Wrestling with God in the modern West -- Understanding Christian wrestling about ethics -- Wrestling with the violence of conquest -- Wrestling with war in a modern world -- Wrestling with the violence of oppression -- Wrestling with violence and injustice abroad and at home -- Has anyone prevailed?

The rule books, though they claimed to heed only the call of logic, were nonetheless bound by their historical context: punctuation guidelines have been heavily indebted to intellectual, cultural, and aesthetic trends. No matter what analytical authority rule books claimed, their codifications had at least as much to do with their historical context as with syntax. When punctuation is properly contextualized, it can yield insight into problems that transcend disciplinary boundaries: it asks us to consider how we communicate within the (...) disciplines and beyond them and how disciplines create and maintain interpretive norms. It is this account of punctuation that I begin to develop here.I want to track the much-maligned semicolon and its fellow punctuation marks as rules for their usage were established and evolved. I consider the consequences of the nineteenth-century explosion of systems of grammar rules by way of the story of a semicolon in a statute that deprived Bostonians of late-night liquor from 1900–1906. The “Semicolon Law,” as it came to be known, exemplifies problems of interpretation still live in legal theory. I contrast the demands of legal formalism with the expectations of close reading in the humanities and social sciences. I conclude by attending to the inheritance left to us by nineteenth-century grammarians' impassioned attempts to bring order to English: The Chicago Manual of Style. I raise some critical questions about our attitudes towards rules, and consider how those attitudes influence our approach to punctuation and our passions about semicolons. (shrink)

Luce Irigaray's Elemental Passions could be read as a response to Merleau-Ponty's article "The Intertwining-The Chiasm" in The Visible and the Invisible. Like Merleau-Ponty, Irigaray describes corporeal intertwining or vision and touch. Counteracting the narcissistic strain in Merleau-Ponty's chiasm, she assumes that sexual difference must precede the intertwining. The subject is marked by the alterity or the "more than one" and encoded as a historically contingent gendered conflict.

Two types of Judeo-Christian perspective stress the imperative to act to relieve suffering and transcend violence: liberation theology and the "religious humanitarian perspective." Both link ethics and action; both influence political debate.

Lynch addresses the return to Immanuel Kant—a "prophet of progressive international reform"—and examines the relationship between the Kantian system of ethics and the development of international law in the post-Cold War era.

Objectives To investigate empirically the motivations for not consenting to DNA biobanking in a Swedish population-based study and to discuss the implications. Design Structured questionnaires and semistructured interviews. Setting A longitudinal epidemiological project (PART) ongoing since 1998 in Stockholm, Sweden. The DNA-collection wave took place during 2006–7. Participants 903 individuals completed the questionnaire (participation rate 36%) and 23 were interviewed. All individuals had participated in both non-genetic waves of the project, but refused to contribute saliva samples during the DNA-collection wave. (...) Main outcome measures Motivations behind refusing to consent to DNA biobanking, with subsequent focus on participants' explanations regarding this unwillingness. Results Public refusal to consent to DNA biobanking, as revealed by the questionnaire, was mainly explained by a lack of personal relevance of DNA contribution and feelings of discomfort related to the DNA being used for purposes other than the respective study. Interviews of individuals representing the second motivation, revealed a significant mistrust of DNA biobank studies. The underlying beliefs and attitudes were associated with concerns about integrity, privacy, suspiciousness and insecurity. However, most interviewees were supportive of genetic research per se and interpreted their mistrust in the light of distressing environmental influences. Conclusion The results suggest a need for guidelines on benefit sharing, as well as trustworthy and stable measures to maintain privacy, as a means for increasing personal relevance and trust among potential participants in genetic research. Measures taken from biobanks seem insufficient in maintaining and increasing trust, suggesting that broader societal measures should be taken. (shrink)

Julia Kristeva is one of the most influential French thinkers of the twentieth century and is best known for her work in linguistics. Even though her work has been very influential, the political implications of her writings have so far been neglected. _Kristeva and the Political_ is the first book to explore the relation of Kristeva's work to the political and casts new light on her work, connecting her to recent developments in literary theory, political theory, and cultural studies. In (...) particular it shows how Kristeva's account of the unconscious and psychoanalysis generally, widens the notion of the political. Each chapter introduces a fundamental theme in Kristeva's work, highlighting a specific period of development in her thought and drawing on texts from the 1960s through to the 1990s. Themes addressed include Kristeva's theory of discourse, the theory of the subject, the notion of alterity, feminism and marginality and her theory known as the 'politics of meaning'. _Kristeva and the Political_ also shows how Kristeva's notions of the political draw on a rich array of thinkers and writers, from Freud, Melanie Klein and Lacan, to Proust and Marguerite Duras. (shrink)

Julia Kristeva is one of the most influential French thinkers of the twentieth century and is best known for her work in linguistics. Even though her work has been very influential, the political implications of her writings have so far been neglected. _Kristeva and the Political_ is the first book to explore the relation of Kristeva's work to the political and casts new light on her work, connecting her to recent developments in literary theory, political theory, and cultural studies. In (...) particular it shows how Kristeva's account of the unconscious and psychoanalysis generally, widens the notion of the political. Each chapter introduces a fundamental theme in Kristeva's work, highlighting a specific period of development in her thought and drawing on texts from the 1960s through to the 1990s. Themes addressed include Kristeva's theory of discourse, the theory of the subject, the notion of alterity, feminism and marginality and her theory known as the 'politics of meaning'. _Kristeva and the Political_ also shows how Kristeva's notions of the political draw on a rich array of thinkers and writers, from Freud, Melanie Klein and Lacan, to Proust and Marguerite Duras. (shrink)

Gotthold Ephraim Lessing’s Laocoon saw that the signification of art cannot be dissociated from its media. A visual work of art and a literary work originates in different spatial and temporal conditions, Lessing argued, serving thereby to liberate art from the tradition of ut pictura poesis. Lessing’s impact has been discussed in the tradition of modernism through Babbitt, Eisenstein and Greenberg, and there been associated with the notion that the work of art is autonomous. In Lessing’s own text, however, there (...) is no clear conception of a work of art “an sich”. Instead, the work of art is characterized in an indirect manner, through the sense perception of the reader or viewer. Lessing’s Laocoon can be rethought from the perspective of affect. In his text, the human body has a central place, and Lessing’s investigation into the signification of the Laocoon can be formulated as the question: How does the embodied mind respond to the image of a human body? Departing from this concern, Lessing’s text does not only look at the object of aesthetics; it constructs an aesthetic subject, in which the embodied conditioning of sense perception and the question of affect is central. Making the statue of Laocoon a primary example in his study, Lessing inserts himself in a long tradition of the study of affects where Laocoon represents the most pain that a human can bear, whether that pain is corporeal or emotional. (shrink)

Luce Irigaray's Elemental Passions could be read as a response to Merleau-Ponty's article “The Intertwining—The Chiasm” in The Visible and the Invisible. Like Merleau-Ponty, Irigaray describes corporeal intertwining or vision and touch. Counteracting the narcissistic strain in Merleau-Ponty's chiasm, she assumes that sexual difference must precede the intertwining. The subject is marked by the alterity or the “more than one” and encoded as a historically contingent gendered conflict.

In times of climate change and unpredictable variations in weather conditions, not least in the climate of the North, Descartes’s treatise on Meteorology, published with Discourse on Method in 1637, has gained new relevance. He presents us with the kind of transformations that a Northern climate in particular materializes: weather consisting of small particles changing in shape and movement, intertwining, interfering and reorganising. This article argues that the Cartesian “figures” of the essay can be seen as philosophical thought-images of a (...) preconceptual dimension of experience that abstract language fails to seize. In this way, they point to a dimension in Descartes’s philosophy that has been little commented upon, a tool of aesthetic approximation that lies between the res extensa and the res cogitans, a philosophical methodology using images explicitly appreciated by Descartes. The article links the use of images to the epistemological concept of “figure”, used to describe phenomena of the atmosphere that may be described as rhythmic. Here the analysis takes recourse to Maurice Merleau-Ponty’s analysis of figural extension. (shrink)

To Hannah Arendt, the public sphere has ontological implications; appearances are produced under conditions of plurality. For that reason, her philosophical work has implications for our reflections on the function of art in public space. What appears and why? What is refrained from appearing? How does intimate space interact with public space? The article looks at these questions and discusses the close relation between political agebcy and art.

Thought's Last Chances : On Being Bound and Free.

What does it mean to teach for human dignity? Pivoting around the recently published, Descriptive Inquiry in Teacher Practice: Cultivating Practical Wisdom to Create Democratic Schools, book authors and critics with disparate backgrounds will respond to this question. In the process, they will invite readers to also respond, working together to construct further understanding. In bringing together scholars around a shared question, the review borrows from Descriptive Inquiry – the method for studying teaching described in the book. Critics: Ashley Taylor, (...) Colgate University & Vikramadity Joshi, Teachers College, Columbia, Doris Santoro, Bowdoin College, Sam Rocha, University of British Columbia, Rachel Wahl, University of Virginia. (shrink)

This paper is premised on the understanding that racism is deeply and widely entrenched in our culture and the ethical claim that we operate within complex networks of habituated practices. Within this framework, we ask how do we disrupt these calcified, complex, and racist ways of being? Specifically, we explore how teachers are habituated into particular ways of seeing and acting. We argue generally that conscious cultivation can promote greater equity and specifically that changing teacher talk is a necessary part (...) of this cultivation if racist norms are to be disrupted and replaced with more equitable ways of seeing in schools. In making this argument, we draw on a practice, Descriptive Inquiry, to cultivate more equitable talk and describe how it led to changes in four urban public schools. (shrink)

This article presents narratives from 13 Indigenous early career academics (ECAs) at one university in Auckland, New Zealand. These experiences are likely to represent those of Indigenous Māori and Pasifika ECAs nationally, given the small, centralised nature of the national academy of Aotearoa New Zealand. The narratives contain testimony, fictionalised vignettes of experience, and poetic expressions. Meeting the demands of an academic role in one’s first years of working at a university is a big deal for anyone; the extra pressures (...) and challenges for Indigenous Māori and Pacific staff are immense, yet little understood by White ‘others.’ A writing workshop was the initial catalyst of this collective writing project. Through these insider narratives, this article presents a collective description of, and response to, the experience of Māori and Pasifika early career academics. (shrink)

This article considers how networked large urban screens can act as a platform for the creation of an experimental transnational public sphere. It takes as a case study a specific Australia-Korea cultural event that linked large screens in Federation Square, Melbourne, and Tomorrow City, Incheon,1through the presentation of SMS-based interactive media art works. The article combines theoretical analyses of global citizenship, mobility, digital technologies, and networked public space with empirical analyses of audience response research data collected during the screen event. (...) The central argument is that large public screens can offer a strategic site for examining transformations in the constitution of public agency in a digitized, globalized environment. The idea of ‘aesthetic cosmopolitanism’ is finally proposed as a conceptual framework for understanding how new forms of transnational public agency in mediated public spaces might operate. (shrink)

A review of Cecilia Sjöholm‘s Doing Aesthetics with Arendt: How to See Things.