This book covers all of Hans-George Gadamer major works, ideas and influences and provides a firm grounding in the central themes of Gadamer's thought. Students will discover information, analysis and criticism. A-Z entries include a clear definition of all the key terms used in Gadamer's writings and detailed synopses of his key works, including his magnum opus, Truth and Method. The Dictionary also includes entries on Gadamer's major philosophical influences, from Plato to Heidegger, and his contemporaries, including Derrida and Habermas. (...) It covers everything that is essential to a sound understanding of Gadamer's 'philosophical hermeneutics', offering clear and accessible explanations of often complex terminology. (shrink)

Continuum's Guides for the Perplexed are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging. Concentrating specifically on what it is that makes the subject difficult to fathom, these books explain and explore key themes and ideas, guiding the reader towards a thorough and confident understanding of demanding material. Hans-Georg Gadamer is one of the formeost European philosophers of recent times. His work on philosophical hermeneutics defined the whole subject, and Truth (...) and Method , his magnum opus, is a landmark text in modern philosophy. However, Gadamer's ideas, the complex relationship between them, and the often opaque way they are expressed, undoubtedly pose a considerable challenge for the reader. Gadamer: A Guide for the Perplexed is the ideal text for anyone trying to get to grips with Gadamer's work. Providing a clear account of the central tenets of Gadamer's philosophy, the book does not shy away from the more complex material and provides an invaluably thorough and fully engaged account of Gadamer's hermeneutics. There is clear exposition and analysis of such key terms - often problematic for the reader - as 'fusion of horizons', 'effective historical consciousness' and 'the logic of question and answer', as well as Gadamer's redefinition of such concepts as 'prejudice', 'authority' and 'tradition'. The book also discusses Gadamer's influence in other areas of philosophy; the response of other philosophers to his work; and criticisms of his work on the grounds of relativism. (shrink)

A Companion to Hermeneutics is a collection of original essays from leading international scholars that provide a definitive historical and critical compendium of philosophical hermeneutics. Offers a definitive historical, systematic, and critical compendium of hermeneutics Represents state-of-the-art thinking on the major themes, topics, concepts and figures of the hermeneutic tradition in philosophy and those who have influenced hermeneutic thought, including Kant, Hegel, Schleiermacher Dilthey, Heidegger, Gadamer, Ricoeur, Foucault, Habermas, and Rorty Explores the art and theory of interpretation as it intersects (...) with a number of philosophical and inter-disciplinary areas, including humanism, theology, literature, politics, education and law Features contributions from an international cast of leading and upcoming scholars, who offer historically informed, philosophically comprehensive, and critically astute contributions in their individual fields of expertise Written to be accessible to interested non-specialists, as well asprofessional philosophers. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 25.1 (2001) 113-126 [Access article in PDF] Gadamer on Poetic and Everyday Language Christopher Lawn Gadamer's writings since the appearance of his ground-breaking Truth and Method 1 elaborate and defend the diverse claims of his much-contested philosophical hermeneutics. This is taken further in many recently translated essays where we witness the application of basic hermeneutical insights to areas as various as pedagogical theory and modern medical (...) practice. These investigations are important, as they testify to the universality of hermeneutics. Yet more significant in Gadamer's recent work is a pronounced turn towards "the poetic." Despite large claims in Truth and Method about the irreducibility of the linguistic, there is precious little on the poetic in this work, apart from a few asides about the relationship between poetry and the everyday language of conversation. The distinction between poetic language and everyday language of the "life world" makes a token appearance in Truth and Method (TM, pp. 469-70) and increases in significance in more recent works, especially those occasional essays devoted to aesthetics, poetics, and hermeneutically inspired readings of modern German lyric poets. 2A good deal turns on the distinction between "everyday" or "ordinary" language and "poetic" language. Gadamer's increasing appreciation of the poetic leads him into interpretations of contemporary poetry, notably the hermetic lyric of Paul Celan. 3 The different dimensions to language are brought into relief when considered in relation to the notion of play. Like the poetic, "play" and "playfulness" are cursorily mentioned in the First Part of Truth and Method as repressed aspects of the truth of the work of art. When hermeneutically reclaimed, they stand as a buttress against subjectivist, modernist versions of the aesthetic. Yet Gadamer fails to fully thematize "play," as it disappears [End Page 113] from view in Parts Two and Three of Truth and Method, losing itself in the interpretive turn towards those other facets of hermeneutic truthfulness, historicality and language. In the later essays, specifically those reflecting upon the poetic and the aesthetic, "play" becomes wider and assumes a much greater significance. Play, and this is most evident in the language of poetry, reveals itself to be a fundamental characteristic of language itself.Notions of "play" and "language-games" are more obviously associated with the later work of Wittgenstein. Many critics have observed, en passant, an obvious proximity between Wittgenstein and Gadamer, although their closeness has been noted rather than explored 4. Converging around the issue of everyday language, Gadamer and Wittgenstein radically disagree vis-à-vis "poetic language." For all his appreciation of language's specificity and consequent resistance to theory, its endless slipperiness and variety, Wittgenstein, early or late, seldom confronts language at its most opaque and elusive, that is, in the poetic.What does this Wittgensteinian silence about "poetic language" reveal? The movement away from a logic-driven picture theory of meaning (in the Tractatus Logico-Philosophicus) to the more informal, loosely textured, pragmatics of language (in the Philosophical Investigations), represents hostility to philosophical abstraction and an appreciation of the "rough ground" of ordinary, philologically speaking, "living,"language. What should we say of the literary and poetic dimensions to language, themselves significant dimensions to "living" language? The ability of the language-games to change, the capacity of language to transform itself and work in new uncharted regions--about these Wittgenstein is largely silent.Gadamer's concern with the poetic shows how many of these questions might be addressed from within another philosophical tradition. Were Wittgenstein less inscrutable, it would be tempting to regard the ordinary/poetic distinction, and its dependence upon the notion of "play," as a clear advance on the familiar language-game model. This is a temptation I partially resist. Wittgenstein's enigmatic comments, in the closing pages of the Philosophical Investigations, on "aspect-dawning," "seeing-as," gestures, and pictures, not to mention his compressed and aphoristic "poetic" style, force one to draw back from such an easy conclusion. [End Page 114] I In "Philosophy and Poetry" (OTROTB, pp. 131-39) the different aspects of language are likened to types of currency in... (shrink)

_A Companion to Hermeneutics_ is a collection of original essays from leading international scholars that provide a definitive historical and critical compendium of philosophical hermeneutics. Offers a definitive historical, systematic, and critical compendium of hermeneutics Represents state-of-the-art thinking on the major themes, topics, concepts and figures of the hermeneutic tradition in philosophy and those who have influenced hermeneutic thought, including Kant, Hegel, Schleiermacher Dilthey, Heidegger, Gadamer, Ricoeur, Foucault, Habermas, and Rorty Explores the art and theory of interpretation as it intersects (...) with a number of philosophical and inter-disciplinary areas, including humanism, theology, literature, politics, education and law Features contributions from an international cast of leading and upcoming scholars, who offer historically informed, philosophically comprehensive, and critically astute contributions in their individual fields of expertise Written to be accessible to interested non-specialists, as well asprofessional philosophers. (shrink)

Wittgenstein's `language-games' constitute a forceful post-Cartesian, anti-foundationalist account of linguistic activity with meaning sustained across a network of customary practices or forms of life. This is a fertile picture of language but it depends upon a rigid, synchronic notion of linguistic rules and fails to account for the developmental and transformative dimensions to language. I suggest that Wittgenstein is unable to connect past to present language-games. Despite an obvious proximity of Gadamer to Wittgenstein (on the pragmatics of language) I argue (...) that Gadamer's work on tradition, with its hermeneutical understanding of the indeterminacy of linguistic rules, exposes Wittgenstein's apparent blindness to the historical aspect of language. (shrink)