There is currently a growing interest in the philosophy and political thought of Baruch de Spinoza following many years of comparative neglect, particularly within political philosophy. The focus of this paper is Spinoza's major work, the Ethics, and its relation to his political writings. It explores Spinoza's distinctive formulations of imagination and affect and considers some of the ways in which these impact upon his political thought, specifically via his reflections upon democracy and knowledge. The discussion draws particular attention to (...) the aporetic status of imagination and its tendency towards ambivalence. It argues that this dynamic account of imagination introduces provisionality and contingency into Spinoza's reflections upon politics that may, in turn, enrich discussions seeking to introduce an awareness of the affective resonances of communication and identification to democratic theory. (shrink)

"Caroline Williams marks what is distinctive about 20th Century French philosophy's interrogation of the subject and demonstrates its historical continuity in a ...

Whilst the concept of the subject has been called into question by many diverse approaches within contemporary political and social theory, there remains a focus upon agency, now attributable to reformulated subjectivities or assemblages. I query the persistence of this grammar of agency and ask whether politics can do without a ‘scene of the subject’. Spinoza’s philosophy, in particular, his conception of conatus, has inspired and offered some basis for rethinking agency. I examine two such prominent positions and argue that (...) ultimately neither captures the political promise of Spinoza’s philosophy. Configuring a concept of morphology to analyse this scene, my argument detaches the conatus from a narrow focus upon human desire, and focuses attention upon the scene of the subject as it folded into a wider complex body. My approach also returns a study of power to the discussion: the conatus is the power to persist, but it is also a differential force and site of conflict. By placing the spotlight on the scene of subjectivity in this way, the contemporary political theorist avoids the false antinomy between agency and structure, whilst continuing to track the production and composition of subjectivity in new political forms. (shrink)

A lucid introduction to post-Marxist political philosophy, this work offers a balanced assessment of the philosophy and political thought of Baruch de Spinoza. It explores the influence of Spinoza upon Louis Althusser and some of his contemporaries. The positions of a range of modern political philosophers who think with, beyond, or against Althusser are explored, including Etienne Balibar, Antonio Negri, and Slavjob Zizek. Ideology and political critique, democracy and exclusion, language and power, and imagination and subjectivity are among the topics (...) discussed, arguing that many of Spinoza's ideas find radical expression in Althusserian and post-Althusserian political philosophy. (shrink)

Exploring the intricacy and complexity of Walter Pater's prose, Transfigured World challenges traditional approaches to Pater and shows precise ways in which the form of his prose expresses its content. Carolyn Williams asserts that Pater's aestheticism and his historicism should be understood as dialectically interrelated critical strategies, inextricable from each other in practice. Williams discusses the explicit and embedded narratives that play a crucial role in Pater's aesthetic criticism and examines the figures that compose these narratives, including rhetorical tropes, structures (...) of argument such as genealogy, and historical or fictional personae. (shrink)