_After Writing_ provides a significant contribution to the growing genre of works which offers a challenge to modern and postmodern accounts of Christianity.

Radical Orthodoxy is a new wave of theological thinking that seeks to re-inject the modern world with theology. The group of theologians associated with Radical Orthodoxy are dissatisfied with conteporary theolgical responses to both modernity and postmodernity Radical Orthodoxy is a collection that aims to reclaim the world by situating its concerns and activities within a theological framework. By mapping the new theology against a range of areas where modernity has failed, these essays offer us way out of the impasses (...) that postmodernity represents. (shrink)

A fresh and unusual perspective on the literary, Catherine Pickstock argues that the mystery of things can only be unravelled through the repetitions of fiction, history, inhabited subjectivity, and revealed event.

This essay seeks to question a certain imbalance in many existing accounts of Plato's dialogues. This imbalance involves a tendency to place too much emphasis upon a dualism between matter and spirit, soul and body. Although the author by no means denies the presence of such dualistic elements, she wishes to qualify them with reference to those aspects of Plato's dialogues which appear to place a stress upon the importance of multiplicity, myth, ritual, society, history, mimesis and time. Such instances (...) of mediation, it will be argued, are just as central to an understanding of Plato's philosophy as instances where the body and/or instances of multiplicity appear to be deprioritised in favour of the soul and the unity of the intelligible realm. These issues will be explored with particular reference to Plato's examination of the nature of justice in the city and its relationship with the philosopher‐guardians exercise of phronesis. What is the relationship between dikaiosyne and phronesis? In order to answer this question, several further questions will be raised: What, for Plato, is a city? What is philosophy? And why, in the Laws, does the Athenian describe the city as “the true tragedy”? (shrink)

What is 'truth'? The question that Pilate put to Jesus was laced with dramatic irony. But at a time when what is true and what is untrue have acquired a new currency, the question remains of crucial significance. Is truth a matter of the representation of things which lack truth in themselves? Or of mere coherence? Or is truth a convenient if redundant way of indicating how one's language refers to things outside oneself? In her ambitious new book, Catherine Pickstock (...) addresses these profound questions, arguing that epistemological approaches to truth either fail argumentatively or else offer only vacuity. She advances instead a bold metaphysical and realist appraisal which overcomes the Kantian impasse of 'subjective knowing' and ban on reaching beyond supposedly finite limits. Her book contends that in the end truth cannot be separated from the transcendent reality of the thinking soul. (shrink)

_After Writing_ provides a significant contribution to the growing genre of works which offers a challenge to modern and postmodern accounts of Christianity.

For a variety of reasons, “civil society” has become a key term in modern political discourse. First, in the West, state control of the economy has gone so much out of fashion that radicals now seek to mitigate the effects of an untrammeled free market by relocating the possibility of peaceful collaboration within a domain that is neither simply that of negotiation between atomic individuals nor that of the central state. Second, in the East, there was a growing perception that (...) what totalitarianism suppressed was not so much the private life of individuals, which is in principle ineradicable, but rather…. (shrink)

This article explores an anomaly of modern music. Music has remained more obviously aligned with religious sensibility, practice and belief than other modern art-forms or cultural tendencies. To understand this phenomenon fully, it is not sufficient to see musical composition, performance and reflection as simply expressive of wider cultural and philosophical tendencies, nor as contributing to them in its own idiom. Instead, one must see musical composition and theory as itself, at least in the modern era, a prime mode of (...) philosophical reflection which possesses resources which allow it both to take to an extreme, and yet to criticize fundamental intellectual tendencies of our time. This criticism tends to take the form of a religious transcendence of the secular, despite the fact that it is in no way shielded from the most avant-garde influences. This is exhibited, I shall argue, in the Catholicism of Olivier Messiaen and his legacy, since Messiaen was arguably the central composer of the previous century and the one who has perhaps most directly influenced philosophical understanding. (shrink)

ABSTRACTThis introduction gives an overview of the present volume and suggests that it is possible to speak of an emerging ‘ritual’ or ‘liturgical’ turn within theology. This turn seems able to mediate between four different dualities, and to open out new perspectives that are at once traditional and innovative.

Recently there have been strong reactions against the Enlightenment idea of the self, originating with Descartes, as a unitary “I” defined as wholly self-legislating and self-identical. It has become commonplace to stress the dialogic disposition of the self and affirm not only the social dimension of selfhood, but also its ineradicable embodiment. Of course, taken too far, such a view can reduce the self to a mere play of impersonal material forces or temporal flows; such is the “post-modern” self envisaged (...) by Gilles Deleuze, who sought to rid subjectivity of all forms of interiority, coherence, integrity and consistency. It is…. (shrink)

In this article I argue that David Kelsey's approach to theological anthropology is problematic. I argue that a narrative basis proves inadequate to establish the doctrine of the Trinity and its relationship to human beings. Similarly, a Reformed humanist starting point, together with a Reformed extrinsicist account of revelation, I argue, cannot arrive at an orthodox Christology or an account of humanity as a divine gift. By bypassing ontology in favour of narrative and positivity, Kelsey is ironically forced to deny (...) the truth of many passages of the Bible, especially the opening of Genesis, and to reject the Biblical doctrine of the image of God in humanity. (shrink)

Are the true and the good friendless, for Plato, or is friendship a mode of truth and value? This article will examine Plato’s exploration of the aporias of friendship and the broader relationship...