L. E. J. Brouwer, the founder of mathematical intuitionism, believed that mathematics and its objects must be humanly graspable. He initiated a program rebuilding modern mathematics according to that principle. This book introduces the reader to the mathematical core of intuitionism – from elementary number theory through to Brouwer's uniform continuity theorem – and to the two central topics of 'formalized intuitionism': formal intuitionistic logic, and formal systems for intuitionistic analysis. Building on that, the book proposes a systematic, philosophical foundation (...) for intuitionism that weaves together doctrines about human grasp, mathematical objects and mathematical truth. (shrink)
Though my title speaks of Kant’s mathematical realism, I want in this essay to explore Kant’s relation to a famous mathematical anti-realist. Specifically, I want to discuss Kant’s influence on L. E. J. Brouwer, the 20th-century Dutch mathematician who built a contemporary philosophy of mathematics on constructivist themes which were quite explicitly Kantian. Brouwer’s theory is perhaps most notable for its belief that constructivism requires us to abandon the traditional logic of mathematical reasoning in favor of different canon of reasoning, (...) called intuitionistic logic. Brouwer thought that classical logic is intrinsically bound up with a nonconstructive view of mathematics. This means that, according to Brouwer, when we do mathematics we must give up bivalence, we must no longer use such familiar logical laws as excluded middle, and we must sometimes forebear from the classic method of reductio ad absurdum. All of these are intuitionistically invalid classical principles. (shrink)
IPC, the intuitionistic predicate calculus, has the property(i) Vc(A c /x) xA.Furthermore, for certain important , IPC has the converse property (ii) xA Vc(A c /x). (i) may be given up in various ways, corresponding to different philosophic intuitions and yielding different systems of intuitionistic free logic. The present paper proves the strong completeness of several of these with respect to Kripke style semantics. It also shows that giving up (i) need not force us to abandon the analogue of (ii).
It is argued that the tensed theory of the creative subject provides a natural formulation of the logic underlying Brouwer's notion of unextendable order and explains the link between that notion and virtual order. The tensed theory of the creative subject is also shown to be a useful tool for interpreting recent evidence about the stages of Brouwer's thinking concerning these two notions of order.
