The proposed heavy dependence on Pavlovian conditioning to account for social behavior confounds phylogenically and ontogenically selected behavior patterns and ignores the extension of the principle of selection by consequences from biological to learning theory. Instead of acknowledging operant relations, Domjan et al. construct vaguely specified mechanisms based upon anticipatory cost-benefit considerations that are not supported by the Pavlovian conditioning literature.

The article aims to frame the issue of authenticity regarding street artworks. By introducing and analyzing the concept of artification, which refers to the situation when non-art is modified by art, I argue that street art manifests its authenticity through transforming the space around particular artworks. This transformation amounts to two facts: sanctioning certain practices which change our perception of the urban environment, and creating new aesthetic objects which are art-like.

The aim of this paper is to argue that proper artistic failure may turn out to be artistically appreciated and even considered as artistically successful. A set of arguments is provided in order to overcome intentionalism, the widely accepted view according to which an artist’s intentions fix the artwork’s meaning. Instead, we propose and elaborate an alternative model: emergentism of artistic meaning and value. Emergentism explains how artistic failure can turn out to be artistically successful. That is, artworks may succeed (...) despite the failure of the realization of artistic intentions. It is argued that such a rehabilitation of artistic failures, perceiving them as not necessarily doomed, paves the path for experiencing failures as not merely failures. The paper suggests that under defined circum- stances it is possible to receive aesthetic satisfaction from failures. Moreover, the possibility of treating failures as valuable, yet risky, artistic strategy is suggested. (shrink)

The aim of this paper is to sketch a framework for perceiving the act of consumption as an aesthetic phenomenon. I shall argue that, under some circumstances, it is possible to receive aesthetic satisfaction from the act of eating food, in which the object of one’s appreciation is, for the most part, considered separately from what is actually eaten. I propose to call such a process “aesthetic eating” and argue that due to its aesthetic autonomy it might be a potential (...) factor in enjoying certain kinds of food. This phenomenon is apparent in the case of the types of food that are acquired tastes. It is plausible that distinguishing the aesthetic pleasures of food from the ones associated with the act of eating can not only enrich our aesthetic life but also deepen the aesthetics of our overall gustatory experience. (shrink)

The article seeks to explain what it means to say that an object has the status of being made art-like. I have reconstructed and analysed Ossi Naukkarinen and Yuriko Saito’s definition of artification and flagged up its methodological limitations. My conclusions serve as a starting point for describing the nature of artified objects, the way they are individuated, and how they persist. I consider the question of what can and what cannot be artified. Finally, I propose that artification be redefined (...) in such a way as to render it informative on the grounds of the largest number of existing aesthetic theories of art. (shrink)

The question of whether food is art depends primarily on the definition of art that we agree to accept. The article proposes a model that helps us to focus our mind on what could be, and how we should understand the art of food, if we accept, having applied a fairly liberal theory of art, that food can actually be art. It is argued that there are no methodological or factual constraints indicating that food could not, under some circumstances, be (...) high art. This hypothetical form of art is called ‘edible art’. (shrink)

This paper is an introduction for the special issue of “Rivista di estetica” devoted to the role of ontology in contemporary aesthetics and philosophy of art. It describes the most dominating trends within current ontological inquiry in aesthetics and philosophy of art as well as presents papers collected in the issue.

Idea słowiańska” jest terminem ogólnym, odnoszącym się do wielu politycznych, historiozoficznych i kulturowych wątków, dla których inspiracją było językowe i kulturowe pokrewieństwo między narodami słowiańskimi. Takie ruchy jak słowianofilstwo i panslawizm miały na celu kulturalne i polityczne zjednoczenie Słowian. Idea ta wywarła silny wpływ na muzykę krajów środkowej i wschodniej Europy w XIX i XX wieku. Pod jej wpływem powstała znaczna liczba utworów muzycznych. Można utwory te podzielić na kilka grup. W jednych „słowiańskość” podkreślana była poprzez tytuł. Kompozytorzy używali również (...) typowo słowiańskich gatunków tanecznych i pieśniowych, jak polski mazurek i ukraińska dumka. Innym sposobem realizacji idei słowiańskiej były muzyczne kontakty między twórcami. Idea muzyki słowiańskiej pojawia się również w komentarzach muzykologicznych: słowiański „charakter” muzyczny bywał najczęściej łączony ze specyficznymi kategoriami emocjonalnymi, takimi jak smutek, tęsknota, szczególnie zaś żal, które to określenie stosowano do opisu przemożnego nastroju panującego w dziełach Chopina. (shrink)

The main subject of the article is a critical analysis of the functions of the criteria of identity. The author presents a methodological stance called criterialism which claims that the criteria of identity play an important role and have a vast application in both science and philosophy. A set of arguments is presented then to show a polemic stance that the criteria of identity are not responsible for individuation. The author nevertheless acknowledges a positive function of the criteria of identity, (...) which is stated under the name of ontological clarification. (shrink)

In the paper, classical assumptions of the problem of change are presented and analyzed. The author considers following assumptions which make theses about: (i) identity and persistence through time; (ii) a conceptual change; (iii) intrinsic properties; and (iv) the Leibniz's Law. In the light of the analyses, it is shown that the problem of change does not have substantial nature and therefore cannot be treated as legitimization of the theories of persistence. Finally, the author acknowledges a relationship between the rethought (...) matter of change and the theories of persistence. (shrink)

The paper aims at an analysis of the concept of landscape, offering an ontological approach. Our claim is that such a perspective is hardly ever assumed in philosophical aesthetics, even if theories of landscape appreciation are in fact based on tacit ontological assumptions. We argue that having an explicit ontology of landscapes is important, for aesthetic theories of their appreciation are often attacked in terms of the problems caused by their tacit ontologies. Therefore, we sketch an “Experience Ontology” that serves (...) as an alternative to the ontologies implied in the two best known aesthetic approaches to landscapes. We contend that a landscape should not be conceived of as an object or view but as a way of experiencing one’s surroundings, and we argue that our theory is not only free from the shortcomings of the two dominant theories but that it also corresponds better to everyday intuitions. (shrink)

The paper discusses the philosophy of language and communication based on Immanuel Kant’s transcendental method. Firstly, the basic assumptions of methodical rationalism are presented. Subsequent sections analyse Kant’s intellectual successors: Wilhelm von Humboldt and Ernst Cassirer. Both the intellectuals adopted Kant’s point of views and both treated language as an active, cultural factor participating in the creation of reality. The article ends with a suggestion that the transcendental approach will be present in the 21th-century researches on language and communication.

We analyse the role of a theatrical script and its relation to the literary work and the theatrical performance. We put forward an Argument from Modality, which demonstrates structural and functional differences between literary works and theatrical scripts. Next, we answer some potential challenges to our argument. We demonstrate that the failure to realize the far-reaching consequences of a clear distinction between the literary work and the theatrical script is a source of confusion in the debate on the relata of (...) the relation of interpretation. In particular, we show that the relation of interpretation does not hold directly between the literary work and the theatrical performance. It is mediated by the script. The script interprets the literary work by filling in its places of indeterminacy and adjusting it for stage purposes. Moreover, the script, which is a set of instructions, is executed rather than interpreted in a theatrical performance. (shrink)

Animals and War: Confronting the Military-Animal Industrial Complex is the first book to examine how nonhuman animals are used in war and the military. Animals and War contributes significantly to the fields of social justice, animal rights, and anti-war/peace activist communities. This book also will be read by peace, conflict, social justice, and critical animal studies scholars, students, and practitioners.

It is often said that television series are nowadays as good as films, or even better than them, but the philosophical inquiry into the former remains much less developed than the philosophy of film. A handful of recent books (e.g., Nannicelli 2016, Shuster 2017, Andrzejewski and Salwa 2018, Bandirali and Terrone 2021) have tried to fill the gap, but there is much work still to be done. Significant contributions to the aesthetics of television series are coming from television studies (...) and fil... (shrink)

M. Ally: Why Jaspers gives us Hope: Deconstruc ting the Myth of Cultural Impermeability B. Andrzejewski: Über Kant und Schelling hinaus. Zur Frage der existenziellen Theorie der Kommunikation bei Jaspers A. Cesana: Weltphilosophie und philosophischer Glaube J. M. Cho: Cross-Cultural Adaptations in Karl Jaspers J. Fukaya: The Japanese Moral Framework and Jaspers Philosophy K. Fukui: Karl Jaspers Philosophie aus Sicht der Kyoto-Schule J.-C. Gens: Jaspers Begegnung mit und sein Verhältnis zu China S. Hanyu: The Cross-Cultural Thought in Jaspers Philosophy. (...) In comparison with Kantian Thought in Toward Perpetual Peace K. Hara: Konflikte und Kommunikation der Religionen. Zur Möglichkeit des philosophischen Glaubens A. Hirano: Arendt und Jaspers: Der innere Zusammenhang und die Unterschiede zwischen den Gedanken beider S. C. Kim: Der philosophische Glaube angesichts des religiösen Pluralismus L. Lambrecht: Philosophie gegen den Nationalsozialismus: Hannah Arendt und Karl Jaspers E. Lee: Heidegger and Jaspers on the Public Sphere: Jaspers Theory of Communication as an Antidote to Heideggers Dark Public World W. Lee: Philosophischer Glaube und universale Kommunikation bei Karl Jaspers T. Nakajima: Die Idee der Universität inmitten der Popularisierung" T. Nakayama: Jaspers Philosophie und Buddhismus. Das Denken der Leerheit" C. Olay: Öffentlichkeit bei Jaspers und Hannah Arendt S.-K. Paek: Kants Schrift Zum ewigen Frieden im Spiegel dreier Interpretationen: Volker Gerhardt, Jürgen Habermas, Karl Jaspers E. Park: The Possibility of Social Existenz. A Reinterpretation of the Concept of Existenz in Karl Jaspers F. Peach: Jaspers, Existential Communication and Globalisation C. Piecuch: Welteinheit: Rationale Entscheidung oder kosmische Notwendigkeit? I. Ren: Zwei Wege der philosophischen Logik: Jaspers und Heidegger N. Reyhani: Die Anthropologie-Debatte und der Vorwurf des Positivismus gegen Karl Jaspers I. Sarin: Jaspers on Bridging the Intercultural Gap H.-J. Seideneck: Der Zusammenprall von Kulturkreisen im Weltdorf unter dem Blickwinkel des erhebenden Scheiterns bei Karl Jaspers H. Stelzer: Das Aufbrechen fixierter Weltbilder in der interkulturellen Kommunikation E. Struchholz: Karl Jaspers und Jacob Burckhardt: Existenz und Existenzbild A. Takahashi: Zur Wechselbeziehung zwischen der Kommunikation in der Geschichte und derjenigen in unserer Zeit bei Jaspers M. Wirtz: Die Regionen des Geistes. Zur interkulturellen Relevanz einer Weltphilosophiegeschichtsschreibung nach Karl Jaspers M. Wischke: Kommunikative Übergänge und Grenzsituationen. Über Schuld und Gedächtnis bei Jaspers. (shrink)

Contents/Inhalt: Preface. Vorwort. Abbreviations/Siglen. I. JASPERS ON WORLD PHILOSOPHY AND WORLD HISTORY OF PHILOSOPHY/JASPERS ÜBER WELT-PHILOSOPHIE UND WELTGESCHICHTE DER PHILOSOPHIE. Nekrolog von Karl Jaspers selbst verfaßt. Obituary by Karl Jaspers himself. Karl JASPERS: Weltgeschichte der Philosophie - Zweites Buch: Geschichte der Gehalte: Einleitung. Karl JASPERS: World History of Philosophy - Second Volume: History of the Substantive Contents of Philosophic Thought. Introduction. II. INTRODUCTION/EINLEITUNG. Leonard H. EHRLICH: Opening Remarks. Introduction of Jeanne Hersch, Honorary President of the Conference. Jeanne HERSCH: Von der (...) Wirkung einer "philosophia negativa". III. LEGACY AND TASK. VERMÄCHTNIS UND AUFGABE. Leonard H. EHRLICH: Ausblick: Vernunft, Geist, Geschichte. Sawako HANYU: the Concept of the "Encompassing" in World Philosophy. Andreas RINOFNER: Periechontologie und Weltgeschichte der Philosophie. Systematische Bemerkungen zu einem aufschlußreichen Verhältnis. Richard WISSER: Projekt und Vision einer "Weltgeschichte der Philosophie" und "Weltphilosophie" als Folgen der "Grundverfassung" von Karl Jaspers. IV. DIMENSIONS OF COMMUNICATION/RÄUME DER KOMMUNIKATION. Andreas CESANA: Grenzen der Rationalität und Kommunikation. Brenio ONETTO-BÄCHLER: Existentielle Kommunikation bei Jaspers. Czes_awa PIECUCH: Es ist gleichgültig, wer die Wahrheit ausspricht. Über die Uneigennützigkeit der existentiellen Kommunikation. Oswald O. SCHRAG: Existence, Existenz, and Social Organization. Vladimir KATASONOV: The Gadfly, Stinging the Sluggish Horse: The Socratic Mission of Jaspers's Philosophy. V. COMMUNICATIVE WORLD HISTORY OF PHILOSOPHY/KOMMUNIKATIVE WELTGESCHICHTE DER PHILOSOPHIE. Albrecht KIEL: Die Weisen des Umgreifenden, die der Mensch ist: Wege zu Jaspers' Periechontologie. Maria Luisa BASSO: K. Jaspers - N. Berdiaeff: une confrontation entre deux philosophies de l'histoire. Convergence et divergence d'affirmations. Inigo BOCKEN: Kommunikation und Mutmaßung. Versuch eines Vergleichs zwischen Jaspers' Idee einer Philosophie der Kommunikation und Nikolaus von Kues' Kunst der Mutmaßungen. Boles_aw ANDRZEJEWSKI: Jaspers' Stellung zur Romantik im Lichte seiner Sprachphilosophie. Endre KISS: Karl Jaspers' Auslegung Nietzsches als eines Metaphysikers der Immanenz. Danièle MOYAL-SHARROCK: Genie et Folie selon Jaspers. Milan UZELAC: The World and Existence. Pablo LÓPEZ-LÓPEZ: Das Studium der Philosophie als Studium der Weltgeschichte der Philosophie. VI. COMMUNICATIVE WORLD PHILOSOPHY: EAST AND WEST/KOMMUNIKATIVE WELTPHILOSOPHIE: OST UND WEST. Wonjae LEE: Karl Jaspers und das Weltproblem des interreligiösen Dialogs. Silvia MARZANO: Comunicazione mondiale, kantismo e frattura dell'essere in Karl Jaspers. Una "terza via" fra Occidente e Oriente? Indu SARIN: Jaspers's Quest for Existential Communication. Mohammed MARUF: Jaspers and Iqbal on Self, Freedom and Communication. Subhadr PANYADEEP: Ich und Nicht-Ich bei Jaspers und im Buddhismus. Kazuteru FUKUI: Das Wesen des Buddhismus und Jaspers' Philosophie. Yukio MASUBUCHI: Jaspers und Nishida. Eine Theorie des "Topos" in der Lehre von der Kommunikation. Hans SANER: Weltphilosophie und Globalkultur im interkulturellen Vergleich mit den Konzepten "Weltmusik" und "Weltkunst". Gerhard RAUCHE: The Paradox of " Das Scheitern " as a World Formula. VII. COMMUNICATIVE WORLD PHILOSOPHY: FREEDOM AND TOLERANCE/KOMMUNIKATIVE WELTPHILOSOPHIE: FREIHEIT UND TOLERANZ. Anna MASÓ-MONCLÚS: Libertad y autoridad en Hannah Arendt y Karl Jaspers. Otmar KLEIN: "Weltverabsolutierung" und Verantwortungsverlust. Kurt SALAMUN: Grenzen der Toleranz. Zum Offenheits- und Toleranzparadigma in der Philosophie von Karl Jaspers. Giorgio PENZO: Politik als Ethos und das Problem der Freiheit bei Jaspers. Gerhard KNAUSS: Von der Weimarer Republik zur Weltpolitik. Wandlungen in Jaspers' Auffassung und Wertung der Politik von der Heidelberger Frühschrift "Die geistige Situation der Zeit" bis zu den Basler Spätschriften. Hermann-Josef SEIDENECK: Freiheit und Wiedervereinigung auf dem Prüfstand. Prognose und Ergebnis unter dem Blickwinkel von existentieller Kommunikation im Welthorizont. Appendix/Anhang. (shrink)

The first two sections of the paper draw attention to some incompletely interpreted issues within two Romantic dramas: the unclear status of the protagonist in "Dziady, Part IV", and the ambiguous relationship between Goplana and Grabiec in "Balladyna". The third section of notes is an encouragement to discuss two topics: ‘From Zygmunt Krasiński’s Leonard to Jerzy Andrzejewski’s Diego de Manente’; ‘From "Pierścień Wielkiej-Damy, czyli: Ex-machina-Durejko" by Cyprian Norwid to "Tango" by Sławomir Mrożek’.

The first two sections of the paper draw attention to some incompletely interpreted issues within two Romantic dramas: the unclear status of the protagonist in Dziady, Part IV (on the one hand, representing the indefinability of man and, on the other, constituting the illustration of how lightly one may lose consistency and identity), and the ambiguous relationship between Goplana and Grabiec in Balladyna (which can be perceived in terms of the complex relations between ‘the angelic soul and the bluff head’ (...) (dusza anielska i czerep rubaszny). The third section of notes is an encouragement to discuss two topics: ‘From Zygmunt Krasiński’s Leonard to Jerzy Andrzejewski’s Diego de Manente’; ‘From Pierścień Wielkiej-Damy, czyli: Ex-machina-Durejko by Cyprian Norwid to Tango by Sławomir Mrożek’. (shrink)