47 found
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  1.  53
    The influence of darwinism on John Dewey's philosophy of art.Christopher Perricone - 2006 - Journal of Speculative Philosophy 20 (1):20-41.
  2.  34
    On Difficulty, Elitism, and Friendship in Art.Christopher Perricone - 2018 - Journal of Aesthetic Education 52 (1):106.
    In order to judge artworks, that is, to understand and to appreciate artworks, David Hume states in his essay Of the Standard of Taste that a good critic needs a particular kind of art education, one summarized in his five criteria for establishing a standard of taste: 1. "delicacy of imagination"; 2. "practice in a particular art and the frequent survey or contemplation of a particular species of beauty"; 3. "form comparisons between several species and degrees of excellence, and estimating (...)
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  3.  12
    Poetic Philosophy: The Heidegger-Williams Connection.Christopher Perricone - 1998 - Journal of Speculative Philosophy 12 (1):47 - 67.
  4.  41
    The body and Hume's standard of taste.Christopher Perricone - 1995 - Journal of Aesthetics and Art Criticism 53 (4):371-378.
  5. The aspiration to the condition of touch.Christopher Perricone - 2006 - Philosophy and Literature 30 (1):229-237.
    In lieu of an abstract, here is a brief excerpt of the content:The Aspiration to the Condition of TouchChristopher Perricone"The Dance," written by William Carlos Williams in 1944 is one of my favorite poems: I return to it regularly. Williams gives us a feel for that life of the kermess (a carnival) in his poem through Breughel's picture, as it were three times removed from the event itself. Of course, unlike Plato, I would argue that the vitality of the kermess (...)
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  6.  64
    Artist and audience.Christopher Perricone - 1990 - Journal of Value Inquiry 24 (3):199-212.
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  7.  52
    Art and the metamorphosis of art into history.Christopher Perricone - 1991 - British Journal of Aesthetics 31 (4):310-321.
  8.  17
    Aesthetic Judgment: It's All About How Much.Christopher Perricone - 2011 - Journal of Speculative Philosophy 25 (4):323-342.
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  9.  50
    Art selection, or the preservation of artworks in the struggle for art.Christopher Perricone - 2004 - Journal of Aesthetic Education 38 (2):53-66.
    In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 38.2 (2004) 53-66 [Access article in PDF] Art Selection, or the Preservation of Artworks in the Struggle for Art Christopher Perricone The argument of George C. Williams's book Adaptation and Natural Selection is against what biologists call the group selectionist view — that individuals will act on behalf of their species, or at least on behalf of the group to which they belong.1 Williams (...)
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  10.  8
    Art Selection, or the Preservation of Artworks in the Struggle for Art.Christopher Perricone - 2004 - Journal of Aesthetic Education 38 (2):53.
    In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 38.2 (2004) 53-66 [Access article in PDF] Art Selection, or the Preservation of Artworks in the Struggle for Art Christopher Perricone The argument of George C. Williams's book Adaptation and Natural Selection is against what biologists call the group selectionist view — that individuals will act on behalf of their species, or at least on behalf of the group to which they belong.1 Williams (...)
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  11.  8
    Art World: Grudger, Sucker, Cheat.Christopher Perricone - 2017 - Philosophy and Literature 41 (1):31-44.
    A picture lives by companionship.In Art as Experience, John Dewey is clear that art, like life, goes on in an environment—or, more emphatically, art, like life, goes on "not merely in it but because of it, through interaction with it.... The career and destiny of a living being are bound up with its interchange with its environment, not externally but in the most intimate way."2 Later, Dewey says: "The word 'esthetic' refers, as we have already noted, to experience as appreciative, (...)
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  12.  40
    Bugged out: A reflection on art experience.Christopher Perricone - 2003 - Journal of Aesthetic Education 37 (2):19-30.
    In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.2 (2003) 19-30 [Access article in PDF] Bugged Out:A Reflection on Art Experience Christopher Perricone I used to enjoy art. Not all the arts equally. Overall literature spoke to me most clearly. I am not sure exactly why. I guess some combination of inborn and learned dispositions. Whatever is the case, my enjoyment of literature always seemed natural to me, since literature was of (...)
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  13.  13
    Bugged Out: A Reflection on Art Experience.Christopher Perricone - 2003 - Journal of Aesthetic Education 37 (2):19.
    In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.2 (2003) 19-30 [Access article in PDF] Bugged Out:A Reflection on Art Experience Christopher Perricone I used to enjoy art. Not all the arts equally. Overall literature spoke to me most clearly. I am not sure exactly why. I guess some combination of inborn and learned dispositions. Whatever is the case, my enjoyment of literature always seemed natural to me, since literature was of (...)
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  14.  16
    Distraction and Santayana's Idea of Progress.Christopher Perricone - 1983 - Transactions of the Charles S. Peirce Society 19 (2):167 - 181.
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  15.  32
    Does the Philosophy of Art Have a Mind/Body Problem?Christopher Perricone - 2004 - Philosophy Now 46:23-26.
  16.  19
    George Klein, pietapieta.Christopher Perricone - 1997 - Journal of Value Inquiry 31 (3):425-428.
  17.  25
    George Santayana's Roots in Ancient Rome.Christopher Perricone - 2001 - Transactions of the Charles S. Peirce Society 37 (2):223 - 242.
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  18.  29
    George Santayana’s View of the Place of Art in a Cultural World.Christopher Perricone - 1983 - Southern Journal of Philosophy 21 (4):547-563.
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  19.  15
    George Santayana's View of the Place of Art in a Cultural World.Christopher Perricone - 1983 - Southern Journal of Philosophy 21 (4):547-563.
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  20. Human Interest in the Spirit and the Spiritual Life: An Examination of an Aspect of George Santayana's Philosophy.Christopher Perricone - 1979 - Dissertation, City University of New York
     
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  21.  46
    Literature, Analytically Speaking: Explorations in the Theory of Interpretation, Analytic Aesthetics, and Evolution by swirski, peter.Christopher Perricone - 2011 - Journal of Aesthetics and Art Criticism 69 (2):251-253.
  22.  17
    Leon Golden., Aristotle on Tragic and Comic Mimesis, American Classical Studies #29.Christopher Perricone - 1994 - International Studies in Philosophy 26 (4):132-133.
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  23.  14
    Leon Golden., Aristotle on Tragic and Comic Mimesis, American Classical Studies #29.Christopher Perricone - 1994 - International Studies in Philosophy 26 (4):132-133.
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  24.  8
    Poetic Philosophy: The Wittgenstein-Stevens Connection.Christopher Perricone - 2000 - Philosophy Today 44 (3):245-258.
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  25.  15
    Poetic philosophy the Wittgenstein-Stevens connection.Christopher Perricone - 2000 - Philosophy Today 44 (3):245.
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  26.  12
    Poetic Philosophy: The Bergson-Whitman Connection.Christopher Perricone - 1996 - Journal of Speculative Philosophy 10 (1):41 - 61.
  27.  23
    Poetic Philosophy: The Santayana-Eliot Connection.Christopher Perricone - 1994 - Transactions of the Charles S. Peirce Society 30 (3):637 - 665.
  28. Ruins And The Sublime.Christopher Perricone - 1987 - Diálogos. Revista de Filosofía de la Universidad de Puerto Rico 22 (50):39.
     
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  29.  24
    St. Augustine’s Idea of Aesthetic Interpretation.Christopher Perricone - 1989 - Ancient Philosophy 9 (1):95-107.
  30.  10
    St. Augustine’s Idea of Aesthetic Interpretation.Christopher Perricone - 1989 - Ancient Philosophy 9 (1):95-107.
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  31.  15
    Santayana's Criticisms of Emersonian Idealism and the Grounds of Common Sense.Christopher Perricone - 1988 - Transactions of the Charles S. Peirce Society 24 (2):239 - 264.
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  32.  5
    Shooting the Wounded: An Essay on Criticism.Christopher Perricone - 2000 - The Journal of Aesthetic Education 34 (1):37.
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  33.  69
    Tragedy: A lesson in survival.Christopher Perricone - 2010 - Journal of Aesthetic Education 44 (1):pp. 70-83.
    In lieu of an abstract, here is a brief excerpt of the content:TragedyA Lesson in SurvivalChristopher Perricone (bio)Tragedy and Its Historical Context"Tragedy" in the strict sense of the word refers to an ancient Greek literary genre, a form of drama for the most part performed publicly in the theater. As is well known, the word "tragedy" literally means "goat song." The belief among scholars is that early singers of tragedy wore goatskin costumes in imitation of satyrs. Also, as is well (...)
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  34.  20
    The artistic point of view.Christopher Perricone - 1987 - Journal of Value Inquiry 21 (3):199-207.
  35. The body and Arsitotle's Idea of Moral Virtue.Christopher Perricone - 2000 - Diálogos. Revista de Filosofía de la Universidad de Puerto Rico 35 (75):111-122.
     
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  36.  23
    The layers of artistic illusion.Christopher Perricone - 1994 - Journal of Value Inquiry 28 (2):233-243.
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  37.  20
    Theodulph of orleans (760–821): "On the seven liberal arts as shown in a certain picture".Christopher Perricone - 2002 - Philosophical Forum 33 (3):220–227.
  38.  35
    The place of touch in the arts.Christopher Perricone - 2007 - Journal of Aesthetic Education 41 (1):90-104.
    In lieu of an abstract, here is a brief excerpt of the content:The Place of Touch in the ArtsChristopher Perricone (bio)IntroductionIn Breughel's great picture, The Kermess, the dancers go round, they go round and around, the squeal and the blare and the tweedle of bagpipes, a bugle and fiddles tipping their bellies (round as the thick- sided glasses whose wash they impound) their hips and their bellies off balance to turn them. Kicking and rolling about the Fair Grounds, swinging their (...)
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  39.  21
    The Powers of Art: Reflections on "The Dynamo and the Virgin".Christopher Perricone - 1991 - Journal of Speculative Philosophy 5 (4):256 - 275.
  40. The Work of Art as an Unfinished Whole.Christopher Perricone - 1986 - Diálogos. Revista de Filosofía de la Universidad de Puerto Rico 21 (47):69.
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  41.  65
    What Women Want: Quality Art.Christopher Perricone - 2011 - Journal of Aesthetic Education 45 (3):88-102.
    Toward the end of “Of the Standard of Taste,” Hume summarizes what it means to be “a true judge in the finer arts.” He says: “Strong sense, united to delicate sentiment, improved by practice, perfected by comparison, and cleared of all prejudice, can alone entitle critics to this valuable character.”1 Throughout the essay, he also claims that his position is commonsensical and naturalistic—that is, notwithstanding the diversity of opinion among critics, there is a “structure of the mind... naturally calculated to (...)
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  42.  8
    Book review. [REVIEW]Christopher Perricone - 1997 - Journal of Value Inquiry 31 (1):127-130.
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  43.  7
    Book Review: The Last Puritan: A Memoir in the Form of a Novel. [REVIEW]Christopher Perricone - 1995 - Philosophy and Literature 19 (1):186-187.
    In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Last Puritan: A Memoir in the Form of a NovelChristopher PerriconeThe Last Puritan: A Memoir in the Form of a Novel, by George Santayana; edited by H. J. Saatkamp and W. G. Holzberger; xli & 744 pp. Cambridge: MIT Press, 1994, $50.00.In 1936, Irwin Edman reviewed The Last Puritan for the New York Times. It was a sympathetic review. However, Edman was not blind to the novel’s (...)
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  44.  38
    Christopher Gowans: Innocence lost: An examination of inescapable wrongdoing. [REVIEW]Christopher Perricone - 1998 - Journal of Value Inquiry 32 (1):127-132.
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  45. George Santayana, "Interpretations of Poetry and Religion", Critical Edition, William G. Holzberger and Herman J. Saatkamp, Jr. [REVIEW]Christopher Perricone - 1991 - Transactions of the Charles S. Peirce Society 27 (1):129.
     
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  46.  38
    Tragic Pleasures. [REVIEW]Christopher Perricone - 1995 - International Studies in Philosophy 27 (4):103-104.
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  47.  7
    Tragic Pleasures. [REVIEW]Christopher Perricone - 1995 - International Studies in Philosophy 27 (4):103-104.
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