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  1.  9
    Die Idee der absoluten Musik.Carl Dahlhaus - 1978 - München: Deutscher Taschenbuch-Verlag.
  2.  78
    The idea of absolute music.Carl Dahlhaus - 1989 - Chicago: University of Chicago Press.
    With a characteristically broad and provocative treatment, Dahlhaus examines a single music-aesthetical idea from various historical and philosophical viewpoints. "Essential reading for anyone interested in the larger intellectual framework in which Romantic music found its place, a framework that to a remarkable degree has continued to shape our image of music."--Robert P. Morgan, Yale University Carl Dahlhaus (1928-1989) is the author of a highly influential body of works on the foundations of music history and aesthetics.
  3.  63
    Esthetics of music.Carl Dahlhaus - 1982 - New York: Cambridge University Press.
    This book is an introduction to the esthetics of music. Aesthetics, which were of prime importance in thinking about music in the nineteenth century, are today sometimes suspected of being idle speculation. Yet judgments about music and every sort of musical activity are based on aesthetic presuppositions. Carl Dahlhaus gives an account of developments in the aesthetics of music from the mid-eighteenth century onwards. He combines a historical and systematic approach. Central themes in music are grouped together to illustrate both (...)
  4. Beethoven's Symphonic Style and Temporality in Music.Carl Dahlhaus - 1988 - In Veikko Rantala, Lewis Eugene Rowell & Eero Tarasti (eds.), Essays on the philosophy of music. Helsinki: Akateeminen Kirjakauppa. pp. 43--281.
     
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  5. Gefühlsästhetik und musikalische Formenlehre.Carl Dahlhaus - 1967 - Deutsche Vierteljahrsschrift für Literaturwissenschaft Und Geistesgeschichte 41 (4):505-516.
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  6.  2
    L'esthétique musicale classique et romantique: de Kant à Wagner.Carl Dahlhaus - 2019 - Paris: Éditions Rue d'Ulm. Edited by Clémence Couturier-Heinrich, Jean-François Laplénie, Lucie Marignac & Sacha Zilberfarb.
  7.  26
    Trivial Music (Trivialmusik).Carl Dahlhaus - 2004 - In Christopher Washburne & Maiken Derno (eds.), Bad music: the music we love to hate. New York: Routledge. pp. 333.
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  8.  34
    Contemplating music: source readings in the aesthetics of music.Ruth Katz & Carl Dahlhaus (eds.) - 1987 - Stuyvesant: Pendragon Press.
    Volume I, Substance, contains, under the heading Substance, the writings of Plato, Plotinus, Boethius, Marsilio Ficcino, Tommaso Campanella, Johannes Kepler, Arthur Schopenhauer, Friedrich Nietzsche, and Feruccio Busoni. Under the heading Essence and Distinctness are found the writings of Aristotle, Aristoxenus, Philodemus, Immanuel Kant, Friedrich W.J. Schelling, George W.F. Hegel, Johann Herbart, and Eduard Hanslick.
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  9. Contemplating Music: Source Readings in the Aesthetics of Music in 4 vols. Vol. i.Ruth Katz & Carl Dahlhaus - 1987 - Substance 2.
     
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  10. Wagner's Aesthetics.Richard Wagner & Carl Dahlhaus - 1972 - Edition Musica.
     
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  11. Wagners Ästhetik.Richard Wagner & Carl Dahlhaus - 1971 - Edition Musica.
     
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