This study proposes a moderated mediation model based on deontic justice theory to investigate the impact of unethical peer behavior on employee performance. Data were collected in China through two survey studies, with two measurement points in each study. The data in study 1 were obtained from 271 employees of 17 firms, and the data in study 2 were collected from 225 employees of 9 firms. Confirmatory factor analysis was conducted to confirm the factorial validity of the measures employed in (...) the studies. The hypothesized moderated mediation model was tested using hierarchical multiple regression analysis. The results show that employee deontic justice mediates the negative relationship between unethical peer behavior and employee performance, and a stronger ethical climate tends to strengthen this indirect relationship. This study extends previous research by introducing deontic justice theory to explore the unconscious process that relates unethical peer behavior to employee performance. The theoretical and practical implications of this paper are discussed. (shrink)

This study explores how the variability of the work environment shapes the impact of educational level diversity on team creativity. By adopting an integrative framework—“status characteristics–information elaboration” model as a theoretical lens, we propose and examine the moderating roles of task and personnel variability in educational level diversity–team creativity relationship. Utilizing multiple survey data collected from 90 knowledge work teams, the empirical results indicate that educational level diversity is more conducive to team creativity when teams are confronted with more variable (...) tasks and when teams experience less frequent personnel changes. The findings of this study provide valuable insight on the conditions under which team diversity’s information potential is more likely to realize and contribute to a more context-based understanding of the relationship between diversity and creativity. (shrink)

Does context influence our appreciation of beauty? To answer this question, two experiments were conducted to determine the effect of contextual aesthetics on the recognition of moral behavior. Experiment 1 demonstrated that individuals in a high-aesthetic context had a quicker recognition time for moral behavior than those in a low-aesthetic context. In a low-aesthetic context, individuals recognize immoral behavior more quickly than in a high aesthetic context. Individuals showed greater recognition rates for moral behavior in a high aesthetic context and (...) higher recognition for immoral behaviors in a low aesthetic context for behavior with unclear information. Experiment 2 revealed that individual fixation counts were smaller under the conditions of high aesthetic context and moral behavior than under the conditions of low aesthetic context and moral behavior, indicating a correlation between low aesthetic context and immoral behavior. This study shows that high aesthetic context facilitates the recognition of moral behavior, which has implications for moral education. (shrink)

本书分两个部分：第一部分通过对神仙信仰的文化、心理根源的发掘揭示神仙信仰的来源、变化，介绍神仙信仰的内容，如成仙的境界、成仙的方术等等；第二部分则根据对历代的神仙传说和这些被尊为神仙的历史、传说人物的 真实史实的照片，介绍了这些在民间影响巨大的神仙。.

Explorer l'Allemagne, c'est explorer quelque chose qui était là avant d'exister : un emplacement sur la carte de l'Europe, une tache dans son histoire, au mieux une "culture", comme on dit quand on ne sait comment nommer les choses. C'est aussi se confronter à des constructions intellectuelles grandioses qui ont eu pour auteurs, entre autres Kant, Fichte, Hegel, Marx, mais aussi Nietzsche, Husserl, Heidegger. Pourtant, si la philosophie a pour territoire l'universel, pourquoi s'intéresser à la philosophie allemande? Et d'abord, peut-il (...) y avoir quelque chose de tel? C'est à une enquête sur la spécificité de la philosophie d'expression allemande que nous invite ce livre. Enquête qui réfléchit en même temps le parcours de son auteur. Ainsi l'entretien avec Thibaut Gress qui ouvre le livre montre le long commerce passionné entretenu par Jean-François Kervégan avec les penseurs allemands, de Kant et Hegel à Habermas et Honneth ; il éclaire son mode d'approche et la façon dont il comprend aujourd'hui l'activité philosophique. Cet échange dense et précis interroge la conception ambitieuse de la rationalité portée par cette philosophie : le projet d'autodétermination de la raison, son pouvoir normatif. Les chapitres ultérieurs détaillent ces formes et pouvoirs de la rationalité au prisme de l'événement révolutionnaire et scrutent les échos contemporains des thèmes et des problèmes issus de la tradition de l'idéalisme allemand. Ils évoquent enfin la question disputée de l'existence d'une pensée post-métaphysique. Un parcours engagé et érudit."--Page 4 of cover. (shrink)

Semi-compatibilists intend to reconcile moral responsibility with causal determinism, even if determinism is incompatible with freedom to do otherwise. For them, moral responsibility does not require free will, which is not a necessary condition for moral responsibility. They agree with the view that causal determinism is incompatible with free will. Free will is incompatible with determinism as well as moral responsibility. Both compatibilists and semi-compatibilists argue for the compatibility between determinism and moral responsibility. However, the latter fails to prove sufficiently (...) the reason why determinism is compatible with moral responsibility. (shrink)

Sanskrit text, portion of Tattvacintāmaṇi dealing with syllogism (avayava) ; with commentary and supercommentary, of the Navya-Nyaya school in Indic philosophy.

Comment et pourquoi la philosophie juridique et politique contemporaine est-elle revenue à Kant? Il faut pour le comprendre s'intéresser d'abord à l'ancrage de la pensée du droit dans la théorie kantienne de la raison pratique et aux problèmes que pose le statut kantien d'une raison normative dans les deux champs coordonnés de l'éthique et du droit. L'articulation entre droit privé et droit public, entre droit et politique dans la Métaphysique des moeurs doit être considérée en relation avec l'exigence d'une fondation (...) unitaire du système des normes pratiques. La philosophie politique de Kant peut dès lors être envisagée dans le prolongement de sa théorie du droit international, avec l'ouverture d'une perspective cosmopolitique qu'il importe de définir avec précision. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 25.1 (2001) 14-30 [Access article in PDF] Mallarmé Contra Wagner Eric Gans I In early 1885, Edouard Dujardin wrote to Stéphane Mallarmé for a contribution to his newly founded Revue wagnérienne. Mallarmé, admitting that he had never seen--and perhaps never heard--anything of Wagner, replied to Dujardin in July that he was working on a "half article, half prose poem," and that "never has anything seemed to (...) me more difficult." 1 A month later, the Revue published a text, more prose poem than article, entitled "Richard Wagner, rêverie d'un poète français." 2Wagner was an increasingly obligatory reference for the French avant-garde after his death in 1883. But as far back as 1862, the 20-year-old Mallarmé, no doubt influenced by Baudelaire's enthusiastic groundbreaking article "Richard Wagner et Tannhäuser à Paris" of the year before, had included Wagner along with Mozart and Beethoven in a group of three creators of the "mystery" of music, in a brief article entitled "Artistic Heresies: Art for Everyone." Characteristically enough, what fascinated the young Mallarmé was not music itself so much as the "signes sévères, chastes, inconnus" ("severe, chaste, unknown signs") (OC, p. 257) with which it was written, which give music the advantage over poetry--written in the universally understood alphabet--of being inaccessible to the uninitiated. This characteristic emphasis on writing over sound reappears in the "Hommage" sonnet for Wagner published in Dujardin's journal in January 1886, where Wagner's music is described as "mal tu par l'encre même en sanglots sibyllins" ("badly silenced by the ink itself in Sibylline sobs") (OC, p. 71). As we shall see, however, the relation between music and poetry suggested in "Art for Everyone" had by then been reversed. [End Page 14]Unlike most of his circle, Mallarmé was no Wagnerite; his "Rêverie," like his sonnet, expresses reluctant praise and reflects a certain professional jealousy. The theater had long been Mallarmé's chief preoccupation, as it had been for so many nineteenth-century writers who would be forced to make their reputation in other genres. The unfinished poem "Hérodiade," which occupied him throughout his life, took the form of a drama, and an early version of the "Après-midi d'un faune" had actually been presented to a theater director. References to music in Mallarmé's writings increase in number and specificity after 1885, and it is not unreasonable to assume that for him the prime representative of "music" in this period was Wagner. However much Mallarmé's own theater had become internalized and idealized, Wagner's theatrical success, as well as his near-deification by friends and disciples like Dujardin or Villiers de l'Isle-Adam, could not leave the poet indifferent. II What I would like to explore, however, is something more fundamental than the personal equation. Mallarmé's rivalry with Wagner over the theatrical center of culture is the rivalry of two arts and their respective means. What makes Mallarmé's critique of Wagner of particular interest is the exemplary rigor of the former's artistic intentions. Mallarmé's poems are a series of attempts to produce literary form with a minimum of figural content. Each poem has been submitted, so to speak, to Ockham's razor. The ultimate aim of this labor may be described as the discovery of the originary scene of poetry itself, the minimal sine qua non of representation, and therefore of humanity. 3 On the contrary, Wagner did not shrink from saturating the figural imagination in the pursuit of his totalizing aims. The confrontation reveals that musical maximalism in the service of national myth becomes a threat to what we may call, from Mallarmé's minimalist perspective, the anthropological mission of true art.Mallarmé held no particular brief for the theater of words; his tastes in performance went rather to the ballet, or to the mime-show, the subject of one of his most aesthetically interesting reflections. 4 Mallarmé anticipated 20th-century dramaturgy in seeing the theater not as a place for ratiocination and... (shrink)

Nazovi epistemološke osnove na kojima bismo racionalno trebali odrediti naše ontološke (ili aletiološke) obveze u vezi s entitetom njegov arbitar postojanja (ili arbitar istine). Uobičajeno je mišljenje da arbitri postojanja i istine mogu biti dani putem naših praksi. Ovaj rad tvrdi da takva gledišta imaju nekoliko implikacija: (1) veza između arbitara i naših metafizičkih obveza sastoji se u neophodnosti, (2) realistička gledišta o vrsti entiteta trebala bi se podudarati s vrstama praksi koje pružaju arbitre za tu vrstu entiteta s obzirom (...) na njihove metafizičke ovisnosti, (3) ako realisti smatraju da vrsta prakse pruža temelje na kojima se potvrđuje postojanje vrste entiteta, trebali bi se referirati na iste temelje koje koriste kada pokušavaju pružiti epistemologiju relevantnog područja. (shrink)

Commentary on Nyāya-paricaya, work in Bengali by Phaṇibhūṣaṇa Tarkavāgīśa, 1876-1941, on Hindu logic.

Contributed reserach papers on theory of knowledge in Indian philosophy, presented at seminar organized by Rashtriya Sanskrit Sansthan, Srisadasiva Campus, Orissa.

Comparative philosophy studies on Sustainable development and Ethics.

Research ethics regulation in parts of the Global North has sometimes been initiated in the face of biomedical scandal. More recently, developing and recently developed countries have had additional reasons to regulate, doing so to attract international clinical trials and American research funding, publish in international journals, or to respond to broader social changes. In Taiwan, biomedical research ethics policy based on ‘principlism’ and committee- based review were imported from the United States. Professionalisation of research ethics displaced other longer-standing ways (...) of conceiving ethics connected with Taiwanese cultural traditions. Subsequently, the model and its discursive practices were extended to other disciplines. Regulation was also shaped by decolonizing dis- courses associated with asserting Indigenous peoples’ rights. Locating research ethics regulation within the language and practices of public policy formation and transfer as well as decolonization, allows analysis to move be- yond the self-referential and attend to the social, economic and political context within which regulation operates. 研究倫理規範甚至法制化的濫觴,過去在有些北美國家是為了回應其國內發生的醫學研究倫 理醜聞。但近年來,無論是發展中或已開發國家,往往是為了爭取國際醫學臨床試驗計畫能在 其國內執行、爭取美國相關研究經費、能在英語的國際期刊發表文章、或是因應國內相關社會變化。 以台灣來說,基於「原則主義」的醫學領域之研究倫理政策及規範,以及在研究機構內成立 委員會專責倫理審查的運作模式,可說完全移植自美國。這種運作模式及研究倫理的專業化, 不但逐漸取代過去已融合台灣文化的研究倫理觀쳀,且在這種運作模式下的倫理論述及實作, 更從醫學領域擴展至其他研究領域。在此同時,台灣的研究倫理規範之發展,也受到台灣原住 民族的去殖民化及群體權主張等影響。. (shrink)

Digest of the logical systems of Nyaya and Vaiśeṣika philosophy.

Les auteurs réunis sous la direction de Bernard Mabille et Jean-François Kervegan appartiennent à la tradition « continentale » et à la tradition analytique (anglo-saxonne). Certes les rapports de Hegel à la métaphysique étaient ambigus. Ne prétendait-il pas à la fois rompre avec la métaphysique et la prolonger sous une figure rénovée? Mais dissocier les analyses hégéliennes de leur arrière-plan métaphysique, comme le tentent les tenants de la philosophie analytique, n’est-ce pas les priver de ce qu’elles ont de plus tranchant, (...) les priver de leur mordant, bref, les ramener au niveau de ce que Hegel nommait avec dédain la « pensée d’entendement ». A vouloir « actualiser » la philosophie de Hegel, ne la condamne-t-on pas à l’insignifiance? Une réflexion exigeante et une pièce majeure de la discussion contemporaine autour de la philosophie de Hegel. (shrink)

This book represents a study of Evelyn Underhill's premier work on mysticism, using Hegel's dialectics and Kant's theory of the sublime as interpretive tools. It especially focuses on two prominent features of Underhill's text: the description of the mystical life as one permeated by an intense love between the mystic and infinite reality, and the detailed delineation of stages of mystical development. Given these two features, the text lends itself to a construction of a valuable discourse predicated on dialecticism, sublimity, (...) and mysticism. The book also articulates a number of insights into the content and nature of the writings of Christian mystics. (shrink)

Supercommentary on the concept of pervasion (vyāpti) from a topic in Tattvacintāmaṇi, a basic neo-Nyaya work by Gaṅgeśa.

Portion of Tattvacintāmaṇi dealing with syllogism (avayava); includes commentaries and supercommentary.

Writings and discourses on spiritual life and Hindu philosophy; translated into Gujarati.

Two Sanskrit texts focus new light on Prabhakara and Kumarila thoughts on Purva Mimamsa philosophy.

Vedantic treatise on knowledge of self and self-realization, with Kaivalyakalpadruma, an autocommentary and notes.

Classical treatise on Navya Nyaya philosophy.

Classical work, with commentaries, on neo-Nyaya school of Indic philosophy; portion dealing with the interpretation of Vedic commandments.

Basic work, with 18th century commentary, on analogy (upamāna) in neo-Nyaya epistemology.

Basic work, with commentary and supercommentary, of neo-Nyaya school in Indic philosophy; portion of Tattvacintāmaṇi dealing with definitions of invariable concomitance (vyāpti).

Treatise on Navya-Nyāya philosophy; portion dealing with definition of invariable concomitance (vyāpti); includes two classical commentaries.

Verse work on the Hindu cosmological and metaphysical concepts, chiefly found in the Upanishads.

Portion of Pratyakṣakhaṇḍa of Tattvacintāmaṇi, compendium of Navya Nyāya philosophy by Gaṅgeśa, 13th century with Dīpikā commentary.