Nietzsche’s life and thinking have been deeply influenced by the experience of illness and the related struggle to health, in a way that goes far beyond the very well-known episode of his mental breakdown. In the first part of this paper the history of the reception of the topic is reconsidered, focusing on the initial, “moral” interpretation of health and illness in Nietzsche, on the later stances of Thomas Mann and Georges Canguilhelm, the former offering a psychological perspective, the latter (...) a physiological one, and ending with an overview of newer studies on the question. The second part deals with Nietzsche’s understanding of human finitude, suffering and death, and contrasts it with post-humanist and trans-humanist assumptions. Health in Nietzsche is not standardized; it’s a result of self-cultivation, that is, of the full development of one’s potenBal. In the end an idea of health as a dynamic balance is developed, that also draws oh Gadamer’s reflections on the art of medicine and on the practical dimension of human experience. (shrink)

The TV series American Gods (2017-2021) features a war between the Old Gods, a syncretic pantheon of deities of the natural powers drawn from all mythological and religious traditions, and the New Gods, the deities of history and the artificial realm of man-made technics. Gods of both fences are shown as beings whose morals beyond good and evil is entirely focused on fulfilling their will to power in terms of immortality. Humans are trapped within this conflict; their only option is (...) seemingly limited to choose which side they stand. While the series sumptuously renders Heidegger’s claim that metaphysics and technics are the same, it also employs a different and positive meaning of the latter: by showing the old gods, the new ones, and humans as different options about existence – namely the logic of sacrifice, the logic of hedonism, and the economic logic of human reason – and eventually rejecting all of them as viable solutions, it favours an idea of existence as full open-ness and experimentality. In the end, technics is one with man’s self-creativity, embodied in his very biology, providing him an escape route from the vicious circles constantly ambushing him on his path towards authenticity – namely, all deities, religious as well as secular. (shrink)