patterned himself after the hundred (...) kings, and served as the pattern to be imitated for ten thousand generations." This is an important passage of an edict issued in the eleventh year of the Ta-te Emperor of the Yuan dynasty which bestowed upon Confucius the exclusive title of Fully Perfected Great Sage [ta-ch'eng chih-sheng]. Obviously, in terms of human attainment, Confucius was truly a great person of great learning, character, and usefulness. For two thousand years, his doctrines and his behavior as a man have had a great role and influence in China's cultural and material systems, scholarly thought, social morality, and even her order or disorder, prosperity or decay. If we were to remove his role and influence, then could two thousand years of China's history and culture have developed as it has, with a tradition still present? This is a good question. From this it is clear that Confucius' relationship to Chinese culture was most important. (shrink)

St, what did the word nien itself mean? There are five retations. The first holds that it referred to a place people congregated. Ch'a K'uei's "Lun An-hui li-chih" [On ficer System in Anhwei] states,1 "They carried swords and ed into units by the tens and hundreds. … The places they gathered were known as nien-tzu; the large nien-tzu red several hundred people." In 1814, T'ao Chu, the Im- Censor wrote,2 "They gather and commit improprieties ad daylight. Each group is known (...) as a nien. A small onsists of from several to several dozen persons. A nien includes from one to two hundred people.". (shrink)

Some of the authors of the essays on Chinese philosophers prefer the pin yin system of romanization for Chinese names and words, while others prefer the Wade‐Giles system. Given that both systems are in wide use today, important names and words are given in both their pin yin and Wade‐Giles formulations. The author's preference is printed first, followed by the alternative romanization within brackets.

Actualmente, la reflexión sobre la imagen se centra mayoritariamente sobre su masiva presencia y su interminable reproducción. En este trabajo nos centraremos, a la inversa, en cómo las imágenes se destruyen masiva y sistemáticamente. Si el examen interdisciplinar es una prerrogativa fundamental en los estudios visuales, el volumen Striking Images, Iconoclasms Past and Present (Ashgate 2013), compilado por excelentes históricos y arqueólogos, ofrece a los filósofos un modelo importante de colaboración a la hora de pensar qué son las imágenes. El (...) propósito de este trabajo es presentar y discutir brevemente algunos aspectos originales de estos ensayos, enfatizando la importancia de los distintos modos y motivos por los que nuestros antepasados no solo han creado, sino también han destruido imágenes. Distinguiendo la iconoclasia del simple vandalismo, podemos descubrir una ambigüedad fundamental según la cual quien intenta preservar las imágenes, acaba con destruirlas y quien aparece como destros antepasados no solo han tructor, logra fertilizar nuevas concepciones y significados para su propia tradición figurativa. Quizás esta ambigüedad no sea algo que las imágenes sufren desde fuera, sino que sea algo connatural a la imagen misma. Y si es así, quien hoy estudia la vida de las imágenes, quizás podría encontrar un acceso privilegiado en esa a través una lógica paradójica que destaca como las imágenes mueren. PALABRAS CLAVESICONOCLASIA, ICONOFÍLIA, FILOSOFÍA Y TEORÍA DE LAS IMÁGENES, ESTUDIOS VISUALES.ABSTRACTContemporary thought on images focuses mostly on their massive presence and their endless reproduction. On the contrary, in this paper, I will focus on how images have been massively and systematically destroyed. If the interdisciplinary exam is a fundamental prerogative in visual studies, the volume Striking Images, Iconoclasms Past and Present (Ashgate 2013), compiled by excellent historians and archaeologists, could offer to philosophers an important frame of teamwork in thinking what the images are. The purpose of this paper is to present and discuss briefly some original aspects of these essays, by emphasizing the importance of means and reasons through which our ancestors have not only created, but also destroyed images. Once distinguished iconoclasm and mere vandalism, we could discover a fundamental ambiguity whereby any person who tries to preserve the images, finishes with wrecking them; while on the contrary somebody who appears as a destroyer, succeeds to fertilize new concepts and meanings for his/her own figurative tradition. Perhaps this ambiguity is not something that image suffers extrinsically, but something inherent to the image itself. And if it is so, he/she who wants to study the life of images, could perhaps find a privileged access to it, through a paradoxical logic that explains, instead, how images die.KEYWORDSICONOCLASM, ICONOPHILIA, PHILOSOPHY AND THEORY OF IMAGES, VISUAL STUDIES. (shrink)

Two events, apparently distant one from the other and without any direct link between them, but nevertheless strictly connected by a common spiritual legacy, constitute the subject of this paper. The first one, took place in 1971, when a very special «ecumenical chapel» opened its doors to the public. It is known under the name of «Rothko Chapel», due to the general project, undertaken by the painter Mark Rothko. Since that time, it has become one of the most precious artworks (...) that represent the contemporary religious aesthetics. The black Rothko’s paintings, the Greek-cross building designed by the architect Philip Johnson, the Broken Obelisk of the artist Barnett Newman standing right out of the Chapel and the music composed for this ambient by the composer Morton Feldman, have replaced what traditionally has been called an «imago templi»; but contrary to all Christian tradition they represent (literally) no-thing. The second event, took place in 1795, when two young friends, Hegel and Schelling, were making a kind of oath under the sign of an Invisible Church, actualizing an ambiguous concept that, even if rooted in the Holy Scriptures, it had been condemned for its consequences as heretical. The relationship between these two events is given by contemporary art historians which have established that modern abstract painting, from a formal point of view, is rooted in the Romantic tradition. With this paper I would like to contribute to the establishment of this connection, not only by formal means, but by showing a common spiritual attitude towards images. Christianity, essentially figurative in its religious aesthetics, has always had to deal with the Jewish prohibition of image-making. This difficulty has been inherited to contemporary debates in which artist with classical readings and education, often of Jewish origins but active in Christian societies, try to create a new kind of art, above all traditions and free of dogmas. According to my suggestion, Rothko Chapel should be considered as the realization of a fragile balance in which both «aniconism» and «need of images» have simultaneously sublated their one-sidedness, producing a higher spiritual stage. Thus, such a chapel would not be a simple space where all religions could only meet and undertake a dialog, but should be considered as something more surprising: a unique realization of what logically appears as a pure contradiction: the realization of an Imago Templi for an Invisible Church. (shrink)

A very special kind of feast belongs to the Christian Orthodox tradition: there is a specific liturgical celebration of the Images in the so-called Sunday of Orthodoxy. While in many cultures images are employed in order to celebrate an historic event, this is the only feast in which, on the contrary, images are celebrated for themselves. Nonetheless, the role of images in Orthodoxy is not univocally and positively accepted. In fact, the title’s expression.the wolf as a shepherd. belongs to a (...) Desert Father and refers to the role of images in our mental life. This is not reported by a heretical iconoclastic document, but by the well-known Philokalia, a kind of handbook of Orthodox Aesthetics. This paper aims to present these two aspects in their paradoxical partnership. First, I will present some historical, symbolic and liturgical aspects of this feast. Thus, we should be able to understand better why many contemporary authors claimed that the origins of our visual culture can be traced in this Feast. However, if we comprehend the philosophical value of Byzantine icons, we realise that they have little to do with our contemporary images, no matter whether we mean artistic, religious or media images. We often talk about the.power of images., but just to blame them -as if they were autonomous entities- or to praise them, in a generalized aestheticization of contemporary life. Iconophobia and iconodoulia, I claim, are emerging as ontologically impoverished versions of the former Byzantine theoretical models. What falls into oblivion is the paradoxical status of the image as.appearance of the essence of Being. that demands as a condition of its own existence its self-sublation. These dialectics, conceptually inspired by the Hegelian logic, are fully present in Byzantine Aesthetics, where the feast is considered as a precarious image, held in memory of a future image-loss event known as eschaton. (shrink)

With the emergence of environmental sustainability and green business management, increasing demands have been made on businesses in the areas of environmental corporate social responsibility. Furthermore, the influence of ECSR on green capital investment, environmental performance, and business competitiveness has also been the subject of attention from enterprises. However, in previous studies, the mediating role of green information technology capital in the relationship between ECSR, environmental performance, and business competitiveness, has not been investigated by researchers. In order to bridge this (...) gap in the ECSR literature, this study aims to examine the influence of ECSR on green IT capital, and the consequent effect of green IT capital on environmental performance and business competitiveness. Data were collected from 358 companies from the top 1000 manufacturers in Taiwan. The results confirmed that ECSR has significant positive effects on green IT human capital, green IT structural capital, and green IT relational capital. Green IT structural capital and green IT relational capital have positive effects on environmental performance and business competitiveness, and environmental performance has a positive effect on business competitiveness. In addition, green IT structural capital and green IT relational capital have partial mediating effects on ECSR, environmental performance, and business competitiveness. The implications and suggestions for future research are discussed. (shrink)

This chapter presents two cross-linguistic studies of knowledge-how attributions that compare English and Japanese speakers. The first study investigates the felicity judgements of ordinary people about knowledge-how sentences, where we find a large difference in judgements about the sentences in which a person lacks an ability to perform a certain action but is nevertheless attributed the relevant knowledge of how to perform that action. The second study investigates the frequency of the natural occurrences of knowing-how constructions in English and Japanese (...) through Google search and corpora, where we find virtually no natural occurrence of Japanese knowing-how constructions. These results suggest that the attribution of knowledge-how in Japanese is radically different from the English counterpart in that it neither requires nor is required by the relevant physical ability. We then explore the philosophical implications of these radical differences in the use of knowing-how constructions between English and Japanese speakers for the debate between intellectualism and anti-intellectualism. One such implication is that English “know how” sentences themselves may not delineate a philosophically significant category of knowledge. (shrink)

Throughout much of Chinese history, Mencius (372-289 BC) was considered the greatest Confucian thinker after Confucius himself. Following the enshrinement of the Mencius (an edited compilation of his thought by disciples) as one of the Four Books by Sung neo-Confucianists, he was studied by all educated Chinese. This book begins a reassessment of Mencius by studying his ethical thinking in relation to that of other early Chinese thinkers, including Confucius, Mo Tzu, the Yangists, and Hsün Tzu. The author closely examines (...) his ethical concepts and terms, showing how they were used in the Mencius and other texts. (shrink)