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Carl Humphries
University of Southampton
  1.  82
    Music and Humanism: An Essay in the Aesthetics of Music.Carl Humphries - 2002 - Mind 111 (442):482-487.
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  2. Authenticity and Artistic Representation in the Modern Age: Heidegger’s “Anti-Aesthetic” Conception Reconsidered.Carl Humphries - 2011 - Estetyka I Krytyka 21:77-88.
     
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  3. Ian Dearden. Do Philosophers Talk Nonsense?Carl Humphries - 2014 - Forum Philosophicum: International Journal for Philosophy 18 (2):269-278.
    In his newly reissued and revised book, the philosopher Ian Dearden at- tempts a critical inquiry into a philosophical position he calls “nonsensi- calism,” which he takes to correspond to the view “that it is possible to be mistaken in thinking one means anything by what one says”.1 He holds that an unexamined assumption to this effect is implicit in a large swathe of philosophical work dating from a period stretching throughout most of the 20th century, thanks to the widespread (...)
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  4. Schmalenbach on Standing Alone Before God: A Philosophical Case-Study in Ontologico-Historical Understanding.Carl Humphries - 2017 - Forum Philosophicum: International Journal for Philosophy 21 (2):157-186.
    This article explores the clarificatory potential of a specific way of approaching philosophical problems, centered on the analysis of the ways in which philosophers treat the relationship between ontological and historical forms of commitment. Its distinctive feature is a refusal to begin from any premises that might be considered “ontologistic” or “historicistic.” Instead, the relative status of the two forms of commitment is left open, to emerge in the light of more specific inquiries themselves. In this case the topic in (...)
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  5. The Family and its Ethos. A Philosophical Case Study in Ontologico-Historical Understanding.Carl Humphries - 2013 - Rocznik Filozoficzny Ignatianum 19 (2).
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  6. Tomasz Mróz. Selected Issues in the History of Polish Philosophy.Carl Humphries - 2017 - Forum Philosophicum: International Journal for Philosophy 21 (2):251-254.
    This article reviews the book Selected Issues in the History of Polish Philosophy, by Tomasz Mróz.
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  7.  16
    Tomasz Mróz: Selected Issues in the History of Polish Philosophy.Carl Humphries - 2016 - Forum Philosophicum: International Journal for Philosophy 21 (2):249-252.
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  8.  10
    Schmalenbach on Standing Alone Before God.Carl Humphries - 2016 - Forum Philosophicum: International Journal for Philosophy 21 (2):157-186.
    This article explores the clarificatory potential of a specific way of approaching philosophical problems, centered on the analysis of the ways in which philosophers treat the relationship between ontological and historical forms of commitment. Its distinctive feature is a refusal to begin from any premises that might be considered “ontologistic” or “historicistic.” Instead, the relative status of the two forms of commitment is left open, to emerge in the light of more specific inquiries themselves. In this case the topic in (...)
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  9.  15
    Musical Expression and Performance.Carl Humphries - unknown
    This study examines the philosophical question of how it is possible to appreciate music aesthetically as an expressive art form. First it examines a number of general theories that seek to make sense of expressiveness as a characteristic of music that can be considered relevant to our aesthetic appreciation of the latter. These include accounts that focus on resemblances between music and human behaviour or human feelings, on music's powers of emotional arousal, and on various ways in which music may (...)
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  10.  8
    Do Philosophers Talk Nonsense? An Inquiry Into the Possibility of Illusions of Meaning by Ian Dearden.Carl Humphries - 2013 - Forum Philosophicum: International Journal for Philosophy 18 (2):269-278.
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  11.  6
    Proceduralism and Ontologico- Historical Understanding in the Philosophy of Language.Carl Humphries - 2014 - In Piotr Stalmaszczyk (ed.), Philosophy of Language and Linguistics: The Legacy of Frege, Russell, and Wittgenstein. De Gruyter. pp. 115-138.
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