1.  24
    The Emergence of Sound Art: Opening the Cages of Sound.Carmen Pardo - 2017 - Journal of Aesthetics and Art Criticism 75 (1):35-48.
    This article discusses listening that is appropriate to sound art and the associated changes in the paradigms, or thought patterns, that occur so often when we move from visual to aural perception. The distinction between historically accepted and rejected sounds is used to show how putting sounds in cages has fashioned a form of listening and of life. Twentieth-century experimental music and, especially, the music and the reflections of John Cage have opened these cages of sound and at the same (...)
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  2.  7
    De una disonancia no resuelta: medida y pasión en el Compendium musicae.Carmen Pardo - 1999 - Enrahonar:271-272.
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