Din, hem toplumsal değişim hem de toplumsal çatışma ve uyum ile etki-leşimi açısından önemli bir toplumsal olgudur. Bu bağlamda tarihi süreçte din olgusunun çatışma olgusuyla da çatışma çözümü olgusuyla da sürekli etkileşim halinde olduğu görülmektedir. Birbirinden farklı niteliklerdeki toplumsal çatışmaların var olduğu günümüzde de bazı çatışma örneklerinde ve çatışma çözüm çabalarında din merkezi konumda yer almaktadır. Ayrıca 20. yüzyılda başlayan birden fazla toplumu ve toplumsal çevreyi olumsuz yönde etkileyen bazı önemli dirençli çatışmalar hala varlığını sürdürmektedir. Birden fazla faktörün etkili olduğu (...) bireyler, gruplar veya topluluklar arasındaki farklı özellikteki çatışmaları çözümleme çabaları farklı şekillerde sonuçlanmaktadır. Ancak doğru çatışma yönetimiyle çatışma süreci kontrol altında tutulabilirse, tarafları ve çatışmanın kendisini anlama yoluyla, çözüm sürecinde gerekli ve uygun yöntemlerin uygulanmasıyla birçok çatışmanın olumlu biçimde sonuç-landırılması mümkün gözükmektedir. Bu açıdan belirli çatışma ve çatışma çözüm örneklerinin yer aldığı bu makalenin konusu, çatışma çözümünün karakteristiğini belirlemeye ve din olgusu gibi önemli bir etkenin tesiriyle çatışma çözüm alanını değerlendirmeye yöneliktir. Bu makalenin amacı, son dönem ve güncel örneklerden hareketle çatışma çözümüne dinlerin yaklaşımlarını ve bu kapsamda İslam dininin çatışma çözümü çerçevesindeki pozisyonunu etkileşimsel olarak anlamaya çalışmaktır. (shrink)

In this commentary, I argue that the theory presented by Sagvolden et al. can be much stronger if its scope is limited, if its developmental aspects are refined, if it can be made to generate testable predictions, and if it can be supported with more data from humans.

Increasing numbers of women in Turkey are murdered by their relatives, spouses or significant others. The perpetrators plead provocation for their crimes, claiming their actions are provoked by women’s initial acts which they deem to violate societal norms. Pleading provocation enables more lenient sentences. This article investigates the interplay of the legal rules and societal norms on ‘proper’ female behaviour in femicide, based on data drawn from the Journal of Legal Proceedings, which publishes select rulings of the Court of Cassation (...) – the Highest Court in the Turkish legal system – from 2004 to 2018. This article argues that there is a collision between cultural, societal norms and legal rulings in criminal law, and displays linkages between legal processes and social norms which perpetuate patriarchal structures. Accordingly, the article proposes that legal rulings on femicide reflect societal norms and traditional expectations on women’s roles in Turkish society through employing provocation defence. Consequently, law becomes complicit in femicide through provocation, and provocation could be seen as the legal system’s concession to patriarchy. (shrink)

Arguing that he wants to achieve a better understanding of the philosophy of Emmanuel Levinas, C. Fred Alford in his article “Emmanuel Levinas and Iris Murdoch: Ethics as Exit?” compares Levinas’s ideas with those of Iris Murdoch and concludes that the major difference between the two philosophers consists in their attitude toward everyday reality. Alford claims that although both philosophers are concerned with one’s relation with the other person, Levinas is “never interested in the concrete reality of the other person, (...) whose fleshy reality can only get in the way of transcendence,” 1 whereas for Murdoch, he asserts, the goal is to escape the illusions of the self and see the world as it is, “filled with. (shrink)

The early 20thcentury works of Kurdish Islamic thinker Said Nursî explore how cinema can provide access to the divine. Yet, considering the periods of Nursî’s life that were spent in prison, or in exile in remote locations, it is likely that the cinema he was discussing was, very specifically, the early silent cinema of attractions. Thus the distinctive format of this cinema can be uncovered in, and seen to structure, Nursî’s formulation of ‘God's cinema’. With this proposition in mind, this (...) article indicates something of the potential that an engagement with Nursî’s cinematic writing offers for reconsidering topics already much discussed in film-philosophy, such as that of time in the works of Gilles Deleuze. (shrink)

In this paper we advance inquiry into human dignity in relation to the theory and practice of social entrepreneurship and innovation in a two-fold manner. First, we explore how concepts from the literatures of human dignity and humanistic management can inform and enrich social entrepreneurship and innovation. Second, we examine case studies of social entrepreneurship and innovation to refine how we think about and operationalize notions of human dignity. In this way, we connect human dignity research more closely to alternative (...) life-conducive forms of organizing. Our goals are to advance an understanding of human dignity and to make this concept more accessible and relevant in business and management, as well as to explore how the practice of social entrepreneurship and innovation can both enrich and be enriched by the notion of human dignity. Third, we draw on the emerging literature of humanistic management to generate a classification system in the context of social innovation that specifies how organizing can contribute to dignity restoration, dignity protection, and dignity promotion. We elaborate and showcase paradigmatic cases, probe the limits of these cases for future research, and consider how to extend this dignity organizing model to other modes of business practice, such as the notion of value creation. Fourth, we outline an emerging research agenda for those interested in connecting innovation and organizing practices writ large with the notion of human dignity. (shrink)

En este texto discutiremos la tensión entre los nuevos medios y la narratología ocupándonos especialmente del caso del cine. Nuestra tesis será que los nuevos medios tienen que ver básicamente con la ilusión y solo derivadamente con la imaginación; por el contrario, el campo de la literatura tiene que ver solo con la imaginación y no con la ilusión. Si esto es así, algo debe estar mal con la pretensión de la narratología de ser el esquema teórico adecuado para entender (...) cualquier fenómeno cultural, especialmente el de losnuevos medios. Insistiremos, por ello, en la distinción entre ilusión e imaginación. De hecho, los teóricos literarios no lo consideran. Se suele decir que el cine es ficción, y de hecho la literatura es ficción, pero el cine es mucho más que la ficción, es una ilusión.Here we will discuss the tension between the new mass media and narratology and the case in study will be cinema. Our thesis would be that new mass media have to do basically with illusion and only derivatively with imagination; on the contrary, the field of literature has to do only with imagination, not with illusion at all. If it is so, something must be wrong with the pretence of narratology to be the adequate theoretical schema in order to understand every cultural phenomenon, especially in the case of new mass media. We have to insist on the distinction between illusion and imagination. In fact, literary theoreticians do mostly not consider it. It is usually said of cinema that it is fiction, and indeed literature is fiction, but cinema is much more than fiction, it is illusion. (shrink)