The US neutrino community gathered at the Workshop on the Intermediate Neutrino Program at Brookhaven National Laboratory February 4-6, 2015 to explore opportunities in neutrino physics over the next five to ten years. Scientists from particle, astroparticle and nuclear physics participated in the workshop. The workshop examined promising opportunities for neutrino physics in the intermediate term, including possible new small to mid-scale experiments, US contributions to large experiments, upgrades to existing experiments, R&D plans and theory. The workshop was organized into (...) two sets of parallel working group sessions, divided by physics topics and technology. Physics working groups covered topics on Sterile Neutrinos, Neutrino Mixing, Neutrino Interactions, Neutrino Properties and Astrophysical Neutrinos. Technology sessions were organized into Theory, Short-Baseline Accelerator Neutrinos, Reactor Neutrinos, Detector R&D and Source, Cyclotron and Meson Decay at Rest sessions.This report summarizes discussion and conclusions from the workshop. (shrink)

Offers a theory of art that overturns post-Romantic, prescriptive theories and reclaims the independent and direct experience of art as being of primary importance. The text examines the relevance of perception and attacks social usefulness as the criterion of excellence in the arts.

In his new work, Disappointment, Bruce Fleming starts from the realization that even objective views of the world are so only under specific circumstances. Subjects range from war and the nature of explanation systems such as science and astrology to a concept Fleming calls "coloring." When we identify coloring, it seems to us that a single quality of something larger has eclipsed all its other qualities—for example, skin color or sexual orientation coming to stand for the whole much more complex (...) individual. (shrink)

Literary theory of the twentieth century in the Anglo-American tradition forms a coherent whole, dividing into discrete clusters. This theory is riddled with purely logical problems inherent in its enterprise, resulting from the fact that Modernist theory develops as an offshoot of Romanticism. Such fundamental flaws, or discontents, afflict all Modernist theory, from Russian Formalism through Structuralism and Deconstruction. The problems of Modernist theory cannot be solved; at most we can resolve to take theory in a new direction.

The author criticises chapter 5 of r m hare's "the language of morals" in which hare tries to show why naturalism is "untenable." the author concludes that hare's analysis as well as the naturalists' "keep us from saying what we do say and want to say." (staff).

This book is set in many places—Cairo, the Eastern Sierras, Las Vegas, New York's Adirondack Mountains, and Barcelona, among others—but always in the moving body of the runner hurtling both through and into the world. It is a hymn to human motion and an explanation of its sweetness.

Science and the Self offers a fundamental re-conception of the relationship between science, a specific type of knowledge, and the other types of knowledge that are equally part of life. This book offers a refreshing, coherent view that explains the nature of the self in the world, the nature of belief, and whether miracles are possible.

Sexual Ethics considers the traditional Western views, as well as Freudian explanations, of sexuality. Author Bruce E. Fleming proposes that sex operates in an intrinsically undefined area, one stranded between the two realms that otherwise define our public and private lives. The most heated debate regarding sexual matters is between liberal and conservatives. Whether or not these two groups can continue to co-exist under the umbrella of American democracy depends on their willingness to adhere to the basic principals of democracy.

The Aesthetic Sense of Life is a fast-moving book about how to see the world and get value from living every day with the "everyday." Do the infinite number of sensations we're surrounded with every day have intrinsic value? If not, what gives them value? Who appreciates the sunrise if we don't? Is it enough for just us to appreciate it? Or do we have to share it? The Aesthetic Sense of Life considers and answers to questions such as these (...) in clear, readable prose, offering a way of looking at life that makes clear its value and its meaning. The aesthetic sense of life is neither the viewpoint of the saints—for whom the sensations of the world are mere murmuring and illusion—nor the viewpoint of those completely fulfilled by their things, their gadgets, the particulars of their own lives. Most of us fall in the middle between these two extremes: we appreciate, say, a good cup of coffee, a power tool, a new set of towels, or a juicy steak, but don't think the answer to the riddle of existence is to be found in any of these. We appreciate them without thinking them sufficient. What's missing from them? What's missing is this: a sense that they can give meaning to life. (shrink)

Hamlyn's book is exactly what the subtitle says it is: a history of the philosophy of perception, where this is taken to be a part of what is now called the philosophy of mind, as distinguished from the theory of knowledge. He expounds and criticizes, clearly and carefully, the views of Western philosophers from the pre-Socratics to Ryle and Sartre, and in a final chapter of about ten pages he offers some conclusions of his own. He holds that "in the (...) primary sense, perception can signify any means whereby we come to recognize, identify or characterize something by means of the senses" ; that there is a conceptual connection between perception and sensation, in the sense that "an essential condition of our application of the concept of perception to a being of any kind is that such a being should have sense experiences or sensations" ; but that it is a mistake "to ask what experiences, processes or activities constitute perception... [although] this is just the question which has so often been asked in the history of philosophy and psychology". "An understanding of the concepts of sensation and perception comes... not by asking what experiences, processes or activities these terms stand for. It can come only as the result of an inquiry into the concepts which form the schemes to which these particular concepts belong". These schemes, Hamlyn says, center around the concept of knowledge, and include such concepts as those of identification, recognition, and awareness. (shrink)

Ludwig Wittgenstein's Tractatus Logico-Philosophicus was informed by the belief that it was possible to get clarity once and for all on fundamental philosophical issues, and so to think our way to a silence where philosophy was no longer necessary. This is The New Tractatus: it sympathizes with Wittgenstein's impatience with the endless cycle of argument, but reacts to this impatience and takes it in different directions than Wittgenstein did. Wittgenstein was concerned with questions like these: What is the meaning of (...) language? What is our relationship to the universe? What is the nature of philosophy? These questions are covered in The New Tractatus, along with many other topics, such as: Why is sex a controversial issue? Why are we so interested in celebrities? What is the nature of love? Why do liberals and conservatives argue about so many things? What is magic? Can miracles occur? Is science objective? Does art lie to us? How do we win arguments? What is the meaning of life? What The New Tractatus shares with the old is the fundamental perception that we can never transcend what is. The world is all that is the case: whatever comes to be is part of the world. (shrink)

What if Plato's Symposium took place in present-day America rather than in ancient Athens? The Thanksgiving Symposium imagines this, and makes it happen. Like Plato's dialogue, The Thanksgiving Symposium focuses on the age-old question: what is the nature of love? In The Thanksgiving Symposium, three men and three women of varying ages and degrees of closeness meet for Thanksgiving dinner. Their particular situations give rise to a discussion of love in the general and the specific, leavened with the normal give (...) and take of social interaction. During the evening, much is discussed and some things are decided. Plato's dialogue verges on being a play about philosophy rather than a philosophy, people discussing things rather than a philosopher telling us what to conclude. The Thanksgiving Symposium develops this aspect of Plato while offering a new philosophy that responds to the old. Is the result a play? A dialogue? A philosophy? Like Plato's Symposium, it is all of these at once. (shrink)