PurposeThe purpose of this paper is to explore a particular philosophical underpinning for Information Systems (IS) research – critical systemic thinking (CST). Drawing upon previous work, the authors highlight the principal features of CST within the tradition of critical research and attempt to relate it to trends in the Italian school of IS research in recent years, as exemplified by the work of Claudio Ciborra but also evident in work by, e.g. Resca, Jacucci and D'Atri.Design/methodology/approachThis is a conceptual paper which (...) explores CST, characterised by a focus on individual uniqueness, and socially‐constructed, individual worldviews as generators of human knowing.FindingsThe paper draws on work by Heinz Klein in which he elaborated three constitutive stages in critical research: interpretive, genealogical and constructive. The authors introduce a fourth, reflective stage and discuss five categories of critical research, reflecting different perspectives on emancipation, culminating in emergent expressionism, associated with Ciborra and the Italian school more generally.Research limitations/implicationsThis paper discusses approaches to CST and how they might have practical implications in IS development. The distinction between approaches founded in logical empiricism and those founded in hermeneutic dialectics are considered and the development of critical and systems strands are discussed.Practical implicationsThe paper addresses CST as an approach to development of information systems. Such approaches enable users to explore their individually unique understandings and create a constructive dialogue with one another, which emancipates and empowers users to own and control their own development processes and hence build more productive and usable systems.Social implicationsA focus on research which is oriented towards emancipation in the tradition of critical social theory.Originality/valueThe paper draws on extensive theoretical research carried out by the authors over a period of more than ten years in CST and synthesises the practical implications. (shrink)

The drama of life rarely unfolds in majestic settings. Instead, nondescript spaces are more often the stage upon which one's life is lived. What Christine Welch sees as these sometimes modest, sometimes sterile, sometimes pretentious rooms are often dismissed or overlooked by their occupants, even when transformative encounters and events occur within their walls. Commonplace, a powerful new work of photography, provokes greater appreciation for these common spaces of everyday American life, as it captures their quiet power and subtle beauty (...) in evocative images. Whether she photographs the food-stained living room of a fraternity house, the dimly lit booth in a local café, or the cool sleekness of a corporate boardroom, Welch captures the poignancy of common spaces and the meaning they hold in our contemporary society. The unpopulated images in her book are blank canvases on to which readers can project the particulars of their own experiences. Commonplace helps us redefine and rediscover those spaces too common for preservationists to save, yet too vital to the emotional fabric of American life to pass over. (shrink)