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  1.  56
    Null.Doohwan Ahn, Sanda Badescu, Giorgio Baruchello, Raj Nath Bhat, Laura Boileau, Rosalind Carey, Camelia-Mihaela Cmeciu, Alan Goldstone, James Grieve, John Grumley, Grant Havers, Stefan Höjelid, Peter Isackson, Marguerite Johnson, Adrienne Kertzer, J.-Guy Lalande, Clinton R. Long, Joseph Mali, Ben Marsden, Peter Monteath, Michael Edward Moore, Jeff Noonan, Lynda Payne, Joyce Senders Pedersen, Brayton Polka, Lily Polliack, John Preston, Anthony Pym, Marina Ritzarev, Joseph Rouse, Peter N. Saeta, Arthur B. Shostak, Stanley Shostak, Marcia Landy, Kenneth R. Stunkel, I. I. I. Wheeler & Phillip H. Wiebe - 2009 - The European Legacy 14 (6):731-771.
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  2.  30
    Romanian Monasteries: Signs of Tourist Attraction and Self-Discovery.Camelia-Mihaela Cmeciu & Luminita Druga - 2011 - The European Legacy 16 (6):751 - 768.
    Besides Dracula, Ceau?escu, and Nadia Com?neci, monasteries constitute a permanent Romanian brand, inextricably linked in every foreign visitor's mind to Romanianness. Specific to Moldavia and Bucovina?the Eastern and Northern parts of Romania?these monasteries have attracted visitors for the past 500 years. The person visiting a sacred site is transformed from being merely a tourist into a pilgrim. The painting ?The Ladder towards Heaven? at the Pâng?ra?i Monastery, for example, highlights the importance of the mental and physical involvement of the tourist-pilgrim (...)
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  3.  17
    Beyond Literary Texts: A Semiotic Approach to a Fictional (Ritual) Game of Real (Dis) Order in William Golding's Lord of the Flies.Doina Cmeciu & Camelia-Mihaela Cmeciu - 2010 - Semiotica 2010 (182):115-132.
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  4.  14
    The Cultural Identities of European Cities.Camelia-Mihaela Cmeciu - 2013 - The European Legacy 18 (3):379-380.