Carrie Figdor presents a critical assessment of how psychological terms are used to describe the non-human biological world. She argues against the anthropocentric attitude which takes human cognition as the standard against which non-human capacities are measured, and offers an alternative basis for naturalistic explanation of the mind.

Carrie Jenkins presents a new account of arithmetical knowledge, which manages to respect three key intuitions: a priorism, mind-independence realism, and empiricism. Jenkins argues that arithmetic can be known through the examination of empirically grounded concepts, non-accidentally accurate representations of the mind-independent world.

This article analyses the 1936 “Wotan” essay by Swiss psychologist Carl Gustav Jung in light of one of its reigning motifs, Ergriffenheit. First, this term is examined within the works of Protestant theologian Rudolf Otto and Indologist Jakob Wilhelm Hauer, who used it to describe what they claimed to be the original religious experience, a state of being deeply stirred or even seized by the “the holy” or by “the ultimate reality.” The article then examines antecedents in Jung's theory of (...) states of psychic seizure, in which two halves of the psyche come into conflict, the resolution of which leads to an increased capacity to create the arts of culture. The analysis then moves to the “Wotan” essay itself, where Jung brings together his own theory of psychic seizure with the theory of the original religious experience as proposed by the above-named scholars of religion in order to suggest that, under National Socialism, the Germans were in the midst of a collective confrontation with their own inner divinity, which should lead to a national spiritual rebirth. The article then investigates the works of several of the men Jung mentions in the essay, as well as his use of ancient Germanic mythology, to support his claim. Through his portrait of the Germanic archetype Wotan, Jung psychologizes and thereby essentializes the Romantic image of the Germans as “a people of poets and philosophers” as well as that of a Nietzschean “master-race.” In conclusion, the article argues that, at least in 1936, Jung's attitude towards Hitler and National Socialism was much more favorable than has previously been recognized. (shrink)

This essay revisits a debate about literary fiction’s ability to depict the consequences of climate change. Philosopher McKenzie Wark’s 2017 essay, ‘On the Obsolescence of the Bourgeois Novel in the Anthropocene’, offers one of many critiques of climate fiction, such as Amitav Ghosh’s influential book, The Great Derangement. But while Ghosh sees a shortcoming in contemporary novels in their lack of representation of major climate events, Wark emphasises the importance of collective action, conversation, and connection, beyond the limits of literature. (...) Since Wark’s intervention, the global School Strike for Climate in 2019 and 2020 brought more participatory post-literary forms to represent climate change. Jean- Luc Nancy’s theory of participation, that there is no mimesis without participation (methexis), sees a tense relation between the two rather than an opposition or conflict. I argue that Wark, by not undervaluing participation, disrupts a hierarchy that privileges the imitator at the expense of the imitation. To explore this relation, I consider how the slogan ‘there is no Planet B’ forms a snapshot of our twenty- first-century mimetic condition, from which no imitative representation will save us. Can Wark expand the vision of another relational kind of femininity in her later writing to support the demand to take part in transformational action against climate catastrophe, beyond mimetic representation carried in the form of the novel? (shrink)

Presents arguments on both sides of the issue of euthanasia, including questions regarding ethics and legality, physician-assisted suicide, living wills, and removing life support from patients in a persistent vegetative state.

Mise en lumière par des scandales sanitaires récents et par la montée en puissance d'associations se réclamant de l'antispécisme et du droit des animaux, la " question animale " a pris ces dernières années en France une importance inédite. Cette problématique est portée dans l'espace public par un ensemble de groupes et d'acteurs qui entendent représenter politiquement les intérêts des animaux à ne pas souffrir au sein des dispositifs d'exploitation. Quels sont les ressorts émotionnels, intellectuels et théoriques de cet engagement? (...) Le mouvement " animaliste " contemporain constitue-t-il une nouveauté et quelles sont les conditions historiques de son émergence? En quoi son influence croissante change-t-elle nos perceptions des rapports légitimes entre humains et non-humains? Quels sont les enjeux et les futurs possibles de cette entreprise singulière de représentation politique? (shrink)

Understanding why individuals opt out of living donation is crucial to enhancing protections for all living donors and to identify modifiable barriers to donation. We developed an ethical approach to conducting research on individuals who opted out of living kidney donation and applied it in a small-scale qualitative study at one US transplant centre. The seven study participants had varied reasons for opting out, the most prominent of which was concern about the financial burden from lost wages during the postoperative (...) period. Several reported feeling alone during their decision-making process. Although no participants used an alibi, a centre-provided statement of non-eligibility to donate, all believed that centres should offer alibis to help preserve donor autonomy. Given the complexity of participants' decisions and the emotions they experienced before and after deciding not to donate, we suggest approaches for independent living donor advocates to support this population. This study demonstrates that research on individuals who opt out of donation is feasible and yields valuable insight into methods to improve the evaluation experience for potential living donors. (shrink)

The author investigates the problem with coercive democratization, in regard to the Islamist response to the U.S. Democracy Reform Initiative.

The article explores the irreflexivity of metaphysical dependence in the physical structure of reality. It stresses that the word dependence denotes quasi-ireflexivity which affects the metaphysical relations of a physical structure. It focuses on the view that irreflexivity assumption has been made without discussion of the dependence relations on the structure of reality.

Love is most often associated with happiness, satisfaction and pleasure. But it has a darker side we ignore at our peril. Love is often an uncomfortable and difficult feeling. The people we love can let us down badly. And the ways we love are often quite different to the romantic ideals society foists upon us. Since we are inevitably disappointed by love, wouldn't we be better off without it? No, says Carrie Jenkins. Instead, we need a new philosophy of (...) love, one that recognizes that the pain and suffering love causes are a natural, even a good part of what makes love worthwhile. What Jenkins calls "sad love" offers no bogus "happy ever afters." Rather, it tries to find a way properly to integrate heartbreak and disappointment into the lived experience of love"--Page 4 of cover. (shrink)

Plato's Symposium depicts a group of men giving a series of speeches about the nature of love, with themes ranging from religion and metaphysics to medicine and pregnancy. The lone woman in the room, a "flute girl," is sent away as the discussion turns to serious matters; at the same time, the wisest of the men attributes his theories to a woman, the possibly fictional Diotima. Despite their absence from this important intellectual exchange, women are part of Symposium. What can (...) contemporary feminist readers do with this troubling yet immeasurably influential work? In Uninvited historian Carla Nappi and philosopher Carrie Jenkins talk back to Plato in poetry, inspired by the voices of women characters who were not previously permitted to speak. Images and ideas from Symposium are refracted through multiple lenses to reveal a tumult of mystical, intellectual, pedagogical, and sexual ideologies. Sometimes beautiful, sometimes horrific, these poems dance within and between the lines of Symposium, carving space for new kinds of conversations about love, with themes ranging from gender and voice to power and violence. Designed to be read with or without prior knowledge of Plato, this book invites the uninvited to join a strange, amorphous, and unending conversation on the nature of love and desire - and on the possibilities intellectual and creative activity can offer. (shrink)

How much do animal rights activists talk about animal rights when they attempt to persuade America’s meat-lovers to stop eating nonhuman animals? This study serves as the basis for a unique evaluation and categorization of problems and solutions as framed by five major U.S. animal rights organizations in their vegan/food campaigns. The findings reveal that the organizations framed the problems as: cruelty and suffering; commodification; harm to humans and the environment; and needless killing. To solve problems largely blamed on factory (...) farming, activists asked consumers to become “vegetarian” or to reduce animal product consumption, some requesting “humane” reforms. While certain messages supported animal rights, promoting veganism and respect for animals’ subject status, many frames used animal welfareideology to achieve rights solutions, conservatively avoiding a direct challenge to the dominant human/animal dualism. In support of ideological authenticity, this paper recommends that vegan campaigns emphasize justice, respect, life, freedom, environmental responsibility, and a shared animality. (shrink)

"In an exciting range of original responses to Nancy's work, these 12 essays reanimate the dialogue between interdisciplinary scholars and practicing artists that originally gave birth to visual culture as a field of study. A new translation of Nancy's essay, 'The Image: Mimesis and Methexis', reveals how Nancy's work informs, challenges and inspires our encounters with visual culture. Jean-Luc Nancy is one of the most original and compelling of those contemporary political and ethical philosophers who, like Jacques Ranciere and Alain (...) Badiou, have turned in recent works towards aesthetics and visual art. Nancy's challenging and inspiring writings on painting, film, photography, video and contemporary visual art have informed the work of scholars of visual culture and aesthetic theory as well as artists, filmmakers and curators"--Provided by publisher. (shrink)

Midwest Studies In Philosophy, Volume 44, Issue 1, Page 21-37, December 2019.

Academics and professionals working with young women face a series of paradoxes. Over the last 20 years, the lives of young women in the UK and Europe have been transformed. They have gained considerable freedom and independence, but at the very same time, new, less tangible forms of constraint and subordination now play a defining role in the formation of their everyday subjectivities and identities. Young women have come to exemplify the pervasive sensibility of self-responsibility and self-organisation. This new ‘gender (...) regime’ demands both conceptualisation and practical response, drawing on educational research, social and cultural theory, and contemporary feminist thought. Within the overarching theme of pedagogical responses to these trends, through work in schools and within young women’s online and face-to-face communities, this book interrogates the field of sexuality and its visualisation across new and old media in the context of often predictable and endemic ‘moral panics’ about teenage pregnancy rates, sexually transmitted diseases, and internet pornography. In exploring how girls and young women respond to increasing expectations of them as the vanguard of economic, social, and cultural change, contributors to this volume interrogate the ways in which social and educational aspiration interact with young women’s developing and embodied identities. This book was originally published as a special issue of _Pedagogy, Culture and Society. _. (shrink)

Northoff's target article presents a unifying theory of the pathophysiology of catatonia, as compared to Parkinson's disease. We address two arguments in particular that do not appear justified by available evidence: (1) The physiological basis of catatonia is the breakdown of right hemisphere prefrontal-parietal cortical connectivity, and (2) Dysfunction in this system results in specific deficits in termination of action.

Genesis 34 is a troubling tale that includes an ambiguous sexual encounter (possibly rape), deception, brutal violence against an unsuspecting city, and the silence—or silencing—of the only female character, Dinah. This article models wrestling with this difficult passage through linguistic analysis and a narrative ethics framework that monitors the functions of reticence in narrative. Attending to the two major informational gaps—the narrator’s evaluation and the perspective of Dinah—alerts readers to the centrality of the latter as the key to unlocking the (...) former. (shrink)

Graphical AbstractThe fungus Neurospora comprises a novel model for testing hypotheses involving the role of sex and reproduction in eukaryotic genome evolution. Its variation in reproductive mode, lack of sex-specific genotypes, availability of phylogenetic species, and young sex-regulating chromosomes make research in this genus complementary to animal and plant models.

This article stages a dialogue between Giorgio Agamben’s theory of gesture and the 2016 reconstruction of Merce Cunningham’s 1964 choreography, Winterbranch. This juxtaposition encourages a comparison between Agamben's and Cunningham's respective approaches to the semiotics of dance, the way that dance can generate meaning but also evade meaning in a way that Agamben deems "proper" to the "ethical sphere." For Agamben, dance is composed of what he calls "gestures" that have "nothing to express" other than expressivity itself as a "power" (...) unique to humans who have language. For Cunningham, dance is composed of what he calls "actions," or at other times "facts"—discrete and repeatable movements sketched in the air that reveal the "passion," the raw or naked "energy" of human expressivity before that energy has been directed toward a specific expressive project. I will look more closely at what Cunningham means by "actions," and to what extent they can be considered "gestures" in Agamben's terms; I will also explore the "ethical sphere" opened by the display of mediality, the "being-in-a-medium" of human beings. What, then, do dance gestures expose that ordinary gestures do not? Why would such an exposure be “ethical” in Agamben’s terms? And why would (his notion of) the ethical rely on a stage? (shrink)