Jakob von Uexküll's theories of life -- Biography and historical background -- Nature's conformity with plan -- Umweltforschung -- Biosemiotics -- Concluding remarks -- Marking a path into the environments of animals -- The essential approach to the organism -- Heidegger and the biologists -- Paths to the world -- Disruptive behavior : Heidegger and the captivated animal -- The worldless stone -- The poor animal -- For example, three bees and a lark -- Animal morphology -- A shocking wealth (...) -- A fine line in the rupture of time -- An affected body -- The theme of the animal melody : Merleau-Ponty and the umwelt -- The structure of behavior -- A pure wake, a quiet force -- A leaf of being -- Interanimality -- The-animal-stalks-at-five-oclock : Deleuze's affection for Uexküll -- Problematic organisms -- Uexküll's ethology of affects -- The body without organs, the embryonic egg, and prebiotic soup -- Nature's refrain sung across milieus and territories -- The animal stalks. (shrink)

A cross-section of the writings of Dominique Lestel, Vinciane Despret and Roberto Marchesini is presented here in translation across three special issues on philosophical ethology. These thinkers, relatively unknown in anglophone scholarship, offer important contributions to contemporary debates in posthumanism and animal studies. Particularly in so far as they scrutinise our often awkward attempts to understand the behaviour of animals in labs and fields – to know what animal bodies can do – they share in the rethinking of interspecies forms (...) of life, as domains of both empirical knowledge and zoo-political performance, and thereby take important steps towards a new philosophical ethology. (shrink)

_Examines the significance of animal environments in contemporary continental thought._.

:This interview ranges across a number of topics relevant to Vinciane Despret's thought: the history and philosophy of ethology; animal culture; stories and storytelling; feminism; philosophical anthropology; animal studies; collaborative research; and animals in laboratories, in the field, on farms, and in books. It touches on thinkers and artists including Isabelle Stengers, Donna Haraway, Bruno Latour, Jacques Derrida, Gilles Deleuze, and Luc Petton.

This interview ranges across a number of topics relevant to Roberto Marchesini’s thought: the history and philosophy of ethology and entomology; zooanthropology and animal culture; philosophical ethology and philosophical anthropology; animal studies; and animals in laboratories, in the field, on farms, and in household/urban settings. It touches on thinkers including Margherita Hack, Giorgio Celli, Donna Haraway, Giorgio Agamben, Roberto Esposito, Charles Darwin, and Jean-Baptiste Lamarck.

This essay provides a theoretical and methodological introduction to the writings of Vinciane Despret. Over the last twenty years Despret has contributed a significant number of books and articles in the fields of philosophical ethology and animal studies, and throughout them all Despret's methodological approach resists easy explanation. There is no single, uni- versal method applicable to all animals, in every situation; instead, Despret responds with an open curiosity to the plurality of animal worlds and the storied versions about them. (...) She studies and works with animals just as much as with scientists, farmers, and conserva- tionists. Taking joy in the diversity of animal behaviour, she creates conditions that allow animals to be interesting, and finds humour, warmth, and care in the stories that they tell. Through the practices of human–animal relations Despret contends that humans are transformed, in their thought just as much as in their practices, as much as animals are transformed. This ess.. (shrink)

We begin to glimpse what the concept of zoopolitics means in Derrida, namely the place of an analysis and an interpretation of our political modernity in its links with the animality of the human and that of the animal, or more precisely still in its links with the proper of the human [le propre de l’homme] as it thinks of itself as a political and rational animal, in opposition to the animal that would be neither political nor rational. It must, (...) however, be noted right away that despite what might be called the animalistic tropism of Derridean deconstruction, it does not include a thesis maintaining the continuity between human and animal. If it is unquestionable that deconstruction refrains from making animality .. (shrink)

:In 2012, Despret published an abecedary entitled What Would Animals Say, If … They Were Asked the Right Questions? Covering a range of subjects, themes, authors, and animals, Despret carefully and playfully demonstrates the ability of animals to continuously force us to re-examine our most basic and arrived at human conceptions, understandings, and biases. Excerpted from this book are two chapters on art and gender. “O for Œuvres” looks at the question of animal agency and intentionality in the making of (...) a work of art. Drawing from Alfred Gell, Étienne Souriau, and bower-birds, Despret expands the notion of agency in art and questions the tendency towards human exceptionalism. In “Q for Queer,” king penguins come out of the closet to reveal and question certain preconceived human ideas about gender, sexuality, and cultures of heteronormativity within animal worlds. (shrink)

Taking a cue from Derrida, this paper offers a reading of Heidegger on the issue of animal time. Recent scholarship on Heidegger and animal life has shown how he describes animals as always lacking something (language, world, hands, death…) in comparison to human Dasein. Yet little attention has been paid to time itself. By reading the few references to animals in Being and Time , as well as contemporaneous works, one discovers that Heidegger never fully addresses the question of the (...) animal in terms of time. Despite his claim to offer a “comparative examination” between the ontologies of humans and animals, Heidegger continually raises the issue of animal time but only to leave it unsettled. Moving from Being and Time to his 1929-30 lecture course, Heidegger effectively brackets out the question of time, which this essay takes to be the reason why he himself remains unconvinced by his own analyses of animal ontology. (shrink)

Vinciane Despret is a Belgian philosopher whose work proposes new questions and approaches to human–animal relations. Of central importance to her thought is an intellectual and cultural proposal to allow animals to show their agency and to be interesting. In scientific research animals are too often reduced to uninteresting, instinctive machines, whereas other modes of engagement allow us to see the wonderfully surprising, culturally rich, and intelligently inventive lives lived by animals. With genuine curiosity, Despret responds that humans and animals (...) transform one another through daily encounters, and she explores these metamorphoses through the history of philosophy, literature, science, field research, and art. In a playful though serious tone, Despret claims that animals are always more interesting than we give them credit for, and that the achievements of animals are never far from our own. (shrink)

Roberto Marchesini is an Italian philosopher and ethologist whose work is significant for the rethinking of animality and human–animal relations. Throughout such important books as _Il dio Pan_, _Il concetto di soglia_, _Post-human_, _Intelligenze plurime_, _Epifania animale_, and _Etologia filosofica_, he offers a scathing critique of reductive, mechanistic models of animal behaviour, as well as a positive contribution to zooanthropological and phenomenological methods for understanding animal life. Centred on the dynamic and performative field of interactions and relations in the world, (...) his critical and speculative approach to the cognitive life sciences offers a vision of animals as acting subjects and bearers of culture, whose action and agency is also indispensable to human culture. In tracing the ways in which we share our lives and histories with animals in different contexts of interaction, Marchesini’s cutting-edge philosophical ethology also contributes to an overarching philosophical anthropology of the human as the animal that most requires the present and input of other animals. This book was originally published as a special issue of _Angelaki: Journal of the Theoretical Humanities. _. (shrink)

Dominique Lestel is a French philosopher whose work is significant for the rethinking of animality and human–animal relations. Throughout such important books as L'Animalite? , Les Origines animales de la culture and L'Animal singulier , he offers a scathing critique of reductive, mechanistic models of animal behaviour, as well as a positive contribution to etho-ethnographic and phenomenological methods for understanding animal life. Centred around hybrid human–animal communities of shared interests, affects and meaning, his critical and speculative approach to the animal (...) sciences offers a vision of animals as acting subjects and bearers of culture, who form their own worlds and transform them in concert with human and other partners. In tracing the ways in which we share our lives with animals in the texture of animality, Lestel's cutting-edge philosophical ethology also contributes to an overarching philosophical anthropology of the human as the most animal of animals. (shrink)

Roberto Marchesini is an Italian philosopher and ethologist whose work is significant for the rethinking of animality and human–animal relations. Throughout such important books as Il dio Pan,Il concetto di soglia, Post-human, Intelligenze plurime, Epifania animale, and Etologia filosofica he offers a scathing critique of reductive, mechanistic models of animal behaviour, as well as a positive contribution to zooanthropological and phenomenological methods for understanding animal life. Centred on the dynamic and performative field of interactions and relations in the world, his (...) critical and speculative approach to the cognitive life sciences offers a vision of animals as acting subjects and bearers of culture, whose action and agency is also indispensable to human culture. In tracing the ways in which we share our lives and histories with animals in different contexts of interaction, Marchesini's cutting-edge philosophical ethology also contributes to an overarching philosophical anthropology of the human as the animal that most requires the presence and input of other animals. (shrink)

Dominique Lestel is a French philosopher whose work is significant for the rethinking of animality and human-animal relations. Throughout such important books as _L’Animalité _, _Les Origines animales de la culture _ and _L’Animal singulier_, he offers a fierce critique of reductive, mechanistic models of animal behaviour, as well as a positive contribution to etho-ethnographic and phenomenological methods for understanding animal life. Centred around hybrid human–animal communities of shared interests, affects and meaning, his critical and speculative approach to the animal (...) sciences offers a vision of animals as acting subjects and bearers of culture, who form their own worlds and transform them in concert with human and other partners. In tracing the ways in which we share our lives with animals in the texture of animality, Lestel’s cutting-edge philosophical ethology also contributes to an overarching philosophical anthropology of the human as the most animal of animals. This book was originally published as a special issue of _Angelaki: Journal of the Theoretical Humanities. _. (shrink)