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  1.  18
    Judging Athenian dramatic competitions.C. W. Marshall & Stephanie van Willigenburg - 2004 - Journal of Hellenic Studies 124:90-107.
    This paper presents a new model for how the voting worked at the Athenian dramatic competitions, and demonstrates its viability mathematically. Previous proposals have either failed to take full account of the ancient sources or have not considered all the possible permutations of judging results. As is generally recognized, ten votes were cast, but in most circumstances not all were counted. Sections I-IV consider the tragic competition at the Dionysia, in which three competitors vied for the prize. For the questions (...)
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  2.  16
    Alcestis and the ancient rehearsal process (P. Oxy. 4546).C. W. Marshall - 2004 - Arion 11 (3):27-46.
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  3.  41
    Comic Business: Theatricality, Technique, and Performance Contexts in Aristophanic Comedy (review).C. W. Marshall - 2007 - American Journal of Philology 128 (3):431-435.
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  4.  16
    Comic technique and the fourth actor.C. W. Marshall - 1997 - Classical Quarterly 47 (01):77-.
    A recent article on ‘The Number of Speaking Actors in Old Comedy’ by D. M. MacDowell has argued that to perform the plays of Aristophanes required the use of four, but never five, speaking actors.1 Systematically argued, MacDowell presents a cogent case against Henderson , who has suggested that at times five actors were permitted. MacDowell also presents some very sensible observations on the nature of any prescription which might limit the number of actors. The final paragraphs, however, express considerable (...)
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  5.  16
    Euripides, Iphigenia In Tauris 1391–7.C. W. Marshall - 2007 - Classical Quarterly 57 (2):749-752.
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  6.  20
    Greek Tragedy After the Fifth Century: A Survey from ca. 400 BC to AD 400 ed. by Vayos Liapis and Antonis K. Petrides.C. W. Marshall - 2020 - Classical World: A Quarterly Journal on Antiquity 113 (3):360-361.
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  7.  17
    New Directions in Ancient Pantomime.C. W. Marshall - 2010 - Classical World: A Quarterly Journal on Antiquity 103 (4):553-554.
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  8. Next Time Agamemnon Died.C. W. Marshall - 2001 - Classical World: A Quarterly Journal on Antiquity 95 (1).
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  9.  44
    Objects as Actors: Props and the Poetics of Performance in Greek Tragedy by Melissa Mueller.C. W. Marshall - 2017 - American Journal of Philology 138 (3):561-563.
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  10.  6
    The So-Called False Digamma in Bacchylides Ode 5. 75.C. W. Marshall - 1994 - Mnemosyne 47 (3):373-375.
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  11.  22
    Csapo, Goette, Green and Wilson Eds Greek Theatre in the Fourth Century BC. Pp. xi + 578. Berlin and Boston: de Gruyter, 2014. £89.95. 9873110337488. [REVIEW]C. W. Marshall - 2016 - Journal of Hellenic Studies 136:239-240.
  12.  12
    (1 other version)Dionysus Since 69. Greek Tragedy at the Dawn of the Third Millennium. [REVIEW]C. W. Marshall - 2006 - The Classical Review 56 (1):233-235.
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  13.  36
    Fraenkel (E.) Plautine Elements in Plautus. Translated by Tomas Drevikovsky and Frances Muecke. Pp. xxiv + 459. Oxford: Oxford University Press, 2007 (first published as Plautinisches im Plautus, 1922). Cased, £75. ISBN: 978-0-19-924910-. [REVIEW]C. W. Marshall - 2008 - The Classical Review 58 (1):110-112.